A meal at The Wild Rabbit starts two miles away from the pub in Daylesford. It is here, behind the gigantic farmhouse that is the Daylesford organic farmshop, the cooking school, and Bamford Haybarn Spa, that you will find a sprawling farm. They have it all here; a dairy, cheese producers, orchards, poly tunnels and fields and fields and fields of the most incredible produce that I have personally ever seen in this country. On a hot summers afternoon we watch chefs in the distance talk to the head gardener and take back the pick of the crop; tomatoes, courgettes, the fattest of globe artichokes. This is their larder. And what a larder it is. The transition from soil to plate has rarely been more synchronised, or as successful.
Back in the pub the dining room is square, unimposing, and smaller than you may think. The pass lines up one side of the wall, through which we can see the relatively new team at work. Since the turn of the year the pub has gone through a drastic change of staff, the kitchen now led by Chef Patron Alyn Williams of namesake restaurant in Mayfair, and Head Chef Nathan Eades, previously of Simpsons. That is some team. According to them the cuisine has become more simplified, reliant on the produce from the farm more than ever. Whilst the bit about the produce is true, the food is not simple in the slightest. The technique is tight, the combination of flavours brave at times.
We go with the tasting menu because it seems silly not to, given that it is £65 and three courses would only be marginally less. I also opt for the better of the two wine pairings at £95 because I want to, and because this seems to be the best way of rubbing it into Claire’s nose, who is today’s designated driver to this beautiful part of the world. Crudités arrive swiftly in the form of spring onions, courgettes, cucumber, and fennel, served with a broad bean hummus. The quality of the vegetables are breath-taking, fresh and clean in profile, with the hummus lifted by an olive oil that has us begging to find out where it is from. From here we have two more nibbles, the first being knockout. A take on the ubiquitous Big Mac has beef tartare on a little brioche bun with burger sauce. The tartare has been cut with gherkins and capers, the sauce almost like a spicy béarnaise. It is glorious, up there with the best canapés I can recall eating. Following this is a croquette of pigs head with a puree of apple and red wine. The deep fried pig is rich and meaty, though I’m less keen on the puree that seems to ramp it up rather provide the acidity to cut through it. But still, what a world class start to the meal. Two types of bread roll keep up the standard. The attention to detail, right down to the butter churned back at the farm, is staggering.
The first course was a cracker. Tomatoes straight from those poly tunnels, picked white crab meat, Thai basil, burrata, and a mayo made from the brown meat. Everything is there to showcase the tomatoes which are stunning in quality. It’s bright and clean in flavour. The next plate has folds of iberico ham with peach, compressed and charred watermelon, fennel, and baby courgette. It’s a similar story to the first course, the ham is here to bring out the best in the peach and melon, the cured meat intensifying the sweetness of the fruit. A two part course sees rarebit on toast swiftly followed by an intense onion broth, cheese dumpling and jalapeño; just a few simple ingredients twisted into something magical. We ask for more bread rolls, smear thick with butter and work the last of the sticky broth out of the peripherals of the bowl.
A stone bass course would be Claire’s favourite of the day due to a rather genius garnish. The fish is impeccable; skin crisp, flesh opaque at the core, and even better with the shellfish cream perfumed with lemongrass. To the side are griddled courgettes, with mushrooms laced with cavier crisped up in a pan with a little onion and potato. I am not doing this element justice; it takes some very good produce and makes it exceptional, adding a luxury and salty element to the plate. Chicken has the unenvyiable job of following this, though manages to keep up the standards with a shard of breast and leek jaqueline and a side bowl of chicken casserole, finished with a kind of vichyssoise foam and a healthy dusting of truffle. As good as the chicken breast is I kind of lost all interest once I’d tried the casserole. Light and summery, the flavour from the less favoured parts of the bird are fantastic, lifted by the foam and frangrant truffle. Brilliant stuff.
A kind of summer cup slushy with raspberries sees us into the latter stages of the meal before the final fireworks. A millefeuille takes the same ethos as the savoury courses and places some beautiful plums at the forefront, both sandwiched between flaky puff pastry and as an icecream with unbelievable depth. Hands up, I’m a sucker for desserts like this, but there can be no doubting that this some serious pastry work. Chocolate macaroons conclude the meal. By now I’m full and more than a little tipsy.
I am reminded of an episode of Chef’s Table that focused on Dan Barber of Blue Hills. During that he recounts a story that defined Blue Hills; when they had an abundance of asparagus and he made the call to use the vegetable on every course. Whilst not on that extreme, the similarities are there: the repetitions of ingredients are not driven by anything other than prime seasonality. The ability to pluck something out of the ground in its best condition and transfer it to the plate with minor intervention. The meal is not about the protein, but about those courgettes, leeks, tomatoes and plums. It’s an ode to those who plough the fields at Daylesford. I really don’t want to keep on handing out perfect tens, but The Wild Rabbit leaves me no choice. Both Alyn Williams and Nathan Eades have created a menu totally unique to their environment which needs to be both applauded and celebrated.