1 Star

Ynyshir, April 2019

Unknowingly we book into Ynyshir the day before they all break for holiday. The restaurant is in a relaxed mood; Jake Buggs ‘Lightning Bolt’ is playing on the record player as we check-in, with all the staff in non-uniform. Some have taken this as an excuse to wear comfy clothing, others excessively loud shirts. Really loud shirts that should never see the light of day. They buzz through the corridor by the kitchen pass, taking out the empty plates from a packed dining room. As we tuck into a welcoming bowl of thick onion with sourdough in the bar area, it is great to see it this busy: eighteen months ago when we first visited there were us and six others present for a lunch service. Five visits later and they are struggling to get us a table, incredible to think for a booking that includes the legendary food blogger who is Claire Tucker and her pathetic boyfriend. I’m happy this way; they deserve it. Hard work pays off, this much is clear.

I won’t hide my love for Ynyshir, nor should I try. My good friend Rory now works here, and over time I have got to know owners Gareth and Amelia as well as several of the team who now recognise my bloated head in their tiny dining room. If there is bias present it is only on my part; I knew no one back in August 2017 when we first went and launched into hyperbole, and I recieve no concession on the £150 tasting menu. Simply put, we are here yet again because it is where we choose to spend our money, which we do a little overzealously every. single. time. Make of that how you wish.

It seems that since our last visit a lot of effort has been made to improve the smallest of details. The soys, mirin, and vinegars have all been upgraded to the best they possibly can be, resulting in more elegant acidity, whilst they have a big tank now that cooks crabs and lobster from fresh during service. The overall experience has been upgraded, a statement I wasn’t expecting to make. The ‘Not French Onion Soup’ is more refined, the duck with sesame more crispy so that the reference to the Chinese takeaway is more obvious. That duck blew my mind this time around. The slice of bread seemed smaller, which is fine because it means the layers of wagyu fat and mirin butter get thicker. Only an idiot would fill up on bread here, anyway.

Four new dishes follow, each of them highlighting just how fast the kitchen has developed. The first is katsu chicken; a relatively simple dish of brined poultry cooked over the japanese barbecue built by one of the chefs. The meat is then rolled through panko breadcrumbs cooked in butter and finished with the katsu ketchup which previously used to coat the crab. It is unbelievable; a smash in the face of flavour that bears only the faintest of resemblances to the now most ubiquitous of British dishes. Take that, Brexit. The crab is now a take on the Singapore dish, chilli crab, with a generous amount of meat bound in sauce packed with garlic, ginger, chilli, and soy. I made the bold statement in saying that the crab katsu was the best dish I ate in 2018: both of these are upgrades on the main components. The mackerel is now aged in the salt chamber to take out much of the oiliness, served in a bowl with a dark and heady sauce, and a little grated fresh wasabi, before we move on to cod in two servings. The first is a take on black cod, which is surprisingly gentle in flavour to allow the cod tell its own story. When this is downed they pour some of the cooking liquor into the same bowl with slices of raw shitake mushroom. I loved this; it has purpose and is an original way of getting the flavour of cod out there. Remember what I said about not filling up on bread? You’ll need another slice here to make sure not a drop is left.

We have the duck with hoisin again, the cawl which I still can’t get on board with, the lamb rib that I can always get on board with, and then the pork char sui, which is fatty and lucious and has me slurping unattractively from the bowl like the man I once sat next to on a flight in Vietnam. I hated him. I love this though and it’s over far too quickly for my liking. It’s a star dish in a lengthy menu littered with them. There is the aged foie gras with birch syrup and smoked eel that I devour in a single mouthful, and then a new dish of scallop roasted on one side only with aged beef fat and pickled elderflower. It’s got bollocks as a plate of food, a contrast of textures and big flavours that somehow holds on to the flavour of the scallop. I was concerned about this not working. It turns out I had nothing to worry about.

A slab of 215 day aged wagyu is presented to us, telling us that this is to be served as a burger and then tartare. But first the garlic prawn arrives; the meat is delicate, the roasted prawn shell sauce noticably better thanks to the higher grade soy used. The wagyu returns as that burger, a thousand times better than the thousand times I tried rip-off versions in the last year and a half. Then the tartare, which is just sit-yourself-down-and-take-stock-of-everything brilliant. A complex mix of barely warm beef, fermented grains, some kind of soy dressing, and egg yolk dressing. It’s mega, reminsecent of the first time I tried the vennison tartare at L’enclume, and up there with the very best raw dishes I’ve ever been served. More wagyu follows as a shortrib with mushroom but by now I am stuffed. I should probably point out to any vegetarians at this point that this may not be the restaurant for you.

By now the music has whizzed through The Prodigy and is onto ‘Doggystyle’. We take the cheese course of Tunworth on a sourdough crumpet with a maple/white truffle lick of magic. Every bit as glorious as it sounds. The yuzu slushie that follows is a clever way of resetting the palate before the dining room halts to mark the first dessert with a plume of nettle scented dry ice, pouring off the tables and on to our feet. The course itself has been defeated by the two cocktails and three bottles of wine we’d consumed up to this point, and if I’m correct I was more concerned with rapping the first verse to Ain’t Nothing But A G Thang than eating the buttermilk pannacotta before me. So as far as the courses in this paragraph go, we’ve had one, two, three, and to the four, as we sign off with the white chocolate and black bean mouthful which is salted caramel when you close your eyes. Perfection is perfected, and with that I promise no more bad Snoop Dog references.

From a young G’s perspective the last three courses are a whistle stop tour of three classic desserts, reimagened in rural Wales. We blitz through a new version of the sticky toffee pudding (now with a flourless date cake replacing the compressed fruit), the rhubarb and custard, and the tiramisu. Each are utterly brilliant in their own way. The last nibble is a piece of fudge made from wagyu fat. We retire to the bar and The National’s classic album ‘Boxer’ is played. And people wonder why this is one of my favourite places in the world.

Purnell’s in pictures. Birmingham.

If any of the Purnell’s team are reading this, please take this as a public apology. Know that I normally behave far better and I’m not proud of my state in your restaurant. For clarification, we were celebrating Claire’s birthday a little too heavily; Opheem, Arch 13, Nocturnal Animals and Hotel du Vin until the very early hours the night prior. Back in Little Blackwood at 10am for breakfast and a birthday bottle of Nyetimber, The Edgbaston for a quick four glasses of Moët (and a couple of drams of Japanese whisky), Pint Shop, and then Purnell’s for lunch where we were kindly greeted with more of the fizzy stuff. You do the math. It was a lot of booze before we sat down for lunch.

As a result I’ve contemplated not putting this on the blog. I’ve been hazy on detail before, but that usually happens during the meal; I have never turned up for dinner drunk – I happen to think it’s fantastically poor form. I’ve decided to utilise Claire; her pictures and her memory (she skipped many of the morning’s drinks), and just write about the bits I’m certain on. What is clear is that Purnell’s delivered another brilliant lunch; one that is witty and theatrical, that still has real technique and flavour at its core. We have many brilliant Michelin starred restaurants in this fine city, yet none wear all that is brilliant about the city quite like this fine restaurant.

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The highlights were the coal potatoes with chorizo dip that echoed the river pebbles at Mugaritz, the cheese and pineapple that remains one of my favourite dishes in Birmingham, the cod with satay, and a couple of really excellent desserts; a chocolate and mint number that worked on a multi-sensory level, and that brilliantly iconic 10/10/10 egg custard. Service was exemplary from start to finish, the chosen wines from Sonal for each course perfectly judged. It was all very, very good. I just wish I was a little less ashamed of it.

So Thank You to Sonal for looking after us so well, to Glynn and to Luke for popping out the kitchen and saying hello. Claire had an incredible birthday and the two hours at Purnell’s were a huge part of that. If you’ll have me, we’ll come back and I’ll stay sober this time. Purnell’s deserves far more than the above pictures and a few words.

Transport provided by A2B Radio Cars

 

 

 

 

Top Ten Dishes of 2018

I’ll be sad to see the back of this year. Unlike the personal life chaos of 2017, this year has been one of balance and progression. I’ve had a promotion at work, been on several lovely holidays, and changed the tact of this blog. We’ve eaten a few shocking meals, and many, many, many good ones. With the rest of this year’s posts eaten and all but written, I thought now would be a good time to reflect on the very best dishes of the year. It’s been a tough one to collate, and honourable mentions must go to Daniel et Denise, Purnell’s, and Maribel who have just missed out on this list.

10) Pain de Epice Soufflé, Bergamot ice cream at Cheal’s, Henley-in-Arden

The only dessert on this list and for good reason. A gingerbread soufflé that harks back to my first visits to Simpsons; textbook in flavour and texture, and bought up-to-date with a bergamot ice cream that works harmoniously with the spice.

Read the full review here.

9) Stone Bass with courgette and crispy caviar at The Wild Rabbit, Kingham

I have no issue in saying that on paper this was the course I was least looking forward to during a lengthy lunch at The Wild Rabbit. It proved to be a beauty, with fish that flaked at the nudge of a fork, and the genius addition of crispy caviar – a blend of potato, onion and caviar – which elegantly seasoned it. Head Chef Nathan Eades is playing to their strengths here, utilising the vast Daylesford organic farm a couple of miles away. And it shows, with the courgettes on this plate treated with as much respect as the more luxurious items.

Read the full review here.

8) Tortilla at Bar Nestor, San Sebastián

The fabled tortilla of Nestor for which crowds form an hour before he opens for one of the sixteen slices. It is so worth it. Where the key ingredient is love (and maybe caramelised onions). There is much to love at this little spot in the old town, like the Galacian beef for two, but this stands out by itself. The best tortilla in the world, where it is impossible to believe something so good can come from just eggs, potato, onion, salt and pepper. Once seduced, we had it every day of the holiday.

Read the full review here.

7) Turnip, parmesan, autumn truffle at Folium, Jewellery Quarter

Lots of people I respect told us to go to Folium, so we knew it was going to be good, though neither of us really expected it to be that good. This dish was the star; a loose take on a carbonara, with ribbons of the root veg standing in for pasta. The additions of mushroom, parmesan emulsion, lardo, and truffle add huge amounts of umami. Utterly brilliant stuff.

Read the full review here.

6) Lobster with sauce American at Azurmendi, Bilbao.

A true three star experience at one of the finest restaurants in the world. Technically perfect with innovation running throughout, the highlight was this poached lobster which ate every bit as well as it looked. The balance between the acidity of the sauce and richness of the coffee butter was impeccable. Seriously classy stuff.

Read the full review here.

5) Taglioni with butter and white truffle at Laghi’s Deli, Edgbaston.

The discovery of Laghi’s has been a personal favourite of mine this year. They shine most when the quality of the ingredients are allowed to sit at the forefront, with no dish showcasing that better than this off menu dish. Taglioni made by the fair hands of mother Laghi, dressed in melted butter and plenty of white truffle from Alba. The pasta at Laghi’s is a joy, matched only by the sense of hospitality from this family restaurant.

Read a review of Laghi’s here.

4) Lasagne of wagyu beef and celeriac at Harborne Kitchen, Harborne.

Want proof that a restaurant can be a fun place to work? Go Harborne Kitchen, where everyone looks like they’re enjoying being there. The results of this freedom are best demonstrated by this dish that takes the homeliness of lasagne, swaps the pasta for celeriac, adds a rich wagyu beef ragu, and finishes with an indulgent cheese sauce. It’s comfort food of the highest order from a kitchen that continues to progress and innovate. I’m going back for it next week before they take it off the menu.

Read a review of Harborne Kitchen here.

3) Langoustine and sweetbread at Core by Clare Smyth, London

Core feels like the end product of a chef who has travelled the world, working and eating their way around the very best kitchens. The two stars they recently received appears to be just the start, with Clare Smyth striking me as someone who won’t stop until her restaurant is talked about in the same breath as the very finest in the world. The lunch we had was nigh on perfect, with this starter the pick of the bunch. Two proteins and two sauces equate to one cohesive dish full of nuance and control.

Read the full review here.

2) Soft shell crab at Opheem, Jewellery Quarter

I very nearly chose the pork with vindaloo sauce, but I’m sticking this in because it demonstrates how Aktar Islam has progressed as a chef. I’ve eaten this dish of his in various guises about half a dozen times. Each time I marvel at how it has improved, and consider that version to be the ultimate. Now the dish feels perfect; a marriage of modern technique and classic flavours. More importantly, it is a tribute to the crab, to the delicate bits of white meat and the more pungent brown meat. Aktar is redefining Indian cuisine in a way we have never seen before in the UK.

Read a review of Opheem here, here, and here.

1) Pork Char Sui and Crab Katsu at Ynyshir, Wales

I know I’m cheating, but this is my blog, and frankly I don’t care what you think. I can’t choose between these dishes so they get joint top spot, and they absolutely deserve it. Ynyshir has stepped it up another level this year, delivering full-on unadultered flavour that smashes you in the face continually over four or so hours. These two dishes were new to me and both blew me away for the clarity of flavour. That pork char sui melts away in the mouth leaving a finish that dances between sweet and savoury, whilst the crab katsu manages to still put the delicate crab at the forefront whilst the katsu ketchup lingers in the background. Gareth Ward continues to churn out future classics at what I believe to be the UK’s best restaurant.

Read this years posts on Ynyshir here and here.

And the top one taxi firm of 2018 goes to A2B for continuely ferrying my fat arse around.

Ynyshir, August 2018

The morning after our dinner at Ynyshir we are back in the restaurant eating breakfast. Perched on the pass bench we can see the kitchen hard at work whist Marvin Gaye hums quietly in the background. The smell of bacon lingers in the air. The team are in a great mood, poking gentle fun at one another whilst poaching eggs and frying off the lamb patties, happy to engage in conversation despite the late finish and early start. It was during these exchanges that we discussed ambitions, with one chef saying that after Ynyshir he would only want to work at Nathan Outlaw; to learn fish in the same manner Gareth Ward had taught them meat. This statement only sunk in during the long drive back to Birmingham. In the same way Nathan Outlaw is the place to go for seafood, Ynyshir has become a meat mecca without ever labelling themselves as such. The treatment of animal – from the salt rooms through to the cooking – is like nowhere else. And the team here know that, describing the present feel in the kitchen as similar to ‘the Harveys days’ when a young Marco Pierre White ripped the arse out of cooking in this country, leaving a legacy of shit chain restaurants and ultra talented chefs such as Gordon Ramsey, Phil Howard, and Stephen Terry.

It appears that the association with Harveys may not be far off the mark. As of this morning, Ynyshir have leapt into the top 5 list of the Good Food Guide with Gareth Ward named Chef of The Year. It’s phenomal work for a kitchen that refuses to stand still. A couple of weeks back we saw this firsthand, perched high upon the chef’s pass seats for this, our fourth meal there in a year. I won’t run through all twenty-odd courses again, instead I’ll focus on the new dishes, or those that have improved. And a few favourites: it would be a shame to leave those out. What I will say from the top is that this was the best meal yet, a nigh on perfect riot of flavour that consistently hit the two star standard and occasionally the level above that. Ynyshir is worthy of a special trip. Everything about the place, from the rooms, to the mountain views, the firepit outside, the drinks programme, and especially the restaurant, has a certain magic about it.

After the ‘Not French Onion Soup’, the crispy duck leg with seasame oil, and the bread course starter procession, we get the first of the new dishes on tonights menu. Mackerel cooked under the heat lamps, in a puddle of fermented raspberry juice with the same fruit frozen, and a little freshly grated wasabi (you’ll get none of the dyed green shit here). I have a little issue in general with oily fish, though I really like the clever interplay between the acidic, the sweet, and heat. What follows this is the best thing I’ve eaten this year: crab katsu has picked white meat coated in a katsu sauce that is instanstly recognisable, yet so much better than the Wagamamas version you are now thinking of. All it needs is a soy dressing enriched by the shell, and a little puffed rice for texture. Perfection.

One of Gareth’s main skills is the construction of dishes that have instant conection with food memory. In a similar way that Heston links meals to book narratives or childhood, many here are instant riffs on takeaway dishes, or fast food. We get Char Sui pork which are cuts of slowly cooked pig belly that melt in the mouth, sat in a puddle of the cooking broth. There is duck kissed with hoisin sauce and blanketed in a slice of compressed cucumber. Both in theory could be ordered with a hangover and ate in front of the telly. Neither would taste as perfectly rounded as this. The Wagyu beef burger course is the ultimate Big Mac. You cant help but smile whilst eating.

The whipped foie course has been upgraded to a fermented bilberry juice that cuts through the richness even better than its predecessors, whilst a new dish of tomatoes with lardo is fresh and unuasually restrained for the kitchen. After this is a flurry of our favourite courses; Wagyu short rib with mushrooms, that swoonworthy garlic prawn, the deconstructed Caesar salad, the lamb rib that I tell everyone about, and the lamb with kombucha that is a Sunday roast with mint sauce. Claire has the cheese course because her eyes rule her body: I request a short break.

Sweet courses start with a sharp fermented raspberry slushie, followed by a fermented raspberry jam on toasted sourdough. Jam on toast. They should offer that at breakfast, too. The knockout custard from last time returns with fermented blueberries, the dessert courses slowly edging sweeter whilst still staying true to the ethos. We have the strawberry dessert that riffs on summer cup, the tiramisu (still the best dessert I think I’ve eaten), and finish on the Wagyu fat fudge. Four hours done to the vinyl soundtrack of Stone Roses, INXS, and Kings of Leon. I loved every second of it.

Dinner is a boozy one and there are a couple of courses I struggle to remember in lieu of the cocktails and three bottles of wine consumed. This is a birthday treat so I’m not seeing the bill on this occasion, though you should allow a couple of hundred each for dinner and wine, more if you stay over in the beautiful appointed rooms. Stay in the rooms, treat yourself. The fact is that Ynyshir has made me a worse food blogger over the last year; I should be out using this money to eat in far more varied places. But we don’t want to. Everytime the idea comes around to take a weekend treat, it is here that we discuss first and ultimately last. There is nowhere else like it. They are on to something special; I know it, as does Gareth and all of his team. The accolades 2018 have delivered thus far are just the start; this is a restaurant destined to go all of the way to the top.

good pictures by Nosh & Breks, rest by me

The Greenhouse, Dublin

To say I was impressed by the food scene in Dublin is an understatement of epic proportions. In four days we had really good burritos, a lovely bistro meal, proper beef burgers, and two excellent breakfasts (no, not the White Moose café). There is a thriving independent scene of people passionate about feeding customers well. I loved it a lot more than the beer prices, which for a country with an alleged drink problem are bordering on scandalous. Still Dublin has a lot more going for it than three whisky museums and a street filled with stag parties. I loved it, and when I’ve saved for another twenty years to afford it, I’ll be back.

One of the reasons I loved it was The Greenhouse, a smart restaurant on the corner of St Stephens Green. It comes with a big reputation, with many in the know describing it as Ireland’s best kitchen. The interior is smart and compact, with tables a little closer than ideal. It allows us to get acquainted with the couple either side of us; both convivial and possessive of that Irish charm; both celebrating a special occasion. We order a bottle of txakoli from a list that offers little value and take to the nibble that is placed before us. The ball of deep fried pigs head has dense meat lifted by a little apple. Nice enough, though hardly setting the world alight. The sourdough bread that follows is pretty much perfect, with a crumb that snaps and a light texture onto which we smear butter an inch thick. It is a bread we would request more of as the meal progressed to ensure every trace leaves the plate.

The first course is a dish of exceptional balance. On the base of a bowl is a foie gras royale, silky and rich, covered in a green apple jelly. Layered on to the jelly are dots of apple puree, walnut, smoked eel, a powdered foie, and finally a green apple sorbet. There is a lot going on, though everything is complementary to the foie gras that remains the star throughout. For main we both take the suckling pig, loin served sideways with glass-like skin to one edge. The accompaniments are pure Spring; fresh peas, asparagus as spears and a puree, morels, and discs of crisp potato. An aerated vin juane provides the necessary acidity, whilst a glossy reduction of the pig’s meat juices is classic at its finest. This is stellar work, reminiscent of Phil Howard when he cooked at The Square. My kind of cooking.

Dessert is a passion fruit soufflé standing proudly from the ramekin, where we carve a little hole out and pour in a ginger and white chocolate sauce, before crowing it with a passion fruit ice cream. It is dreamy, the prominent flavour of the fruit livened by the slightly spicy sauce, the difference in heat a lovely contrast. Petit fours consist of a citrus and jasmine tea tart topped with finger lime, and a choux bun filled with chocolate cream. Both are excellent.

The above is from a set lunch, which is excellent value at 42 Euros for three courses, to which we add a good amount on top with drinks. To me this is excellent value for a meal that quickly hit top gear and stayed there. I enjoyed the style of cooking here; the strong technique, the restraint, and the occasional modern flourish. It’s a restaurant that very much puts flavour first. Michelin presently bestows The Greenhouse with one star, it seems only a matter of time before a second follows.

9/10

Carters, Moseley

Considering I live 250m away from Carters it is more than a little pathetic that I’ve managed to get here only twice. I have no excuse; I pass the bijou restaurant on St Mary’s Row on my walk to and from work every day, at least twice a week glancing over at the yellow lettering on black frontage and telling myself that I really must return. Now here I am, driven by the need for a midweek treat and a girlfriend who has a total obsession with their staff food Instagram stories. The interior has been tweaked to a darker shade than I recall, though the layout is much the same. It has drama yet a warmth to it. The hole in the far wall means that you can look in to the chefs at work, or they can look in to you eating their work. I am never quite sure which way round it is.

We have a steady three hour dinner which is so good I have decided to put the stuff I should be writing about aside and bring you this. It is one of the very best meals I have eaten in this fine city, one full of nuance and rooted so far in it’s environment you would need a team of gardeners to pull chef Brad Carter out of its soil. Without ever resorting to screaming through the tussles of his beard, Carter has become a champion of the best produce in the central region, only looking further afield when required, such as for caviar from Exmoor, or those heady truffles from Manjimup, Western Australia.

Four nibbles get us quickly underway, the first a parfait of chicken livers with various grains and raisins that I could have eaten a far bigger bowl of, followed by a delicate tart of broad beans and Winchester cheese lifted by a little mint. There are slivers of goose ham cured in house, and kohlrabi compressed in pine oil and topped with a salad of herbs which tastes slightly reminiscent of cucumber. The latter does a great job at prepping the palate though I understand how some, including Claire, could be underwhelmed. We have bread made from flour milled a mile away at Sarehole Mill with a pig fat butter containing a dice of crackling. If that butter doesn’t get the blood flowing to the organs, nothing will. With this the chef kindly brings a little Exmoor caviar over which I never expected, and probably neither should you. Still, caviar on bread and butter is something I’ll never tire of or turn down.

Cured mackerel kicks us off properly, the thin slices layered with gooseberry, bobbing in a bowl of dashi cut with mustard oil that has us slurping the last directly from it. A dish conceived in Japan, delivered in Moseley. That eastern influence runs throughout the meal, from the simplistic presentation, to the constant use of umami, and occasional flashes of deeper knowledge, like in the fermented rice on the last dessert. After this course it is straight back to the local environment; a slice of tomato compressed in elderberry vinegar, clothed in backfat and more elderberry, with basil leaves and seeds. It is one of the evening’s strongest courses, one that turns with every mouthful. There are sweet notes, acidic notes, fatty notes, and most surprisingly, anise from the basil seeds. For something that looks simplistic, there is a lot going on under the surface. I have a lot in common with this dish. Conversely, there is a humbleness to the next course, which means I have absolutely nothing in common with it. A fillet of ray with a sauce made from potato and dots of sea truffle, a type of seaweed that shares similar qualities to the tuber. Three cheap ingredients transformed into a plate that has far more luxurious qualities.

Now when I think of the evolution of Carters cooking it is summed up by the lamb course. A loin cutlet (I think) taken off the bone, cooked and then finished on a barbeque. As good as that is (and it is very, very good) the real points of interest are to be found in the garnish. Umami rich black garlic, peas that have been podded and dressed in the faintest of vinegar, sea lettuce both powdered and gently wilted, a healthy dusting of black truffle and a dressing of lamb fat mixed with aged soy. The complexities on the plate are everywhere, gently positioned into place and allowed to mingle with one another. The result is a dish as perfectly balanced as anything I have eaten this year. I save a slice of burnt fat for last because I know this will be the best bit. It is. What follows this is the best cheese I have ever eaten. A soft cheese called Maida Vale, washed in sour beer and served with malt loaf. It is grown up and addictive, sweet and rich, the beer a genius way of introducing balance.

Desserts are bold because they follow the same ethos as the rest of the meal, meaning that they are marginally sweeter, though not by much. More traditional of the two is the grilled strawberry, a beast the size of Claire’s Beetlejuice sized bonce. It has intrinsic sweetness, cut through by the clever use of unripened green strawberry and a soured cream. The last dessert is an ice cream of fig leaf, with local raspberries and fermented rice that adds a sophisticated sour note. Even the petit four – a silky chocolate ganache with rapeseed oil and sea salt – refuses to get the sugar levels going. I admire this; it is clear that Carter is now functioning with a singular belief.

Looking back on my 2015 review I used the words ‘uncluttered’ and ‘concise’ to describe the style of cooking. Although that ethos is still very much in play, the reality is that now Carters is an entirely different beast; it has matured into a restaurant entirely comfortable in its own skin, a place that looks to the best in local produce and pays respect to them on the plate. Claire considers it to be the best meal she has eaten in Birmingham, so much so that she pays the bill in full as a treat without me seeing it, though with two bottles of wine over the two and a bit hours it would work out to be about £130 a head. The best bit? All of this is on my doorstep. Moseley is lucky to have Carters, and I for one plan on coming here as often as possible.

Paul Ainsworth at No.6, Padstow

Had our booking at Paul Ainsworth been three-to-four weeks earlier, I am almost certain that my thoughts would have been different. The diary had been unkind to it, sticking it on the end of a six week spell of gluttony that saw a trip to a food mecca sandwiched either side by multiple starred restaurants and some others pushing for similar accolades. Aside from a bulging waistline, this brings another problem, one that comes from short-term saturation of too much of the good stuff. We had a stable memory for ingredient quality, for seasoning and technique, and for service. I could still taste some of the best dishes we had. Coming out to play last they were always on an uphill battle, though that is not an excuse for them never getting out of second gear.

I don’t have much negative to say about our meal here, though I’ll struggle to hit superlatives over the next few hundred words. The building is nice, in particular the very smart CiCi’s bar upstairs, and the staff are eager to please. On arrival we get a nibble of deep fried Porthilly oyster with a smoked cod roes dip that is fairly unremarkable, followed by nice bread with two types of butter; one a sunflower yellow, the other caramelised. The former is okay, the latter unique and slightly unpleasant.

I’d been looking forward to the starter for a long time. A ragout of Jacobs ladder with tagliatelle sounds right up my alley, the kind of reinterpretation of homely cooking that gets me a little giddy in these kind of places. The ragu meat is lovely though it is too light; the late application of tomato concasse and a splash of vinegar has taken it too far away from its roots. The pasta is marginally too thick, though has nice flavour. It has little in the way of identity and is very light on seasoning. I’m disappointed.

Smoked haddock quiche Lorraine is another starter that sounded better on paper than the reality. The portion of haddock is generous and nicely smoked, the pastry case underneath rich with lardons, onions and an oozy egg yolk. The dollop of salty caviar gives it a nice luxury seasoning, with the whole thing covered in a foam that tastes of little, if anything at all. I thought foams had died by now. Claire sums it up with a subtle shrug of her dainty shoulders. “It’s alright”, she says, “we’ve just eaten so much better recently”.

The frustrations continue into the mains. There is some good stuff bought down a level or two by the company it keeps. A new take on Tournedos Rossini has chicken replacing beef as the protein. The poultry has been rolled with a duxelle stuffing and is unforgivably dry given that Michelin has bestowed this building with a star. Around this lay ceps, the rock star of the mushroom world, though these are lacking in the intensity of flavour that the very best have. The best bit is the brioche and liver parfait which crowns the chicken, the parfait in particular packing a real punch. The side bowl of peas, lettuce and bacon, again light on seasoning, does little for the dish. The other main was mutton in a rich suet pie, with a moat of red garlic ketchup. This eats far better than the other main; bold in taste, meaty, and with a nice acidity from the ketchup. On the side this time is fricassee of sweetbread, consisting of mostly cucumber and one solitary thumbnail sized piece of sweetbread. We order a side of asparagus that arrives on the bill later that evening priced at £10 for five spears and praise ourselves on not ordering the two portions they suggested. The table of four next to us are going to have a shock when their bill arrives and they have a £40 bill for twenty spears.

Dessert sees them up their game. A cheese course of sorts has a fat wedge of Barkham Blue served alongside a little jug of cider and a slice of tarte tatin. It is a combination that makes perfect sense, the salt and sweetness in harmony. It’s lovely, held together by some top quality ingredient and a killer tarte tatin that has apples just holding their shape and lots of caramel. The bread and butter pudding seems a perfect way to finish the evening. The cubes of bread in a custard-like sauce dotted with rum soaked raisins, covered in a chocolate ginger snap. On the this goes cream, with a puddle of sherry for good measure. It’s bloody brilliant; that spark we’ve been waiting for all evening. It has character in abundance, is fun, and most of all is an improvement on the original.

Service was considered, if a little keen on the upsell at times, and there was an issue with a glass full of sediment that I personally felt could have been handled better. We pay a bill of £180 for the above, a bottle of Beaujolais, two cocktails, and a glass of dessert wine. Not a life changing amount of money for dinner, but one that I expect not to be littered with small errors. Paul Ainsworth comes across on television as a cheerful and passionate chef, and everyone I know in the industry says he is one of the good guys. As much as I wanted to enjoy No.6 it left me a little disappointed. There is a playfulness to the concepts of each plate that simply doesn’t translate into the eating, which coupled with some erratic seasoning issues left me feeling cold.

6/10

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Peels Restaurant at Hampton Manor, Hampton-In-Arden

As Birmingham’s premier food tosser I feel somewhat ashamed that it has taken me this long to get out to Hampton-In-Arden, considering they’ve held a star for two years now and with everyone I know telling me just how good it is. But Hampton-In-Arden is forty minutes away, and I sometimes forget that the greatest taxi company in the world do nice things for me. Most pathetically, the pictures I see never really inspire me into booking. Hold those cackles in; I am fully aware that me judging anyone on their photo skills is as hypocritical as me commenting on monogamy, but the pictures always look a little bit gloomy, and when you can fully see what is on the plate it looks classically French over contemporary. And I’m sorry for such a blunt comment, but if I’m making a one-hour-twenty round trip then I want some excitement in my life.

Well, I was wrong. Massively so. Firstly the building is jaw droppingly beautiful; an imposing country house with grand features. We take drinks in the lounge area overlooking the vast gardens with canapés following quickly afterwards. There is white crab meat dressed in a slightly spiced sauce, and a cube of duck meat dressed lightly in sesame oil on a blood orange gel which I cant decide is a nod towards duck a l’orange, or the duck from the local Chinese takeaway. Either way its delicious. It is the cheesey, trufflefully, custard thing on delicate crackers that sends us a bit potty. It’s after eating this that I curse myself repeatedly for not getting here sooner.

I am in love with the dining room from the very second we are led in to start the proper eating. It is the perfect juxtaposition between the past and the present. The fireplace, massive windows and ceiling height confirm we are in an old home, though these have been offset by more modern, luxurious touches and a beautiful centrepiece table made from a singular cut of tree that sits two tables of four. With wine ordered we receive our amouse; a jacket potato veloute topped with puffed potato pieces seasoned with salt and vinegar, and a drizzle of thyme oil. The depth of flavour is staggering, boldly seasoned, yet true to the unmistakable flavour that occurs when you leave a spud in the oven whilst nipping out for two pints at the local. Claire has a brilliant reference point for the taste that I have to promise I wont nick. It in no way references cheap crisps. Keep an eye out for when she eventually gets around to writing this meal up sometime in 2019.

Asparagus, burrata, and chicken are three ingredients that when listed together will make things happen within my pants. It is a combination that makes perfect sense; the cream-laden cheese which beds the spears not that different to a poached egg, or hollandaise. The chicken is represented as a blitzed crispy skin and seasons the dish whilst adding a meaty note. The clever bit is the fermented asparagus juice which adds the acidity required to cut through the dish. What follows is as good, if not better. Cubes of pork belly and shoulder are joined at the bottom of the bowl by pickled shallots, onion mouse, and croutons. On to this is a heavily reduced onion broth, deep in allium flavour with the back note of cumin. It has texture and purpose, the meat tender and not lost within the big flavours. We chase the last bits of the sauce with the house bread, pour in more of that broth and repeat. These two dishes were without doubt the highlight of the meal for me.

Mains never quite reached the dizzying heights of the first two courses, though lets be clear, they were both delicious. Lamb rump is a consistent pink, the meat tender, layer of fat rendered down. It looks simple; peas, lovage, malt vinegar, though there is complexity throughout. The lovage is bound in yogurt that brings a light touch, and the malt vinegar in tiny jellied cubes that adds zip and acidity when discovered. Opposite me is buttery wagyu beef, with pungent black garlic and the unmistakeable flavour of St George’s mushroom. I think it is lacking in texture, and I probably wouldn’t pay the £20 supplement again to take it from Longhorn to wagyu, but not a speck is left on the plate.

Pre-dessert is whipped buttermilk with passion fruit and a caramel from the same fruit that eats far better than it photographs, which is why I’m sparing you my horrific pictures. And then dessert, clearly from a very talented pastry section. Honey cake with fennel in various forms eats very well. It has spice and controlled sweetness. It is my kind of dessert. Claire has chocolate, sherry and vanilla. She loves it and I don’t get a sniff, so I can’t comment on it at all. Petit fours, a riff on cookies and cream, are excellent, coffee strong. Life is good here.

Our bill is heavily subsidised because we snagged a deal in Birmingham’s best weekly email, though we still hit over a ton a head with the wagyu supplement and far too much to drink on a school night. I just wished we’d stayed over. Our meal at Peels could hardly be considered a shock considering the Michelin star and four rosettes, but expecting it to be this good? It’s an instant favourite. They do flavour and precision, with the best dishes causing genuine table silence. I’m reliably told it takes less than twenty minutes on the train from Birmingham New Street to get here. And get here you should. Everything about Hampton Manor is special, none more than the food at Peels.

9/10

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Simpsons, April 2018

Given the chance to treat a friend to their first Michelin starred meal, the choice of venue was an easy one. Simpsons has it all; a beautiful restaurant in lovely grounds, food that pushes on without the need to challenge, and importantly, as we are paying, a very affordable lunch offer at the weekends of three courses for £45.00. I couldn’t be more happy with our choice, they were on top form yet again, cooking cohesive flavours with flair and hints at wit that to me is closer to 2* than its present one in the Michelin guide. I make no excuses for my love of Simpsons. I have come on dozens of occasions over the last decade and long may that continue. It is my personal favourite in Birmingham. I’ll keep this brief as I not so long ago wrote about Simpsons here.

After the usual snacks and bread offering we move to a bowl with cubes of beef cheek, pickled onions, little pickled mushrooms, crowned with a flurry of deep fried mushrooms. Into this is poured a mushroom broth, thick and rich like a Tory backbencher, balanced out by the light acidity from the pickled veg. A disc of cured salmon follows, dotted with kolrabi puree and little balls of the same veg. We get another sauce poured tableside, this one a split buttermilk milk that has a lovely tang at the finish.

The main of chicken ate so well. The meat cooked just as I was taught at their cooking school, the perfect example of how to treat poultry. Cheers, Nathan. I think what makes the dish is the undercurrent of black garlic that adds a brooding quality to the plate. Combine that with salsify, cabbage, and a jus that just holds on to the fingertip and you have a dish that is singing with Springtime flavours. I reserve the best bit until the end; a nugget of thigh meat with the skin that cracks under the fork. A pre dessert of lemon curd and oats comes hidden under a drift of sorrel granite. It’s fresh if maybe not my favourite pre dessert I’ve eaten here – can we have the vodka jelly back please, chef?

Desserts today are tremendous spelt with a capital T if that wouldn’t already add to this posts grammatical error count. Fermented blackberries lay underneath skyr yogurt that somehow tastes of cream cheese. It eats, with the help of an almond crumb and a little squeeze of grapefruit, just like a cheesecake. Pretty astonishing. Likewise a carrot cake, sweet and cinnamon spicy, with a decadent praline and pecan ice cream. I want to say they’ve hidden the acidity this time around in the carrot gel which tasted faintly of orange to me, but I’m probably talking out of my arse. We finish on a textbook soufflé of rhubarb with a crumble topping into which a custard ice cream is nestled. The soufflé is one of the lightest I can recall eating, almost cloud-like in texture. It eats like a dream.

The bill for three with two bottles of wine and a glass of the sweeter stuff hits £80 per head, though it goes without saying that you could spend a lot less with a more modest drink spend. The lunch menu is a bargain, available on the weekend when the other starred restaurants offer only long tasting options. Afterwards we saunter a hundred steps or so to The Edgbaston, perch at the bar and drink some of the finest cocktails to be found anywhere. Two of Birmingham’s finest and almost the perfect afternoon. Life really doesn’t get much better.

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Elystan Street, Chelsea

I think the first time I was really proud of this blog was when Elystan Street put my first write-up on their website. I struggle with this, I’m horribly competitive and I rarely enjoy my own work, but I am a food fan boy at heart and Phil Howard is right up there with my heroes. Outside of Brum I don’t think there is a chef I’ve eaten more of, from the luxurious splendour of The Square, to Elystan Street, his somewhat more laidback offering. He is one of those chefs that makes an a la carte decision impossible; you want to eat every dish listed and probably would if that didn’t require a remortgage.

We come on a Sunday lunch when the dining room is filled with Chelsea types. It makes for interesting eavesdropping; the table next to us has a son explaining his property plans to his mother. A small pied-a-terre in the city and a larger home on the coast will suffice for him. It’s another world here and this place caters purely for those; there is not much value anywhere on the wine list and very little for under £40 a bottle. Bread is the only introduction to the food and very good it is too, though it’s overshadowed by some truly outstanding butter.

Howard always seems to have a pasta dish present; I recall a hand-rolled macaroni at the previous establishment, whereas today is strozzapretti. Anything shaped like my first initial is fine with me. It’s the carrier for a loose ragu of finely chopped white park beef and a dusting of parmesan. It’s success is in its clarity; the beef is the star and here it is allowed to shine. The rest form the background setting; the pasta a vehicle, the parmesan the umami injection to the engine.

A fat fillet of cod is all butter basted flesh and pearlescent core, with parmesan gnocchi and buttered chanterelles. It’s fat heavy, yet fresh and light with clever acidity. Whoever said cheese and fish don’t go together has clearly never eaten here. Roast pork is just that; thin slices of pig just blushing pink, with cabbage and wedges of apple long massaged with heat. It’s not the prettiest plate of food I’ve eaten, though the flavour is there, in particular the cabbage spiked with lardons. On the side are roast potatoes, crumbly edged though maybe not as soft on the inside as I’d ideally like.

Desserts are no going to threaten the pastry section at Ducasse anytime soon, but then I expect that is entirely their intention. More homely, less fuss. We have a faultless sticky toffee pudding with earl grey ice cream and rice pudding with rhubarb. They are the Ronseal of puddings, which is fine by my girlfriend, who happens to love both of these more than she could ever love me. The ice creams in particular are textbook examples.

The above food, a couple of pre-drinks and a bottle of wine hits just shy of a ton apiece, an amount that sees our three courses arrive in around 40 minutes. Now maybe the clocks move faster in Chelsea, but for almost £200 I happen to see that as rushed. It left a bitter taste in the mouth, a sensation that was further exasperated by relentless perfect Negronis afterwards in the perfect Bar Termini. Maybe they cater for a different type of customer here, but for me the ideal Sunday lunch is a lazy affair slowly reeled out. I don’t want my dessert to arrive six minutes after they’ve cleared away the main plates. Phil Howard remains one of my culinary heroes, though I’ll gladly play those memories out in my head at my own pace, rather than the speedy service at Elystan Street.