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Carters of Moseley, Winter 2019

This was supposed to be a recap of both the meals we had booked in at Carters over the festive period, but no, Claire had to pick up a spluttering, bubonic, germfest that had us cancelling all plans and turned me into a tea waiter for two weeks. There are many reasons to hate the know-it-all, boyfriend stealing, Kardashian obsessed, clever clogs tax nazi that is Claire, but few more valid than her ruining me eating good food. As it was, I managed to guilt shame her into getting a curry in as a replacement meal, so swings and roundabouts and all that.

The mathematicians amongst you may have worked out that ‘both’ minus one bout of illness equals one meal. You are going to read about that meal because it was four hundred quid and I want to preserve what already hasn’t been sacrificed to the porcelain gods a long time ago.

It was another amazing meal; I think maybe the best yet. It appears to the eye of this bloated epicurean (yes, I did just refer to myself in the wankiest way possible) that the reins are off and that now we are eating what Brad and the team here want to cook and, more importantly, what they want to eat. Take the partridge that comes at half time; poached in master stock, the bird is butchered, it’s elements cooked seperately, and then reassembled to its original form, albeit axed in two for sharing purposes. The breast meat isn’t going to offend anyone, though some might object to the claws left intact on the braised legs (I don’t), and those people will take equal offence to the skewer of innards which happen to be the best bit. The biggest talking point is up top. The unctous neck meat that leads up the birds skull, beak intact, brain ready to be sucked out. I’m told that this made an appearance last year, but only to the tables they thought would be receptive to it. Now everyone gets it. That’s where Carters is at presently; a brilliant point of realisation of what they do best is what is going out of the kitchen. We ate every bit with Claire not only cleaning the bones but sucking out the last of my share of the brain. It’s yet another reason to hate her.

The rest of the meal was another tour de force of what is right now the best kitchen in Birmingham. The nibbles and bread are pretty identical to this meal, whilst the brilliant scallop brex-o description can save me eighty words by reading it here. We eat barely warmed through razor clams in pepper dulse sauce that is pepe e cacio reimagined by a wizard, followed by sturgeon in a velvety sauce bobbing with caviar. The sturgeon is a new one to me given that I’m only used to eating the eggs of it’s unborn children. I struggle with it as its texture is too reminiscent of trout (the true evil of this planet) though make up for it by mopping up the sauce whilst Claire finishes off mine. She eats mother and daughter. Another reason to hate her.

The menu tells me that we had the partridge at this point, so it’s onto the eight year old Holstein with fermented hen of the wood mushrooms and ‘beer mustard’ which, if I remember correctly from the Calum Franklin event is pickled mustard seeds fermented in beer. I think. They are incredible anyway. The cow meat has a maturity to it that only comes from dairy cattle, layered with funk and umami from it’s accompaniments. It’s a proper plate of food. Then Baron Bigod stuffed with truffle because life is too short to eat it any other way.

I should point out at this point that Alex and Holly had curated a truly fantastic (and very generous) wine flight for Claire’s birthday and I’m less half cut, more impaled on my own spike. It’s all a bit blurry from here on in, which is probably our fault for polishing off a bottle of something fizzy before the food started. There is a mousse of cornish honey with a prettily decorated shard of something sweet and crispy containing the very bits that the bee feeds off. Lucky bee: my diet is made up of bitterness and partridge brain. The last picture I took was of a chocolate and cobnut tart which I remember being delicious. I think there was something after that, though it could just be more port. I think it was more port. We pay the bill and saunter to Couch for more drinks and a rendition of ‘Bohemian Rhapsody’, capping off a perfect night. The style of cooking at Carters is in a new phase which may not be for everyone. It is most certainly for us. I can’t get enough of it.

Wanna know what else I can’t get enough of? That sweet, sweet A2B.

Top Ten Dishes of 2019

It’s been a huge year for the team here at MAOV HQ. Starting the year after being named Time magazine’s ‘Man of The Year’, I turned down a knighthood from the queen, Cheryl Hole. I won big at the global blogging awards, scooping the ‘Greatest Blogger Alive’, ‘Lifetime Achievement’ and ‘Most Unnecessary Wordcount’ awards, whilst narrowly missing out on the coveted ‘Best Line’ to Tom Carroll. I was immortalised in paper mache at a cafe in Huddersfield despite never have visited Huddersfield.

All of this is of course bollocks. I’ve learned this year that the ‘multi-award’ bit in my bio means absolutely nothing. If my life goal is to have my face flash up on a roundabout on the inner ring road following an award from a local panel best described as dubious, then I’ve fucked it. Properly fucked it. What matters is that this blog is still read, which it is in the largest numbers thus far, and that it is useful, which I think it is, at least 40% of the time. I’ve eaten a lot of food this year, some good, some bad, some great. Here are the ten best.

10) Tagliatelle with pepper dulse sauce and truffles. (0121) at Carters.

Do you find yourself looking at the menu for Carters and thinking it’s too expensive? Work harder, you shits. 0121 may be the answer for you. An unreserved area in the window by the bar with a small menu made up of ever-changing Carters classics. Think chicken liver cereal, oyster in beef fat, and the glorious scallop Brex-O. The pick was this, the best pasta dish I have eaten this year. Tagliatelle using ancient grains in a healthy amount of sauce that coats everything in a cheesey umami. Add truffle to the mix and you have a bowl of food well worth ruining your shirt for.

9) Tuna Ceviche. Chakana

Robert Ortiz’s plates of food are so beautiful to look at I don’t know whether to eat them or sexually harass them via text message. Go for the former and you’ll be rewarded with the complex flavours of Peru, where the quality of the fish stars alongside the sweet and the acidic. It’s finessed and fun. There is nowhere like it in Birmingham.

8) Roscoff Onion. Harborne Kitchen

I know a man called Rob who writes a thing called Foodie Boys. Rob thinks this dish is worthy of seventeen Michelin stars which demonstrates a total lack of understanding of the guide’s processes. It is, without a shadow of doubt, worth the maximum amount of nine stars that they can award a restaurant, being a comforting and well rounded homage to the humble onion. The best bit is the broth, seasoned with minus 8 vinegar for that sweet and acidic finish. Presently off the menu, I see it returning shortly in the future.

7) McYard. Backyard Cafe

The sausage and egg McMuffin of your dreams. One that runs with the basics of sausage patty and muffin, swapping the weird microwaved egg out for one that has been fried and oozes yolk, they’ve also upgraded the slice of a plastic cheese to a rarebit. And crispy onions, got to have those crispy onions. This could only have come from the filthiest of minds. Little wonder Rich’s partner always looks so happy when I see her.

6) Turbot chop. Riley’s Fish Shack

When I look back at the year one of my very favourite days was in Tynemouth. The sun was shining, we drank wine on the beach, and went to Riley’s. There is something beautiful about eating the produce of the sea whilst the waves break metres from your very eyes. That turbot was sublime; swimming in a garlic butter, the fat flakes collapsed at the nudge of a fork.

5) Bakewell tart soufflé. Craft Dining Rooms

Craft have had an interesting opening six months, changing Head Chef and key front of house on a number of occasions, but one consistent has remained; in Howing they have a pastry chef of serious talent. It’s practically impossible to choose a bad dessert here, but given the choice take the soufflé. Our first visit back in August featured this perfectly risen souffle, almond flavoured with a cherry compote at the bottom, just like a Bakewell tart. One of the very best soufflés I’ve ever eaten and I’ve eaten a lot of the fuckers. With Aktar Islam’s involvement and the arrival of Andrew Sheridan as Exec Chef it’s shaping up to be a very big 2020 for Craft.

4) Chicken Katsu. Ynyshir

The difficulty of Ynyshir featuring in a list of best dishes is that every dish potentially could be included. I’m going for Katsu chicken this year, an obscene mix of meat and compressed skin, coated in breadcrumbs and finished with Gareth’s version of a Katsu sauce which is way better than anything Wagamama have ever produced. Like everything they do here it’s direct and straight-to-the-point; a flavour-bomb of umami and acidity. February’s visit can’t come soon enough.

3) Langoustine. The Ritz

The highlight of my birthday lunch at The Ritz was this dish. So precise in delivery, the lightly cooked langoustines and buttery nage compliment each other perfectly. In a meal I have mixed emotions over, this was a three star moment that will live long in memory.

2) Patè en Croute. Carters and Calum Franklin

So good I almost cried, though with this taking place on a Sunday afternoon it might have been a comedown talking. A patè en croute of rabbit, pistachio, and bacon that revealed an acid smiley face throughout the centre when carved. Brad’s elated face when showing it off to the dining room was enough to make it a highlight of the year, though the flavour catapults it towards the top of the list. Incredible stuff. Holborn Dining Rooms is happening in 2020 because of this faultless meal.

1) Chicken Jalfrezi. Opheem.

When drawing up this list I had to ask myself what was the most important factor. I decided on a simple answer; what was the one dish I wanted to eat over and over again. Given that a battered sausage and chips from George and Helen’s lacks the finesse required to top such an elite list, I decided on the Chicken Jalfrezi from Opheem. It’s a dish that showcases exactly what Opheem is about: that marriage between French technique and Indian flavours; how the breast has the skin removed and is cooked sous vide, whilst the aforementioned skin is blitzed-up and reapplied to the meat to form a cripsy coating to the top of the meat. The picked leg meat turned into a spicy keema. The garnishes of different textures of onion, and the little blobs of naga and red pepper puree to be treated like English Mustard to give bright hits of heat. That sauce, gravy-like, which keeps growing in the mouth. It’s delicious. Like really fucking delicious. So delicious that I have phoned up on more than one occasion this year and asked (mid-week of course) if I can go and eat it as one course. I think it’s thirty quid if they say yes, but they might not, as I imagine that you are not Birmingham’s finest restaurant blog. In a world where I barely have time to visit anywhere twice, I have eaten this five times this year. It’s special. The best dish of 2019.

Top one taxi firm for the year goes to A2B Radio Cars

The Ritz, London

So, it turns out The Ritz is really nice – who would have thought that? They’ve really nailed the five star luxury hotel. From the greetings at the door, to the cloakrooms, to the Rivoli bar with the cocktails that start at £22 and soar through the hundreds, to the gent’s toilets with the expensive toiletries, shaving kits, and warmed thick hand towels. Not a detail has been overlooked in the experience. It succeeds in the sense of occasion: from the generations of ladies celebrating the youngest’s imminent trip to university; to the couple posing for pictures on the staircase prior to their afternoon tea; to us waiting patiently for the dining room doors to swing open at 12.30pm sharp, everyone is dressed-up to the nines and ready to splurge. It is a place of overstated taste, gold-licked, regal and utterly charming in the most British of ways.

I’d built up an idea in my head of what it would be like from the TV show and the countless blogs I read. Some of it rung true; the majesty of the dining room and the dove-tailed waiters gliding around the room whilst the pianist tapped out the safest of Ed Sheeran melodies. Others less so, resulting in a very nice lunch that cost well north of three-hundred-notes but felt like it could have been better value on another day, or maybe for another punter. Take the canapes; the gougeres I’d read so much about are nowhere to be seen, and whilst the ragstone cheese on the parmesan biscuit and the sorrel emulsion on the spoon are very classy, I was kind of looking forward to the coronation chicken cylinders, or even the beef tartare nibbles that seem to blow certain people away. If there is truth in the “we are pushing for the second star” spell then it is a curious statement. They seem to have taken away the more elaborate start and replaced it with a reduced Saturday lunch service for us weekend tourists. I feel a little short-changed and this is before we get to the winelist that starts at £50 a bottle and offers zero value at any point. We opt for a young Latiffe that drinks well enough despite its infancy.

And for this start I’m conflicted because it is clear they are operating mostly at a two star level. The first course of langoustine has beasts of crustacean, all curled up and cooked for possibly a second or ten longer they need to be. What makes this dish is the nage; a sauce of shellfish stock, white wine, herbs, and lots and lots of butter. It is a about as good as sauces get, the ideal foil for the sweet langoustine and anise of fennel nestled underneath. The other starter is veal sweetbread, ariving tableside still smoking in the box of smouldering hay. The sweetbread is probably the best I’ve ever eaten: soft, unctous, and yielding with a light backnote of smoke, paired with an onion jam, shallot and another of those deeply flavoured sauces.

For main we take the beef wellington, a snip at £90 for two. It’s listed with celeriac (very much there) and Perigord truffle (only in the sauce), though also come with some seasonal veg, wild mushrooms, and a side of pastry ends which must be the most Northern side dish to ever appear in Mayfair. It’s very good and overly generous in portion. The pastry is super buttery, the cook on the meat is spot on and the foie gras that runs through the centre a welcome bit of fattiness. I get nowhere close to finishing it.

In keeping with the theme of me pissing and whinging about expectation, I’d sold the idea of the gateau St. Honore to Claire on a picture I’d found on the internet from, you guessed it, The Ritz. On that image layers of pastry, apple, and creme diplomat are topped with elaborate garnishes of sugar, nuts, and delicate chocolate work. The one we got served looked like the technical challenge attempts from Bake Off in comparison; two layers of the puff pastry, each half-piped with cream and the other with apple filled choux buns, almost inedible due to the thick caramel covers that threaten to do more damage than the bill we’re about to be served. In truth it wasn’t a great course; one dimensional and flawed technically. It’s also the small matter of £36. Good job the petit fours were stellar.

It’s The Ritz – we don’t come here expecting it to be cheap – but the final bill of £350 for two felt steep for the experience we personally had. In my eyes it was disjointed; unashamedly stoic French in design, they omitted the little touches traditionally associated with Escoffier’s haute cuisine (the amuse bouche, the pre dessert) for a streamlined service that still takes the same dent out of the wallet. The food is lovely, absolutely no doubt about that, but I wouldn’t rush back. Maybe I built it up too much in my head, but for all the good stuff going on in this grand dining room, you can’t help but think that some people are getting it just a little bit better.

7/10

Calum Franklin vs Brad Carter, Carters of Moseley

Brad Carter has a cookbook coming out in a couple of weeks. I say cookbook loosely; the recipes are of the staff meals they cook in between shifts, intermittently placed between pages of Brad’s friends, his inspirations, and his producers. I’ve had a quick look and it really is unlike any cookbook I’ve seen before; it’s going to look great on my coffee table. The pages that matter to me are around halfway through, jet black and with ‘Birmingham’ emblazed across the widest points. It is everything you need to know about Brad in a one-word synopsis.

Part of that love for Birmingham extends to the occasional Sunday evening collaborations with friends of his. There have been recent voyages into Chinese and Thai cuisine which I cant tell you about because I never went, and this one with Calum Franklin which I was given no choice about. Mr Franklin of Holborn Dining Room is well known for his pastry skills, a food type that is effectively heroin to my Northern girlfriend. I’m not saying that she was determined to go, but I was sent a calender event for when booking opened, and we had two alarms, three phones and a laptop ready. She may have lost her shit a bit when it wouldnt let us on to the booking screen, and she was elated when we secured a table. Want Claire anywhere? Promise her things that remind her of home like pie, rain, and the decline of the coal industry. Gin also works, but gravy works better.

What follows is three hours of food that I’m still trying to walk off two weeks later and Claire would describe as the most enjoyable night she’s had in a Birmingham restaurant. The first course is listed as a tart, but is really a vol-au-vent of puff pastry filled with the components of lobster thermidore. The luxurious touches come in the form of a breaded claw, rising proudly from the pastry, and a little Exmoor caviar for salinity. It is cheesy, yet with a whack of the ocean. If seventies dinner parties tasted this good I’d gladly wear flares and grow my pubes to travel back in time.

The showpiece was up next, paraded by Brad throughout the dining room like he was in a beauty pageant for bearded men in shorts. A patè en croute bearing the words ‘Carters vs HDR’ the along the length, which when sliced contained a centrepiece of the acid house smiley face – a tattoo that Carter has on the inside of his bicep. To me, this was the strongest course; the filling of rabbit, pork, and pistachio distinct, lightened by the turmeric coloured chicken mousseline that makes up the face. The pastry is rich, though not as rich as the decadent rabbit jelly that has been fed into it all day. On the side are fermented mushrooms cooked in butter, and mustard seeds sweetened with local honey. The acidity is gentle, leaving the pastry as the king. It is the complete dish. Last year we tried a world championship winning patè en croute at Daniel et Denise in Lyon: this was better.

And without wishing to sound like a press release, the fun didnt stop there. A scotch egg was executed perfectly, the filling of white pudding and pork highly seasoned, the bright yolk oozy and luscious. What we really love is the buttermilk and wild garlic sauce that is sharp and has the astrigency of white garlic thanks to last years pickled garlic buds. A pithivier of mutton finishes off the savoury courses, with the suprise of a top-half of layered spuds on entry. It is, as the table next to us point out, essentially a cottage pie encased in puff pastry, and if the sound of that doesn’t turn you please take those eyes of yours elsewhere because we don’t want you here. The asparagus spears cooked in lamb fat are just plain naughty, too. Shout out to my girlfriend who shows the dining room just how Northern she is by filling one half of the pastry shell with gravy. Her mother would be so proud.

Dessert is a Paris Brest – 2019’s most on trend pastry – filled with raspberry creme pattiserie lightly scented with rose. It would have been easy to kill this with floral notes, but they hold on to the essence of those lovely raspberries and choux pastry. I have no idea how I fit it in, but I do. It’s been a long night.

The menu ticks in at £75 a head and we add a considerable amount more tucking into far much pink wine and then red wine and then more pink wine and a little more red wine. It’s not a cheap Sunday evening, nor should it be. Birmingham needs nights like this; chefs of Calum Franklins ability showing us something entirely unique – we’re booking in to Holborn Dining Room to try more of his work as a result, so it’s worked from that perspective. It was a fantastic night, one that makes me smile thinking about it even now. Brad Carter lives and breathes this city. We should all be very thankful for that.

A2B love Birmingham almost as much as Brad and ferried my fat arse around as ever.

Ynyshir, April 2019

Unknowingly we book into Ynyshir the day before they all break for holiday. The restaurant is in a relaxed mood; Jake Buggs ‘Lightning Bolt’ is playing on the record player as we check-in, with all the staff in non-uniform. Some have taken this as an excuse to wear comfy clothing, others excessively loud shirts. Really loud shirts that should never see the light of day. They buzz through the corridor by the kitchen pass, taking out the empty plates from a packed dining room. As we tuck into a welcoming bowl of thick onion with sourdough in the bar area, it is great to see it this busy: eighteen months ago when we first visited there were us and six others present for a lunch service. Five visits later and they are struggling to get us a table, incredible to think for a booking that includes the legendary food blogger who is Claire Tucker and her pathetic boyfriend. I’m happy this way; they deserve it. Hard work pays off, this much is clear.

I won’t hide my love for Ynyshir, nor should I try. My good friend Rory now works here, and over time I have got to know owners Gareth and Amelia as well as several of the team who now recognise my bloated head in their tiny dining room. If there is bias present it is only on my part; I knew no one back in August 2017 when we first went and launched into hyperbole, and I recieve no concession on the £150 tasting menu. Simply put, we are here yet again because it is where we choose to spend our money, which we do a little overzealously every. single. time. Make of that how you wish.

It seems that since our last visit a lot of effort has been made to improve the smallest of details. The soys, mirin, and vinegars have all been upgraded to the best they possibly can be, resulting in more elegant acidity, whilst they have a big tank now that cooks crabs and lobster from fresh during service. The overall experience has been upgraded, a statement I wasn’t expecting to make. The ‘Not French Onion Soup’ is more refined, the duck with sesame more crispy so that the reference to the Chinese takeaway is more obvious. That duck blew my mind this time around. The slice of bread seemed smaller, which is fine because it means the layers of wagyu fat and mirin butter get thicker. Only an idiot would fill up on bread here, anyway.

Four new dishes follow, each of them highlighting just how fast the kitchen has developed. The first is katsu chicken; a relatively simple dish of brined poultry cooked over the japanese barbecue built by one of the chefs. The meat is then rolled through panko breadcrumbs cooked in butter and finished with the katsu ketchup which previously used to coat the crab. It is unbelievable; a smash in the face of flavour that bears only the faintest of resemblances to the now most ubiquitous of British dishes. Take that, Brexit. The crab is now a take on the Singapore dish, chilli crab, with a generous amount of meat bound in sauce packed with garlic, ginger, chilli, and soy. I made the bold statement in saying that the crab katsu was the best dish I ate in 2018: both of these are upgrades on the main components. The mackerel is now aged in the salt chamber to take out much of the oiliness, served in a bowl with a dark and heady sauce, and a little grated fresh wasabi, before we move on to cod in two servings. The first is a take on black cod, which is surprisingly gentle in flavour to allow the cod tell its own story. When this is downed they pour some of the cooking liquor into the same bowl with slices of raw shitake mushroom. I loved this; it has purpose and is an original way of getting the flavour of cod out there. Remember what I said about not filling up on bread? You’ll need another slice here to make sure not a drop is left.

We have the duck with hoisin again, the cawl which I still can’t get on board with, the lamb rib that I can always get on board with, and then the pork char sui, which is fatty and lucious and has me slurping unattractively from the bowl like the man I once sat next to on a flight in Vietnam. I hated him. I love this though and it’s over far too quickly for my liking. It’s a star dish in a lengthy menu littered with them. There is the aged foie gras with birch syrup and smoked eel that I devour in a single mouthful, and then a new dish of scallop roasted on one side only with aged beef fat and pickled elderflower. It’s got bollocks as a plate of food, a contrast of textures and big flavours that somehow holds on to the flavour of the scallop. I was concerned about this not working. It turns out I had nothing to worry about.

A slab of 215 day aged wagyu is presented to us, telling us that this is to be served as a burger and then tartare. But first the garlic prawn arrives; the meat is delicate, the roasted prawn shell sauce noticably better thanks to the higher grade soy used. The wagyu returns as that burger, a thousand times better than the thousand times I tried rip-off versions in the last year and a half. Then the tartare, which is just sit-yourself-down-and-take-stock-of-everything brilliant. A complex mix of barely warm beef, fermented grains, some kind of soy dressing, and egg yolk dressing. It’s mega, reminsecent of the first time I tried the vennison tartare at L’enclume, and up there with the very best raw dishes I’ve ever been served. More wagyu follows as a shortrib with mushroom but by now I am stuffed. I should probably point out to any vegetarians at this point that this may not be the restaurant for you.

By now the music has whizzed through The Prodigy and is onto ‘Doggystyle’. We take the cheese course of Tunworth on a sourdough crumpet with a maple/white truffle lick of magic. Every bit as glorious as it sounds. The yuzu slushie that follows is a clever way of resetting the palate before the dining room halts to mark the first dessert with a plume of nettle scented dry ice, pouring off the tables and on to our feet. The course itself has been defeated by the two cocktails and three bottles of wine we’d consumed up to this point, and if I’m correct I was more concerned with rapping the first verse to Ain’t Nothing But A G Thang than eating the buttermilk pannacotta before me. So as far as the courses in this paragraph go, we’ve had one, two, three, and to the four, as we sign off with the white chocolate and black bean mouthful which is salted caramel when you close your eyes. Perfection is perfected, and with that I promise no more bad Snoop Dog references.

From a young G’s perspective the last three courses are a whistle stop tour of three classic desserts, reimagened in rural Wales. We blitz through a new version of the sticky toffee pudding (now with a flourless date cake replacing the compressed fruit), the rhubarb and custard, and the tiramisu. Each are utterly brilliant in their own way. The last nibble is a piece of fudge made from wagyu fat. We retire to the bar and The National’s classic album ‘Boxer’ is played. And people wonder why this is one of my favourite places in the world.

Purnell’s in pictures. Birmingham.

If any of the Purnell’s team are reading this, please take this as a public apology. Know that I normally behave far better and I’m not proud of my state in your restaurant. For clarification, we were celebrating Claire’s birthday a little too heavily; Opheem, Arch 13, Nocturnal Animals and Hotel du Vin until the very early hours the night prior. Back in Little Blackwood at 10am for breakfast and a birthday bottle of Nyetimber, The Edgbaston for a quick four glasses of Moët (and a couple of drams of Japanese whisky), Pint Shop, and then Purnell’s for lunch where we were kindly greeted with more of the fizzy stuff. You do the math. It was a lot of booze before we sat down for lunch.

As a result I’ve contemplated not putting this on the blog. I’ve been hazy on detail before, but that usually happens during the meal; I have never turned up for dinner drunk – I happen to think it’s fantastically poor form. I’ve decided to utilise Claire; her pictures and her memory (she skipped many of the morning’s drinks), and just write about the bits I’m certain on. What is clear is that Purnell’s delivered another brilliant lunch; one that is witty and theatrical, that still has real technique and flavour at its core. We have many brilliant Michelin starred restaurants in this fine city, yet none wear all that is brilliant about the city quite like this fine restaurant.

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The highlights were the coal potatoes with chorizo dip that echoed the river pebbles at Mugaritz, the cheese and pineapple that remains one of my favourite dishes in Birmingham, the cod with satay, and a couple of really excellent desserts; a chocolate and mint number that worked on a multi-sensory level, and that brilliantly iconic 10/10/10 egg custard. Service was exemplary from start to finish, the chosen wines from Sonal for each course perfectly judged. It was all very, very good. I just wish I was a little less ashamed of it.

So Thank You to Sonal for looking after us so well, to Glynn and to Luke for popping out the kitchen and saying hello. Claire had an incredible birthday and the two hours at Purnell’s were a huge part of that. If you’ll have me, we’ll come back and I’ll stay sober this time. Purnell’s deserves far more than the above pictures and a few words.

Transport provided by A2B Radio Cars

 

 

 

 

Top Ten Dishes of 2018

I’ll be sad to see the back of this year. Unlike the personal life chaos of 2017, this year has been one of balance and progression. I’ve had a promotion at work, been on several lovely holidays, and changed the tact of this blog. We’ve eaten a few shocking meals, and many, many, many good ones. With the rest of this year’s posts eaten and all but written, I thought now would be a good time to reflect on the very best dishes of the year. It’s been a tough one to collate, and honourable mentions must go to Daniel et Denise, Purnell’s, and Maribel who have just missed out on this list.

10) Pain de Epice Soufflé, Bergamot ice cream at Cheal’s, Henley-in-Arden

The only dessert on this list and for good reason. A gingerbread soufflé that harks back to my first visits to Simpsons; textbook in flavour and texture, and bought up-to-date with a bergamot ice cream that works harmoniously with the spice.

Read the full review here.

9) Stone Bass with courgette and crispy caviar at The Wild Rabbit, Kingham

I have no issue in saying that on paper this was the course I was least looking forward to during a lengthy lunch at The Wild Rabbit. It proved to be a beauty, with fish that flaked at the nudge of a fork, and the genius addition of crispy caviar – a blend of potato, onion and caviar – which elegantly seasoned it. Head Chef Nathan Eades is playing to their strengths here, utilising the vast Daylesford organic farm a couple of miles away. And it shows, with the courgettes on this plate treated with as much respect as the more luxurious items.

Read the full review here.

8) Tortilla at Bar Nestor, San Sebastián

The fabled tortilla of Nestor for which crowds form an hour before he opens for one of the sixteen slices. It is so worth it. Where the key ingredient is love (and maybe caramelised onions). There is much to love at this little spot in the old town, like the Galacian beef for two, but this stands out by itself. The best tortilla in the world, where it is impossible to believe something so good can come from just eggs, potato, onion, salt and pepper. Once seduced, we had it every day of the holiday.

Read the full review here.

7) Turnip, parmesan, autumn truffle at Folium, Jewellery Quarter

Lots of people I respect told us to go to Folium, so we knew it was going to be good, though neither of us really expected it to be that good. This dish was the star; a loose take on a carbonara, with ribbons of the root veg standing in for pasta. The additions of mushroom, parmesan emulsion, lardo, and truffle add huge amounts of umami. Utterly brilliant stuff.

Read the full review here.

6) Lobster with sauce American at Azurmendi, Bilbao.

A true three star experience at one of the finest restaurants in the world. Technically perfect with innovation running throughout, the highlight was this poached lobster which ate every bit as well as it looked. The balance between the acidity of the sauce and richness of the coffee butter was impeccable. Seriously classy stuff.

Read the full review here.

5) Taglioni with butter and white truffle at Laghi’s Deli, Edgbaston.

The discovery of Laghi’s has been a personal favourite of mine this year. They shine most when the quality of the ingredients are allowed to sit at the forefront, with no dish showcasing that better than this off menu dish. Taglioni made by the fair hands of mother Laghi, dressed in melted butter and plenty of white truffle from Alba. The pasta at Laghi’s is a joy, matched only by the sense of hospitality from this family restaurant.

Read a review of Laghi’s here.

4) Lasagne of wagyu beef and celeriac at Harborne Kitchen, Harborne.

Want proof that a restaurant can be a fun place to work? Go Harborne Kitchen, where everyone looks like they’re enjoying being there. The results of this freedom are best demonstrated by this dish that takes the homeliness of lasagne, swaps the pasta for celeriac, adds a rich wagyu beef ragu, and finishes with an indulgent cheese sauce. It’s comfort food of the highest order from a kitchen that continues to progress and innovate. I’m going back for it next week before they take it off the menu.

Read a review of Harborne Kitchen here.

3) Langoustine and sweetbread at Core by Clare Smyth, London

Core feels like the end product of a chef who has travelled the world, working and eating their way around the very best kitchens. The two stars they recently received appears to be just the start, with Clare Smyth striking me as someone who won’t stop until her restaurant is talked about in the same breath as the very finest in the world. The lunch we had was nigh on perfect, with this starter the pick of the bunch. Two proteins and two sauces equate to one cohesive dish full of nuance and control.

Read the full review here.

2) Soft shell crab at Opheem, Jewellery Quarter

I very nearly chose the pork with vindaloo sauce, but I’m sticking this in because it demonstrates how Aktar Islam has progressed as a chef. I’ve eaten this dish of his in various guises about half a dozen times. Each time I marvel at how it has improved, and consider that version to be the ultimate. Now the dish feels perfect; a marriage of modern technique and classic flavours. More importantly, it is a tribute to the crab, to the delicate bits of white meat and the more pungent brown meat. Aktar is redefining Indian cuisine in a way we have never seen before in the UK.

Read a review of Opheem here, here, and here.

1) Pork Char Sui and Crab Katsu at Ynyshir, Wales

I know I’m cheating, but this is my blog, and frankly I don’t care what you think. I can’t choose between these dishes so they get joint top spot, and they absolutely deserve it. Ynyshir has stepped it up another level this year, delivering full-on unadultered flavour that smashes you in the face continually over four or so hours. These two dishes were new to me and both blew me away for the clarity of flavour. That pork char sui melts away in the mouth leaving a finish that dances between sweet and savoury, whilst the crab katsu manages to still put the delicate crab at the forefront whilst the katsu ketchup lingers in the background. Gareth Ward continues to churn out future classics at what I believe to be the UK’s best restaurant.

Read this years posts on Ynyshir here and here.

And the top one taxi firm of 2018 goes to A2B for continuely ferrying my fat arse around.

Ynyshir, August 2018

The morning after our dinner at Ynyshir we are back in the restaurant eating breakfast. Perched on the pass bench we can see the kitchen hard at work whist Marvin Gaye hums quietly in the background. The smell of bacon lingers in the air. The team are in a great mood, poking gentle fun at one another whilst poaching eggs and frying off the lamb patties, happy to engage in conversation despite the late finish and early start. It was during these exchanges that we discussed ambitions, with one chef saying that after Ynyshir he would only want to work at Nathan Outlaw; to learn fish in the same manner Gareth Ward had taught them meat. This statement only sunk in during the long drive back to Birmingham. In the same way Nathan Outlaw is the place to go for seafood, Ynyshir has become a meat mecca without ever labelling themselves as such. The treatment of animal – from the salt rooms through to the cooking – is like nowhere else. And the team here know that, describing the present feel in the kitchen as similar to ‘the Harveys days’ when a young Marco Pierre White ripped the arse out of cooking in this country, leaving a legacy of shit chain restaurants and ultra talented chefs such as Gordon Ramsey, Phil Howard, and Stephen Terry.

It appears that the association with Harveys may not be far off the mark. As of this morning, Ynyshir have leapt into the top 5 list of the Good Food Guide with Gareth Ward named Chef of The Year. It’s phenomal work for a kitchen that refuses to stand still. A couple of weeks back we saw this firsthand, perched high upon the chef’s pass seats for this, our fourth meal there in a year. I won’t run through all twenty-odd courses again, instead I’ll focus on the new dishes, or those that have improved. And a few favourites: it would be a shame to leave those out. What I will say from the top is that this was the best meal yet, a nigh on perfect riot of flavour that consistently hit the two star standard and occasionally the level above that. Ynyshir is worthy of a special trip. Everything about the place, from the rooms, to the mountain views, the firepit outside, the drinks programme, and especially the restaurant, has a certain magic about it.

After the ‘Not French Onion Soup’, the crispy duck leg with seasame oil, and the bread course starter procession, we get the first of the new dishes on tonights menu. Mackerel cooked under the heat lamps, in a puddle of fermented raspberry juice with the same fruit frozen, and a little freshly grated wasabi (you’ll get none of the dyed green shit here). I have a little issue in general with oily fish, though I really like the clever interplay between the acidic, the sweet, and heat. What follows this is the best thing I’ve eaten this year: crab katsu has picked white meat coated in a katsu sauce that is instanstly recognisable, yet so much better than the Wagamamas version you are now thinking of. All it needs is a soy dressing enriched by the shell, and a little puffed rice for texture. Perfection.

One of Gareth’s main skills is the construction of dishes that have instant conection with food memory. In a similar way that Heston links meals to book narratives or childhood, many here are instant riffs on takeaway dishes, or fast food. We get Char Sui pork which are cuts of slowly cooked pig belly that melt in the mouth, sat in a puddle of the cooking broth. There is duck kissed with hoisin sauce and blanketed in a slice of compressed cucumber. Both in theory could be ordered with a hangover and ate in front of the telly. Neither would taste as perfectly rounded as this. The Wagyu beef burger course is the ultimate Big Mac. You cant help but smile whilst eating.

The whipped foie course has been upgraded to a fermented bilberry juice that cuts through the richness even better than its predecessors, whilst a new dish of tomatoes with lardo is fresh and unuasually restrained for the kitchen. After this is a flurry of our favourite courses; Wagyu short rib with mushrooms, that swoonworthy garlic prawn, the deconstructed Caesar salad, the lamb rib that I tell everyone about, and the lamb with kombucha that is a Sunday roast with mint sauce. Claire has the cheese course because her eyes rule her body: I request a short break.

Sweet courses start with a sharp fermented raspberry slushie, followed by a fermented raspberry jam on toasted sourdough. Jam on toast. They should offer that at breakfast, too. The knockout custard from last time returns with fermented blueberries, the dessert courses slowly edging sweeter whilst still staying true to the ethos. We have the strawberry dessert that riffs on summer cup, the tiramisu (still the best dessert I think I’ve eaten), and finish on the Wagyu fat fudge. Four hours done to the vinyl soundtrack of Stone Roses, INXS, and Kings of Leon. I loved every second of it.

Dinner is a boozy one and there are a couple of courses I struggle to remember in lieu of the cocktails and three bottles of wine consumed. This is a birthday treat so I’m not seeing the bill on this occasion, though you should allow a couple of hundred each for dinner and wine, more if you stay over in the beautiful appointed rooms. Stay in the rooms, treat yourself. The fact is that Ynyshir has made me a worse food blogger over the last year; I should be out using this money to eat in far more varied places. But we don’t want to. Everytime the idea comes around to take a weekend treat, it is here that we discuss first and ultimately last. There is nowhere else like it. They are on to something special; I know it, as does Gareth and all of his team. The accolades 2018 have delivered thus far are just the start; this is a restaurant destined to go all of the way to the top.

good pictures by Nosh & Breks, rest by me

The Greenhouse, Dublin

To say I was impressed by the food scene in Dublin is an understatement of epic proportions. In four days we had really good burritos, a lovely bistro meal, proper beef burgers, and two excellent breakfasts (no, not the White Moose café). There is a thriving independent scene of people passionate about feeding customers well. I loved it a lot more than the beer prices, which for a country with an alleged drink problem are bordering on scandalous. Still Dublin has a lot more going for it than three whisky museums and a street filled with stag parties. I loved it, and when I’ve saved for another twenty years to afford it, I’ll be back.

One of the reasons I loved it was The Greenhouse, a smart restaurant on the corner of St Stephens Green. It comes with a big reputation, with many in the know describing it as Ireland’s best kitchen. The interior is smart and compact, with tables a little closer than ideal. It allows us to get acquainted with the couple either side of us; both convivial and possessive of that Irish charm; both celebrating a special occasion. We order a bottle of txakoli from a list that offers little value and take to the nibble that is placed before us. The ball of deep fried pigs head has dense meat lifted by a little apple. Nice enough, though hardly setting the world alight. The sourdough bread that follows is pretty much perfect, with a crumb that snaps and a light texture onto which we smear butter an inch thick. It is a bread we would request more of as the meal progressed to ensure every trace leaves the plate.

The first course is a dish of exceptional balance. On the base of a bowl is a foie gras royale, silky and rich, covered in a green apple jelly. Layered on to the jelly are dots of apple puree, walnut, smoked eel, a powdered foie, and finally a green apple sorbet. There is a lot going on, though everything is complementary to the foie gras that remains the star throughout. For main we both take the suckling pig, loin served sideways with glass-like skin to one edge. The accompaniments are pure Spring; fresh peas, asparagus as spears and a puree, morels, and discs of crisp potato. An aerated vin juane provides the necessary acidity, whilst a glossy reduction of the pig’s meat juices is classic at its finest. This is stellar work, reminiscent of Phil Howard when he cooked at The Square. My kind of cooking.

Dessert is a passion fruit soufflé standing proudly from the ramekin, where we carve a little hole out and pour in a ginger and white chocolate sauce, before crowing it with a passion fruit ice cream. It is dreamy, the prominent flavour of the fruit livened by the slightly spicy sauce, the difference in heat a lovely contrast. Petit fours consist of a citrus and jasmine tea tart topped with finger lime, and a choux bun filled with chocolate cream. Both are excellent.

The above is from a set lunch, which is excellent value at 42 Euros for three courses, to which we add a good amount on top with drinks. To me this is excellent value for a meal that quickly hit top gear and stayed there. I enjoyed the style of cooking here; the strong technique, the restraint, and the occasional modern flourish. It’s a restaurant that very much puts flavour first. Michelin presently bestows The Greenhouse with one star, it seems only a matter of time before a second follows.

9/10

Carters, Moseley

Considering I live 250m away from Carters it is more than a little pathetic that I’ve managed to get here only twice. I have no excuse; I pass the bijou restaurant on St Mary’s Row on my walk to and from work every day, at least twice a week glancing over at the yellow lettering on black frontage and telling myself that I really must return. Now here I am, driven by the need for a midweek treat and a girlfriend who has a total obsession with their staff food Instagram stories. The interior has been tweaked to a darker shade than I recall, though the layout is much the same. It has drama yet a warmth to it. The hole in the far wall means that you can look in to the chefs at work, or they can look in to you eating their work. I am never quite sure which way round it is.

We have a steady three hour dinner which is so good I have decided to put the stuff I should be writing about aside and bring you this. It is one of the very best meals I have eaten in this fine city, one full of nuance and rooted so far in it’s environment you would need a team of gardeners to pull chef Brad Carter out of its soil. Without ever resorting to screaming through the tussles of his beard, Carter has become a champion of the best produce in the central region, only looking further afield when required, such as for caviar from Exmoor, or those heady truffles from Manjimup, Western Australia.

Four nibbles get us quickly underway, the first a parfait of chicken livers with various grains and raisins that I could have eaten a far bigger bowl of, followed by a delicate tart of broad beans and Winchester cheese lifted by a little mint. There are slivers of goose ham cured in house, and kohlrabi compressed in pine oil and topped with a salad of herbs which tastes slightly reminiscent of cucumber. The latter does a great job at prepping the palate though I understand how some, including Claire, could be underwhelmed. We have bread made from flour milled a mile away at Sarehole Mill with a pig fat butter containing a dice of crackling. If that butter doesn’t get the blood flowing to the organs, nothing will. With this the chef kindly brings a little Exmoor caviar over which I never expected, and probably neither should you. Still, caviar on bread and butter is something I’ll never tire of or turn down.

Cured mackerel kicks us off properly, the thin slices layered with gooseberry, bobbing in a bowl of dashi cut with mustard oil that has us slurping the last directly from it. A dish conceived in Japan, delivered in Moseley. That eastern influence runs throughout the meal, from the simplistic presentation, to the constant use of umami, and occasional flashes of deeper knowledge, like in the fermented rice on the last dessert. After this course it is straight back to the local environment; a slice of tomato compressed in elderberry vinegar, clothed in backfat and more elderberry, with basil leaves and seeds. It is one of the evening’s strongest courses, one that turns with every mouthful. There are sweet notes, acidic notes, fatty notes, and most surprisingly, anise from the basil seeds. For something that looks simplistic, there is a lot going on under the surface. I have a lot in common with this dish. Conversely, there is a humbleness to the next course, which means I have absolutely nothing in common with it. A fillet of ray with a sauce made from potato and dots of sea truffle, a type of seaweed that shares similar qualities to the tuber. Three cheap ingredients transformed into a plate that has far more luxurious qualities.

Now when I think of the evolution of Carters cooking it is summed up by the lamb course. A loin cutlet (I think) taken off the bone, cooked and then finished on a barbeque. As good as that is (and it is very, very good) the real points of interest are to be found in the garnish. Umami rich black garlic, peas that have been podded and dressed in the faintest of vinegar, sea lettuce both powdered and gently wilted, a healthy dusting of black truffle and a dressing of lamb fat mixed with aged soy. The complexities on the plate are everywhere, gently positioned into place and allowed to mingle with one another. The result is a dish as perfectly balanced as anything I have eaten this year. I save a slice of burnt fat for last because I know this will be the best bit. It is. What follows this is the best cheese I have ever eaten. A soft cheese called Maida Vale, washed in sour beer and served with malt loaf. It is grown up and addictive, sweet and rich, the beer a genius way of introducing balance.

Desserts are bold because they follow the same ethos as the rest of the meal, meaning that they are marginally sweeter, though not by much. More traditional of the two is the grilled strawberry, a beast the size of Claire’s Beetlejuice sized bonce. It has intrinsic sweetness, cut through by the clever use of unripened green strawberry and a soured cream. The last dessert is an ice cream of fig leaf, with local raspberries and fermented rice that adds a sophisticated sour note. Even the petit four – a silky chocolate ganache with rapeseed oil and sea salt – refuses to get the sugar levels going. I admire this; it is clear that Carter is now functioning with a singular belief.

Looking back on my 2015 review I used the words ‘uncluttered’ and ‘concise’ to describe the style of cooking. Although that ethos is still very much in play, the reality is that now Carters is an entirely different beast; it has matured into a restaurant entirely comfortable in its own skin, a place that looks to the best in local produce and pays respect to them on the plate. Claire considers it to be the best meal she has eaten in Birmingham, so much so that she pays the bill in full as a treat without me seeing it, though with two bottles of wine over the two and a bit hours it would work out to be about £130 a head. The best bit? All of this is on my doorstep. Moseley is lucky to have Carters, and I for one plan on coming here as often as possible.