Wales

SY23, Aberystwyth

Never let it be said that I am not invested in this blog. Whilst the rest of the city sit around waiting for their next Captain’s Table invite for a communal get-together of poor food and even worse company, we made the call to continue with our plans to visit SY23 despite the threat to life warning from Storm Dennis. How bad can it really be, we never asked ourselves, as the wind blew both the sea and beach on to the promenade, conveniently closing public access to the bit outside our hotel. Really really bad, is the answer to the question we never asked, as we fought against nature to get through the narrow streets of Aberystwyth and to the restaurant tucked into a corner of a square by the clocktower.

When we do arrive, it’s pretty much as I imagined it would be. This is the first restaurant from the previous head chef of Ynyshir, Gareth Ward’s trailblazing restaurant. During his tenure there Nathan had used his previous occupation as a tree surgeon to tap into the local birch for their syrup and helped produce some of the wooden items still found there. He built some of the grills they cook live fire over. And it’s the same here: tables hand built, grill system for cooking over fire hand built, hand-cut sheet of metal bearing restaurant logo. This is very much his work even if the shades on the walls, the cutlery and the plates feel familiar to anyone who has visited his old workplace.

This means it is of little surprise that the dishes follow the same formula of protein heavy, umami-packed flavour bombs. But no complaints here, not when the lunch menu of three courses for £25 might just be the biggest bargain in the UK, backed up by a wine list that offers serious value throughout. Glass of crémant for £6? Don’t mind if I do, and I’ll take a glass of that silky red from Roussillon for the same price whilst you’re there. A loaf of sourdough for the two of us appears that right away confirms we are in safe hands. The texture is good, as is the strong flavour from the local grains. Miso butter brings enough acidity and the entire thing disappears before the first course appears. When that does we are treated to the highpoint of the meal; John Dory topped with nori, soy, with queenie scallops and a crumb made from dehydrating the scallop fringe and then refrying it. It’s an ode to its surroundings; the bounty of the ocean which ends on the coast 100m away. It also has that ideal balance of natural sweetness and lip-smacking savoury. One course in and he’s nailed it.

Main is served in two courses. The first a delicious hot and sour lamb broth with wild mushrooms that is to be drunk from the bowl, the second a lamb rib and slow cooked shoulder combo that feels very familar without stepping into plagiarism. Here the slow cooked meat is fuelled with the deep tang of black garlic and a sticky jus, relying on little croutons and puffed grains for texture and additional nutty character. It’s all perfectly cooked with accurately judged acidity and the kiss of fire lurking in the background. Then the optional cheese course, which, at £6, is far too cheap. A local blue cheese of which the name eludes me, a drift of buttery breadcrumbs, in a puddle of sherry and raisin dressing which is all boozy sweetness. Top produce, not messed about with. It’s exactly what I hoped we would find.

Dessert, in keeping with the rest of the meal, is great. A zesty, fragrant, set lemon cream, with yogurt sorbet, and a burnt meringue. It serves a purpose to finish on a light note, cleaning up the umami and acidity that runs through it’s predecesors. There is a heady burnt butter fudge with the bill that comes to under £40 a head with one us drinking a decent amount of wine.

Now, if I’m being entirely honest, it didn’t get off to the greatest of starts. The restaurant sits above a cocktail bar whose staff were very quick to stop us from going up despite us arriving bang on time. We were then sat for twenty minutes without the offer of a drink until it was alright for us to go upstairs. That silliness needs to stop, especially when Aberyswyth is going to swell with the kind of tourist who might not be forgiving. But after that, once the food and wine arrived, we knew we were going to have a great meal. The guy can really cook and I personally can’t wait to see how his own style develops over time. That said, SY23 is already a restaurant you should have on your hitlist. Get there whilst it is this cheap.

9/10

Ynyshir, February 2020

I hate Valentines Day. Hate the forced romance and the uplift in prices, the public displays of affection, the hand holding, and then the kisses that resemble two fish gulping at air. I hate being told when I should do nice things for a person that I try to do nice things for all the time. I hate the snobbery around it, how it becomes socially unacceptable to eat Pizza Hut on a night when you might normally eat Pizza Hut, but it is okay to eat four courses in a restaurant you would usually only order one in. I hate the marriage proposals. I really hate the marriage proposals. And the price of flowers, and the heart-shaped food that should never be heart-shaped, doused in a sickly amount of saccharine and sold to randy teenagers or adults who really should know better. I hate the cards; either signed or anonymously stalked, with poorly constructed poems and lewd puns about melons, choppers, and jugs. I hate that dining rooms are full of people who are only there because society tells them they need to be. I hate that I did this for seven years because the girl I was with expected it as the norm, and I love that the last two years have been spent on the sofa, watching shit TV and eating homecooked food because she too understands that it’s just another night. And it is just another night.

We spent Valentines Day in our favourite place in the world. It was an accident: honestly. We knew we wanted to return to Ynyshir some time ago, and a look at the diaries left only a few weekends, of which we ended-up knocking the day off and going on the 14th. If you are going to spend that day anywhere, I suggest you do it here, in the middle of bloody nowhere where no additional concession has been made, starting with a duck broth and martini in the bar listening to Boxer on the vinyl record player. Then I suggest you head to the pre-specified room one, washed in petrol blue paint, where the feature windows make it feel like you’re sleeping in the world’s most picturesque cave. We drank Nyetimber Blanc de Blancs and headed back to the bar to drink more cocktails.

The resulting meal is, I think, the best I have ever eaten, anywhere in the world, over the last fifteen years that I’ve taken food seriously. Michelin’s present assessment of one stars is ludricous. Ynyshir are cooking with the world’s best ingridients to a standard that very few are hitting globally. We saw lots of tweaks from our last visit; the Not French Onion Soup is now so unlike it’s starting point it’s dropped the title completely and now just goes by it’s initials. We now start with a chawanmushi base — a silky savoury Japanese custard — dotted with pickled shallots and teeny croutons, and then an onion broth that splits the custard. It’s a more elegant, richer, creamier start that serves its purpose of prepping the mouth for the forthcoming onslaught of flavour. Then crispy duck glazed in hoi sin sauce, and that chicken katsu skewer which I could gladly eat ten of, but only ever receive as a singular no matter how many times I write that sentence on this blog.

Course four brings the first of the new dishes to me. A skewer of otoro tuna belly, sourced from what I understand to be the same Spanish supplier as The Araki, just warmed through so that the fatty cut starts to loosen. This was wonderfully rich, coated in a terayaki sauce that never gets in the way of the fish. Following this is the chilli crab, a dish I called 2018’s best and if anything has got better. The crab is in larger pieces, the sauce with more chilli kick, and now comes with a steamed sweet bun to mop up the bits which evade the fork. Sensational. Mackerel aged in the salt chamber with furikake seasoning, then the two-part cod; the first a slice of black cod, followed by a broth of the bones with shitake mushrooms. Scallop with elderberry vinegar and aged beef fat has gotten bigger; stronger; more defined. A crumb of what I think is dehydrated roe now shifting the centre point of the dish from cow to crustacean. Five consectutive world class fish courses. They might want to change the board near the kitchen which says, amongst other things. ‘Meat Obessessed’.

Next up is the duck liver and smoked eel dish I love, followed by more duck, and the char sui pork belly that has me gobbling down the slices of meat and slurping the liquor like I’ve never seen food before. That pork gives me a boner and I’ve not said that since watching ‘Babe: Pig in The City’. Then the lamb rib which seems less acidic, but maybe that’s because I’m drinking better wine. We get the best version of the cawl dish yet with strands of lamb neck bobbing in a broth that again has me slurping from the bowl.

Now is fireworks. Not genuine fireworks because they shouldn’t be fired indoors, but the proverbial ones that make you stare in amazement and occasionally use obscene language. Because if one thing has changed it is that this restaurant is now sourcing the absolute best in ingredients. The Welsh wagyu once used here was great, but it wasn’t the best, because that happens to A5 Hida from Japan. So that’s what they serve here now; the same beef dishes ramped up to twelve because eleven isn’t loud enough. We get the burger that has a more buttery burst of flavour now, then two courses later the shortrib dish that has a depth of flavour I never knew could come from a cow. Sandwiched in between this is a new dish which could well go on to become Gareth’s signature: a tartare of the sirloin and tuna otoro, a grating of fresh wasabi root, and a generous amount of Imperial caviar. It’s the Ynyshir surf and turf, where the belly works like bone marrow amongst the beef and the rest smashes you in the face with salinity and heat. It’s perfect. Not just a three star moment, but one that stands up alongside any dish I can recall eating.

It was always going to be hard living up to the beef courses, and so the cheese one fell a little bit flat in comparasion. Keen’s cheddar is spun with macaroni that comes out of the machine seconds before and is cooked in the molten cheese, before being topped with pickled truffle that has taken on a dampness and a flavour reminscent of Branston pickle. It’s not my favourite thing of the night. That is rectified by a slushy of rhubarb that takes me long for the sun, and then the white chocolate with fermented black bean that has crazy salted caramel tones throughout. We hit a home run with the nigh on perfect finish of sticky toffee pudding, rhubarb with that insanely indulgent custard, and tiramisu, which I’ll say once again is a three star dessert all day long. Wagyu fudge and dinky rhubarb tarts are served in the bar. I think. I was drinking negroni by now so anything is possible.

A night like this doesn’t come cheap. Dinner is £180 a head in the main room, more where we sat, and there is a hefty (but entirely justified) supplement for the A5 beef. I’ll spare you the total bill but suffice to say that when you include the room, the several bottles we had over dinner, and the cocktails, you could go abroad for a holiday. I mention this because when you book in you should be fully aware of how much it will cost and equally how much it is worth it. The present position of one star in the Michelin guide is ridiculous; more realistic is the Good Food Guide’s assessment of Ynyshir being the third best in the UK. I grab a rum with Gareth in the bar afterwards when he tells me that the plan for the restaurant is to create the best restaurant in the world. Looks to me like he’s heading in the right direction.

Would A2B take me to mid-Wales? I’ll ask them next time

Ynyshir, April 2019

Unknowingly we book into Ynyshir the day before they all break for holiday. The restaurant is in a relaxed mood; Jake Buggs ‘Lightning Bolt’ is playing on the record player as we check-in, with all the staff in non-uniform. Some have taken this as an excuse to wear comfy clothing, others excessively loud shirts. Really loud shirts that should never see the light of day. They buzz through the corridor by the kitchen pass, taking out the empty plates from a packed dining room. As we tuck into a welcoming bowl of thick onion with sourdough in the bar area, it is great to see it this busy: eighteen months ago when we first visited there were us and six others present for a lunch service. Five visits later and they are struggling to get us a table, incredible to think for a booking that includes the legendary food blogger who is Claire Tucker and her pathetic boyfriend. I’m happy this way; they deserve it. Hard work pays off, this much is clear.

I won’t hide my love for Ynyshir, nor should I try. My good friend Rory now works here, and over time I have got to know owners Gareth and Amelia as well as several of the team who now recognise my bloated head in their tiny dining room. If there is bias present it is only on my part; I knew no one back in August 2017 when we first went and launched into hyperbole, and I recieve no concession on the £150 tasting menu. Simply put, we are here yet again because it is where we choose to spend our money, which we do a little overzealously every. single. time. Make of that how you wish.

It seems that since our last visit a lot of effort has been made to improve the smallest of details. The soys, mirin, and vinegars have all been upgraded to the best they possibly can be, resulting in more elegant acidity, whilst they have a big tank now that cooks crabs and lobster from fresh during service. The overall experience has been upgraded, a statement I wasn’t expecting to make. The ‘Not French Onion Soup’ is more refined, the duck with sesame more crispy so that the reference to the Chinese takeaway is more obvious. That duck blew my mind this time around. The slice of bread seemed smaller, which is fine because it means the layers of wagyu fat and mirin butter get thicker. Only an idiot would fill up on bread here, anyway.

Four new dishes follow, each of them highlighting just how fast the kitchen has developed. The first is katsu chicken; a relatively simple dish of brined poultry cooked over the japanese barbecue built by one of the chefs. The meat is then rolled through panko breadcrumbs cooked in butter and finished with the katsu ketchup which previously used to coat the crab. It is unbelievable; a smash in the face of flavour that bears only the faintest of resemblances to the now most ubiquitous of British dishes. Take that, Brexit. The crab is now a take on the Singapore dish, chilli crab, with a generous amount of meat bound in sauce packed with garlic, ginger, chilli, and soy. I made the bold statement in saying that the crab katsu was the best dish I ate in 2018: both of these are upgrades on the main components. The mackerel is now aged in the salt chamber to take out much of the oiliness, served in a bowl with a dark and heady sauce, and a little grated fresh wasabi, before we move on to cod in two servings. The first is a take on black cod, which is surprisingly gentle in flavour to allow the cod tell its own story. When this is downed they pour some of the cooking liquor into the same bowl with slices of raw shitake mushroom. I loved this; it has purpose and is an original way of getting the flavour of cod out there. Remember what I said about not filling up on bread? You’ll need another slice here to make sure not a drop is left.

We have the duck with hoisin again, the cawl which I still can’t get on board with, the lamb rib that I can always get on board with, and then the pork char sui, which is fatty and lucious and has me slurping unattractively from the bowl like the man I once sat next to on a flight in Vietnam. I hated him. I love this though and it’s over far too quickly for my liking. It’s a star dish in a lengthy menu littered with them. There is the aged foie gras with birch syrup and smoked eel that I devour in a single mouthful, and then a new dish of scallop roasted on one side only with aged beef fat and pickled elderflower. It’s got bollocks as a plate of food, a contrast of textures and big flavours that somehow holds on to the flavour of the scallop. I was concerned about this not working. It turns out I had nothing to worry about.

A slab of 215 day aged wagyu is presented to us, telling us that this is to be served as a burger and then tartare. But first the garlic prawn arrives; the meat is delicate, the roasted prawn shell sauce noticably better thanks to the higher grade soy used. The wagyu returns as that burger, a thousand times better than the thousand times I tried rip-off versions in the last year and a half. Then the tartare, which is just sit-yourself-down-and-take-stock-of-everything brilliant. A complex mix of barely warm beef, fermented grains, some kind of soy dressing, and egg yolk dressing. It’s mega, reminsecent of the first time I tried the vennison tartare at L’enclume, and up there with the very best raw dishes I’ve ever been served. More wagyu follows as a shortrib with mushroom but by now I am stuffed. I should probably point out to any vegetarians at this point that this may not be the restaurant for you.

By now the music has whizzed through The Prodigy and is onto ‘Doggystyle’. We take the cheese course of Tunworth on a sourdough crumpet with a maple/white truffle lick of magic. Every bit as glorious as it sounds. The yuzu slushie that follows is a clever way of resetting the palate before the dining room halts to mark the first dessert with a plume of nettle scented dry ice, pouring off the tables and on to our feet. The course itself has been defeated by the two cocktails and three bottles of wine we’d consumed up to this point, and if I’m correct I was more concerned with rapping the first verse to Ain’t Nothing But A G Thang than eating the buttermilk pannacotta before me. So as far as the courses in this paragraph go, we’ve had one, two, three, and to the four, as we sign off with the white chocolate and black bean mouthful which is salted caramel when you close your eyes. Perfection is perfected, and with that I promise no more bad Snoop Dog references.

From a young G’s perspective the last three courses are a whistle stop tour of three classic desserts, reimagened in rural Wales. We blitz through a new version of the sticky toffee pudding (now with a flourless date cake replacing the compressed fruit), the rhubarb and custard, and the tiramisu. Each are utterly brilliant in their own way. The last nibble is a piece of fudge made from wagyu fat. We retire to the bar and The National’s classic album ‘Boxer’ is played. And people wonder why this is one of my favourite places in the world.

Ynyshir, August 2018

The morning after our dinner at Ynyshir we are back in the restaurant eating breakfast. Perched on the pass bench we can see the kitchen hard at work whist Marvin Gaye hums quietly in the background. The smell of bacon lingers in the air. The team are in a great mood, poking gentle fun at one another whilst poaching eggs and frying off the lamb patties, happy to engage in conversation despite the late finish and early start. It was during these exchanges that we discussed ambitions, with one chef saying that after Ynyshir he would only want to work at Nathan Outlaw; to learn fish in the same manner Gareth Ward had taught them meat. This statement only sunk in during the long drive back to Birmingham. In the same way Nathan Outlaw is the place to go for seafood, Ynyshir has become a meat mecca without ever labelling themselves as such. The treatment of animal – from the salt rooms through to the cooking – is like nowhere else. And the team here know that, describing the present feel in the kitchen as similar to ‘the Harveys days’ when a young Marco Pierre White ripped the arse out of cooking in this country, leaving a legacy of shit chain restaurants and ultra talented chefs such as Gordon Ramsey, Phil Howard, and Stephen Terry.

It appears that the association with Harveys may not be far off the mark. As of this morning, Ynyshir have leapt into the top 5 list of the Good Food Guide with Gareth Ward named Chef of The Year. It’s phenomal work for a kitchen that refuses to stand still. A couple of weeks back we saw this firsthand, perched high upon the chef’s pass seats for this, our fourth meal there in a year. I won’t run through all twenty-odd courses again, instead I’ll focus on the new dishes, or those that have improved. And a few favourites: it would be a shame to leave those out. What I will say from the top is that this was the best meal yet, a nigh on perfect riot of flavour that consistently hit the two star standard and occasionally the level above that. Ynyshir is worthy of a special trip. Everything about the place, from the rooms, to the mountain views, the firepit outside, the drinks programme, and especially the restaurant, has a certain magic about it.

After the ‘Not French Onion Soup’, the crispy duck leg with seasame oil, and the bread course starter procession, we get the first of the new dishes on tonights menu. Mackerel cooked under the heat lamps, in a puddle of fermented raspberry juice with the same fruit frozen, and a little freshly grated wasabi (you’ll get none of the dyed green shit here). I have a little issue in general with oily fish, though I really like the clever interplay between the acidic, the sweet, and heat. What follows this is the best thing I’ve eaten this year: crab katsu has picked white meat coated in a katsu sauce that is instanstly recognisable, yet so much better than the Wagamamas version you are now thinking of. All it needs is a soy dressing enriched by the shell, and a little puffed rice for texture. Perfection.

One of Gareth’s main skills is the construction of dishes that have instant conection with food memory. In a similar way that Heston links meals to book narratives or childhood, many here are instant riffs on takeaway dishes, or fast food. We get Char Sui pork which are cuts of slowly cooked pig belly that melt in the mouth, sat in a puddle of the cooking broth. There is duck kissed with hoisin sauce and blanketed in a slice of compressed cucumber. Both in theory could be ordered with a hangover and ate in front of the telly. Neither would taste as perfectly rounded as this. The Wagyu beef burger course is the ultimate Big Mac. You cant help but smile whilst eating.

The whipped foie course has been upgraded to a fermented bilberry juice that cuts through the richness even better than its predecessors, whilst a new dish of tomatoes with lardo is fresh and unuasually restrained for the kitchen. After this is a flurry of our favourite courses; Wagyu short rib with mushrooms, that swoonworthy garlic prawn, the deconstructed Caesar salad, the lamb rib that I tell everyone about, and the lamb with kombucha that is a Sunday roast with mint sauce. Claire has the cheese course because her eyes rule her body: I request a short break.

Sweet courses start with a sharp fermented raspberry slushie, followed by a fermented raspberry jam on toasted sourdough. Jam on toast. They should offer that at breakfast, too. The knockout custard from last time returns with fermented blueberries, the dessert courses slowly edging sweeter whilst still staying true to the ethos. We have the strawberry dessert that riffs on summer cup, the tiramisu (still the best dessert I think I’ve eaten), and finish on the Wagyu fat fudge. Four hours done to the vinyl soundtrack of Stone Roses, INXS, and Kings of Leon. I loved every second of it.

Dinner is a boozy one and there are a couple of courses I struggle to remember in lieu of the cocktails and three bottles of wine consumed. This is a birthday treat so I’m not seeing the bill on this occasion, though you should allow a couple of hundred each for dinner and wine, more if you stay over in the beautiful appointed rooms. Stay in the rooms, treat yourself. The fact is that Ynyshir has made me a worse food blogger over the last year; I should be out using this money to eat in far more varied places. But we don’t want to. Everytime the idea comes around to take a weekend treat, it is here that we discuss first and ultimately last. There is nowhere else like it. They are on to something special; I know it, as does Gareth and all of his team. The accolades 2018 have delivered thus far are just the start; this is a restaurant destined to go all of the way to the top.

good pictures by Nosh & Breks, rest by me

Ynyshir, 1st Visit of 2018

I feel like I am going to get used to the drive to Ynyshir. The nondescript hard concrete of the motorways and a-roads until Shrewsbury, with Welshpool marking that we have entered a different country. From there its rolling green hills and sheep and not much else. Roads meander in direct correlation with the streams that tumble alongside them. Homes are sparse and thinly spread apart out here – the scenery is ample friendship. It’s beautiful. I love how much the seasons have altered the landscape in the five months since we last visited. Winter has rooted itself firmly in rural Wales; the trees have exposed their souls to the elements, grass sodden and under the permanent shadow of cloud. Even in the company of a woman, the last two of the three and a bit hour journey is peaceful and revitalising.

We roll through stone posts that mark the entrance and wind around to the large white building. There have been some tweaks made. The white linen has been replaced by oversized wooden tables . The bowls and plates more dramatic, as are the hand carved spoons that greet the first course. It is a deliberate ploy to be more in tune with the surrounding environment. And it’s working. My best meal of 2017 just delivered an even better one in 2018.

I won’t go over every dish again – there is all of that on my previous post. Dinner here takes up to four hours and involves a large quantity of small dishes. The not French onion soup is still the first thing you eat and is still perfect. This is followed by a wedge of duck leg, cooked slowly, blasted through hot oil, dressed in sesame oil and topped with spring onions. It’s like the best crispy duck from your local Chinese. We have the bread course again. The sour dough seems to have improved – the pockets of air beneath the dark crust less restrained, the flavour deeper.

Mackerel is warmed through on the pass lights so that the texture has altered but the fish still retains the bright qualities of its raw state. With this is a rhubarb ketchup, slices of fermented rhubarb, and grated lardo. It is a dish that leans on acidity. It is bright and brilliantly conceived. A crab dish with sweet corn was a highlight of our last visit, this time the seasons dictate that we have turnip with the crustacean instead. It improves the dish, the earthiness working with the sweet meat and soy dressing that has the flavour of roasted shells. It is a nailed on three star dish. We have the wagyu beef burger course that takes the profile of a Big Mac and putting them in a dice sized piece of beef you hold between finger and thumb, and then the short rib from the same beast with shiitake mushroom and seaweed. I’ve eaten both dishes three times within six months. They still amaze me.

When I’m asked about Ynyshir I always say the same thing; nobody in England does flavour like Gareth Ward. Every dish is built around the maximum impact, that smashes you in the mouth with a closed fist. Duck liver is whipped with a little tofu, with grated smoked eel, a spelt cracker, and cubes of apple that cuts clean through the richness. It has pinpoint balance. We have the grilled prawn with umami rich soy bisque again. The langoustine, fat and sweet, is the best I’ve eaten, anywhere. The seasons have been kind.

We surge on to more protein. Duck breast with salted plum excites me a lot less than deer with crisped fat and pickled black beans. There is nothing technically wrong with the former, the breast meat just fights a little too hard to keep up with its company. The latter has more bravado, more swagger. It threatens to be too big until you grow a pair and man, or woman, up. Pork belly with a sauce using last year’s cherries is equally massive. I have no idea how long and slowly it takes to cook pork belly this well but my guess is that it’s long enough for a man, or woman, to grow a beard.

A salt baked swede, alit and sinister looking, marks the cawl course. I don’t like it. The bits of lamb heart at the base are lovely, but the rest of the stew is a bit nonplus. A dish based around swede – that watery root veg – is always going to be an uphill struggle with me. And then it’s the same two Welsh lamb courses that marked our first lunch here. The lamb spare rib is still in my top three dishes ever, the lamb neck with kombucha still the best lamb with mint sauce you’ll ever eat.

Two courses bridge the savoury to the sweet. The first is less conventional; onions, cooked for a couple of days in beer and wagyu fat, in a bowl with thickened cooking juices and torn sour dough. They call it bread and gravy, though to me it echoes French onion soup. It’s dark and heady and absolutely delicious. Beauvale cheese with pear takes two ingredients in peak condition and let’s them run with one another.

There are four desserts. The first is Manjari chocolate, cremeux-like in texture without (I think) the cream. A shard made from shiitake mushroom might not seem an obvious ally but the chocolate makes the fungi taste like coffee. It’s super clever. This is followed by a dense reduction of parsnips where the sugars have released and caramelised the veg. On to this goes a puddle of maple syrup, rye, and nitrogen set verjus. The combination is a revelation, sweet, nutty, slightly acidic, not like anything I’ve ever tried before.

S.T.P might sound like something I caught in 2004 Tenerife but the smart amongst you may know it to be sticky toffee pudding. This has the sponge replaced with dates that have been dehydrated and glued together, onto which is placed the strongest vanilla ice cream I have ever tried and that all important toffee sauce. I have no idea what they have done to the sauce to make it taste so good, but it is a skill to rework a dish purely around the memory of the best bit of an iconic. They use the same tactic with rhubarb and custard, the fruit mostly an acidic foil to the reimagining of custard that tastes just like the Birds custard that I grew up on. Its rich and oozy and probably the result of a trillion egg yolks. I could eat this every night of my life and be happy. We finish with that tiramisu course which I firmly believe is the best sweet course I have eaten. It simply cannot be improved.

With this the record player in the corner changes from Kings of Leon to Bob Marley, and we head off to bed to sleep off another outstanding meal. An experience like this doesn’t come cheap; dinner with a couple of bottles of wine, cocktails, and a bed for the night clocks close to six hundred, but it is just that: An experience. Fat Duck withstanding, I know of no place that evokes such emotion through the gentle suggestion of food memory. Coming to Ynyshir requires commitment; the travel and the expense. It pays this back with course after course after course of brilliance. I’ll reiterate what I said the last time I wrote about here: Ynyshir is right now the most exciting restaurant in the UK. And we are in it for the long haul, watching it every step along the way.

Ynyshir, Elgwys Fachs, Wales

My girlfriend is a fellow food blogger, a statement which, if you know my general disdain for the term, is something that will require therapy on my behalf to overcome. It’s not her fault; she’s one of the good guys whose interest extends further than the pique-assiette culture of never paying for a dinner. Plus, it has it’s upsides. She acts as a sub editor for my piss-poor grammar and provides the funnier observations over dinner that I steal for my writing.  And, loving food in the same way that I do, she takes me to Ynyshir for my birthday. Whadda woman.  I still can’t believe that my greatest love sprang from my greatest enemy. It’s like Romeo and Juliet, only far shitter to watch.


And so, let’s move onto Ynyshir, a beautiful white walled residence in the middle of bloody nowhere, or, as the locals would prefer me to say, in Elgwys Fach, at the southern tip of Snowdonia National Park, near Machynlleth.  I have this theory in remote restaurants in that the journey makes a part of the experience.  Anyone can hop on a train to London, but to commit to here, or The Three Chimney’s, or L’Enclume takes a certain amount of commitment.  And boy, are we committed to food, as the next nine thousand (I’m guessing) words will show.  Those with a short attention span may want to look away now.  Those with a culinary porn problem may want to cover their modesty:  This is going to get Filthy.



The dining room pans out towards the rolling green hills of the Dyfi valley at one end and straight into the open kitchen at the other.  It is as much as a blank canvas as interior designers will allow it to be, with warm purples occasionally interspersing wooden floors and thick white linen table clothes. It is all about the food here with the first course making us sit bolt upright – a position that we would remain in for the two hour lunch and then some afterwards.  ‘Not French Onion Soup’ would transpire to be a bowl in which kombu stock was poured onto onion puree, tofu, onion oil, and pickled shallots.  It’s a whack to the face of umami, followed by a kick to the balls of acidity.  It’s big and brave, with the first sign of Japanese influences such as the dried kelp stock and miso in the onion puree.  It is perfect.  And this was just the first course.


What follows is a further ten courses that would set the marker for what I consider to be the UK’s most exciting restaurant.  A sourdough bread features a crust blacker than my soul, served with a Wagyu fat spread that overshadows an excellent miso butter.  Mackerel follows, barely cooked and draped in a pineapple jelly. Charcoal oil adds a depth, beansprouts and puffed rice texture.  As with so much of the food that follows, every flavour is amplified to eleven.



A cube of Wagyu short rib, cooked until it is only just holding it’s shape, is served with shitake mushroom, puffed rice and seaweed. The umami rich accompaniments are present to bolster the flavour of the beef, the seasoning as bold as it possibly can be. Following on from this was Mayan gold potato lightly dressed in pheasants egg, with shallots and truffle butter sauce.  We are back on the now familiar territory of umami and acidity, with the potato dice coated in a little yeast paste and the slight tang of vinegar in the sauce.  It’s a brilliant blend of two of the five basic tastes which give the dishes light and shade.  Claire says it is one of the best dishes she has ever eaten.  She’s right, but better is to come.



Lunches main protein came in the way of two courses of lamb.  The first is a rib glazed with soy and shizo that disappears as quickly as it arrives, the meat undressing from the bone at the slightest of suggestion.  The barbeque neck which follows is the first time that we would notice a familiar theme which would run through *spoiler alert* dinner the same night, in that dishes have a familiarity on the palate far removed from the world of fine dining.  The neck fillet is topped with a kombucha (a fermented Japanese herb tea) gel which echoes the best lamb with mint sauce you will ever eat.  It’s astonishing in delivery and concept, moreish to the point that it will eventually end up with it’s own addicts group.  In a day where the high points kept on rising, this was for the me the real eureka moment.



Not foreseeing the later bout of gluttony, we take the optional cheese course.  It’s cauliflower cheese, just like grandma used to make it.  Of course it’s not, I’m shitting you.  Cauliflower is compressed with -8 vinegar and topped with Beauvale that oozes and fills with a richness.  It is cauliflower cheese, right down to the breadcrumb topping, just not as you know it.  ‘Lager and lime’ really is just that, a cleansing course of yogurt panacota prepared tableside with continental lager and lime.  It takes me back to my teenage years when I used to drink my pints with a splash of cordial.




Our first dessert arrives, a blueberry dish that for me drops down to one Michelin standard – an achievement given that the restaurant presently has one star.  It’s good – the fermented berries bright in flavour, the buttermilk adding a subtle layer of fat.  We finish with a take on tiramisu.  It is glorious.  Various dots of coffee and vanilla, a shard of something crisp and see-through, with mascarpone granita and grated bitter chocolate.  It’s balanced and refined, a real statement that the sweeter courses can be to the same impossibly high standard of everything else.  We walk through the open kitchen for liquid nitrogen poached meringue filled with fennel purée, seemingly inspired by the aniseed sweets you get at the end of a curry.   I like that idea.  Anything inspired by curry houses is fine with me.  




Now that should be it.  I should surmise about a perfect meal worthy of a special journey and we should all move on with our lives.  Except I can’t, because as I alluded to earlier, that girlfriend of mine couldn’t turn down the chance to extend my birthday lunch into twenty or so more courses at dinner.  I argue that I’m not worthy of that expenditure for all of about twenty seconds before concluding that I probably am. I’m sorry but you’ve come this far to no avail, but stick with me, I promise it’s worth it.

Dinner starts with the dish that is most definitely not a French onion soup, moving on to what is most definitely a glazed slice of duck leg topped with sesame.  Another mackerel dish follows, this time with a sweet and sour ketchup made from bramble, with wood sorrel and grated lardo.  The cured pork backfat is the inspired part, coating the mouth and improving the flavour.  And we’re back on that word again.  This place is all about flavour.  Everything else is secondary to the question “does it taste the best that it absolutely can?'”.  And I like that idea.  I like it a lot.  



The following two courses are two of my favourites.  Crab and sweet corn is remiscent of chowder, light and clean in profile until you hit the dark funk of a crab soy.  Duck liver is whipped with a little tofu, glazed with birch sap syrup, and topped with spelt and a grating of smoked eel.  It’s smoked bacon.  Honestly.  The fat content, the back note of sweetness, the meatiness and the smoke.  I want this with a thick slice of bread and a cup of coffee.  But I can’t, so bottle number three of wine will make do. 



Duck with pickled black beans and black garlic is, of course, duck with black bean sauce.  Likewise tomato, lardo and basil is a BLT.  You get the picture; inspiration from the everyday took to a level up there with the very best.  You have to taste it to believe it.  



I can’t pinpoint the inspiration behind the barbecued langoustine but I can tell you it was damm right delicious.  It’s grilled to a meaty texture with wild garlic and a glorious dressing of roasted shells and soy sauce.  The pollock that came afterwards is, in my opinion, the weakest of the evening.  I  see what they are aiming at with the miso glaze on the fish and the dashi stock to slurp afterwards, it’s just disjointed and lacking the brutal hit of flavour of everything else we ate.  A deconstructed Caesar salad pulls it back.  The lettuce emulsion is vibrant, the Parmesan whey and anchovy crumb full of umami.  It needs the grated cured egg yolk to pull it all together, which it does brilliantly. 





Wagyu returns for three courses.  The first makes me shout “it’s a burger!” a little too loud with the addition of pickled gerkins and a genius addition of bread mayo.  This happens before a piece of sirloin that has been aged for 192 days – I’ve had engagements that have lasted less time.  The meat is unlike any I’ve ever tasted, a bastardisation of beef and blue cheese.  Served only with a grating of fresh wasabi, this is as close as I am likely to get to the prime steak houses of Tokyo.  Wagyu fudge concludes the trio.  You read that right, it’s fudge made with wagyu fat.  A genuine game changer.  Thorntons should nick the idea.



And this, Dear Reader, is where the post concludes, despite there being many courses left.  It was at this point that the days beers, the champagne, the cocktails, and the four bottles of red wine took hold.  It all became a little fuzzy and if I can’t remember it properly, I simply can’t write about it. I remember the lager and lime again, a brilliant strawberry dish that tasted like Summer Cup, and raspberries on toast.  Indeed, looking through my notes now, the dishes maintain the same form; most at the two star standard, with more at three star than one.  It seems a given to me that this restauarant is gaining a star this year and it wouldn’t surprise me at all if it joins the top four in the coming years.  It is exhilarating; a riot of taste and precision, all hand delivered by a team of chefs who clearly love working here.  It is the best meal I’ve eaten, trumping all of the two and three star places I’ve been fortunate to dine at. And for once I wasn’t the one picking up the bill.  Gareth Ward and his team at Ynyshir have created a restaurant which rivals the very best in the country.

10/10