little Blackwood

Little Blackwood, August 2018

In my usual frantic rush to write about anywhere decent first, I may have been a little hasty with my original review of Little Blackwood. For a start I decsribe the service as “kind and well meant, if a little raw”. Well you can scrap the raw bit from that now. I make note that the Asian influences that run through the menu, which, although still there, could be joined by flourishes of European or occasionally South American on what is a now distinctly British restaurant. Reading the first review back it’s clear there was potential which has been realised now for several months. Little Blackwood has transformed into a neighbourhood bistro perfect for its Moseley enviroment.

It helps that they change the menu in full every month, each one based on the success of the last. They have a firm understanding of what the customer wants, tailoring the dishes likewise. When we first came there was ‘steak if you want’, now it seems that beef is omnipresent, whether that be as a crispy salad starter or as sharing cote du beouf for two as main. The wine list, an initial bugbear of mine, is now an ass-kicking list of low to mid range beauties, joined by a carefully curated cocktail menu. The evolution has taken four months. On the Friday we first visit the dining room is pretty much empty; on this early evening Thursday visit they are turning tables away.

It helps that the food has got better and better and better. A hash of chorizo and black pudding is big and earthy, becoming an unrestrained party when the poached egg yolk is cut loose. A jus with the sweet and sour notes of tamarind turns the volume up to eleven rather than calms it down. On the flip of this is bruscetta where notes of garlic lurk somewhere between the dice of tomato and bread. On the side of this is burrata, smoked under the cloche the plate arrives in. It’s simple in practice with enough nuanced flavours cleverly hidden across it to keep fools like me interested.

The best bit of the meal here happens to be the best dish I’ve eaten at Little Blackwood. A supreme of chicken, I assume first cooked sous-vide and then finished in the pan, is all beautiful flesh and crisped, salty, skin. The adornments of tenderstem brocolli, chanterelles, and light-as-a-feather gnocchi are all it needs, with a jus of the cooking juices lightened with a touch of lemon juice. I don’t think this dish would have happened four months back, when the desire was to show technique and load the plate with elements. This is simple cooking, perfectly seasoned. Simplistic enough to fulfil a midweek dinner, special enough to warrant eating on a more lavish occasion. Also special was panfried hake with a paella of clams, rabbit, and chorizo. The paella is as good as any in the city, the rice accurately cooked and taking on all the rabbit stock. It looks and eats great. Dessert is still the deep fried baos. They are still great, in particular the banoffee that packs plenty of flavour.

Pricing has altered now to £24 for two courses, three for £30, and a good amount less at lunch. It’s a steal for the quality. We’ve been to Little Blackwood on numerous times since they opened, to eat a couple of courses, sometimes to just sit at the bar and soak up the atmosphere. It’s great seeing the growth, watching a passionate young couple develop a very good local restaurant. The people of Moseley are clearly lapping it up. Long may that continue.

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Little Blackwood, Moseley

I am familiar with the dining room of Little Blackwood. It is a space I know well, like my work desk and the contents of my drinks globe. For much of the past 18 months I have spent time and money within its walls, under its previous guise as Cheval Blanc. I hold no shame in my love for its previous incarnation; I drank so frequently at it’s bar I had a stool with my name on, and I mourned its loss in a piece for a regional newspaper when it announced its closure. It gave me some of the very best months of my life. But I’m not one for legacies. The past is just that, a memory, one that slowly dwindles away like the contents of my wine glass. Little Blackwood is now here, tweaking the interior with new lights and mismatched furniture. The sense of deja vu may still be present in the wall murals and turquoise booths, but a new spirit is alive and present.

Now stepping away from my fatty liver and putting my food cap firmly on, I think that what sets chef Ben Taylor apart is a firm sense of identity, one that frequently veers to the East, doing so with purpose and confidence. And whilst the cooking occasionally takes a small misstep, it quickly corrects itself with a stride in the right direction. There is very little about the food here that is delicate; the dishes thud with spice applied through modern technique. We would eat three solid courses each but only after an amuse that fails in its intention of setting out his style. A prawn kissed with the lightest of heat on spiced lentils, with a piece of popcorn dusted in curry powder. The daal was good, the prawn of decent quality with the intestinal tract still in place, which is crap. The popcorn is misjudged – have you ever pined for prawn popcorn? Me neither. They are two textures that should never go together.

And then it all gets good. A mushroom and lemongrass broth is poured tableside into a bowl containing pickled onions, a smoked onion puree, and mushroom wontons. The broth is heady and deep in flavour with the suggestion of mirin lurking in the background. The wontons have the texture of a man who has folded a million of these before. A similar success was had with crab macaroni cheese, rich and molten, with the best bit a croquette of the more pungent brown meat. The balance of crustacean and dairy is a tricky one to get right. He nails it here.

A chicken ballottine main shows strong technique across the plate. The rolled breast meat stuffed with a delicate mousseline that is accurately seasoned and poached. A California roll on the side is not only a playful way of getting carbohydrate on to the plate, it also allows the chef to bring a little wasabi into the mix. It is this, along with a ginger gel and a jus flavoured with sake, that makes the plate sing, even if the pak choi has been show a little too much cooking time. On the flip we have a hefty short rib of beef that relies on classic French technique and no Eastern flavours. The meat is cooked until the bone slides cleanly away from the protein, with a Jerusalem artichoke puree and thick baton of carrot halved lengthways. The very best thing on the plate, indeed that we try all night, is the potato Anna, which is what happens to sliced spuds when you trust them in the company of butter for a long time. These have taken on the best bits of the cow, too, perhaps for being a shelf to the short rib whilst cooking. I don’t bloody know. What I do know is I dream of the day when I can sit on a stool and order a bowl of these potatoes, a good bottle of wine and some of the baos for dessert. Those bao, I’ll get to them now.

Dessert is, you may have guessed, bao, those oriental milk buns usually steamed, though here deep fried to a donut-like consistency. We take three because that particular ratio saves me two quid on the usual £4 price tag, and because I am a greedy bastard. All are very good; the banana and salted caramel, the peanut butter and jelly, and the blackberry and apple. Lovely concise bits of dessert, unlike anything else in the city, and perfect for a one man kitchen operation like here. No doubt others will try to copy it and good for them. I’ll read about it on Twitter whilst sat at the bar here with a bowl of potato Anna, three bao, and a bottle of Nyetimber. I may or may not be on my own. A man has needs and this particular man has a girlfriend not very good at sharing.

Service is kind and well meant, if a little raw. A broth is quite difficult to eat with just a knife and fork. But I liked it here, quite a lot actually. It seems an instant fit to the area, a casual bistro where a meal for two could be had for around £40 a head with wine. At that price point they can expect to see a lot of my business. Cheval Blanc is dead, long live Little Blackwood.

8/10