Michelin

Purnell’s in pictures. Birmingham.

If any of the Purnell’s team are reading this, please take this as a public apology. Know that I normally behave far better and I’m not proud of my state in your restaurant. For clarification, we were celebrating Claire’s birthday a little too heavily; Opheem, Arch 13, Nocturnal Animals and Hotel du Vin until the very early hours the night prior. Back in Little Blackwood at 10am for breakfast and a birthday bottle of Nyetimber, The Edgbaston for a quick four glasses of Moët (and a couple of drams of Japanese whisky), Pint Shop, and then Purnell’s for lunch where we were kindly greeted with more of the fizzy stuff. You do the math. It was a lot of booze before we sat down for lunch.

As a result I’ve contemplated not putting this on the blog. I’ve been hazy on detail before, but that usually happens during the meal; I have never turned up for dinner drunk – I happen to think it’s fantastically poor form. I’ve decided to utilise Claire; her pictures and her memory (she skipped many of the morning’s drinks), and just write about the bits I’m certain on. What is clear is that Purnell’s delivered another brilliant lunch; one that is witty and theatrical, that still has real technique and flavour at its core. We have many brilliant Michelin starred restaurants in this fine city, yet none wear all that is brilliant about the city quite like this fine restaurant.

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The highlights were the coal potatoes with chorizo dip that echoed the river pebbles at Mugaritz, the cheese and pineapple that remains one of my favourite dishes in Birmingham, the cod with satay, and a couple of really excellent desserts; a chocolate and mint number that worked on a multi-sensory level, and that brilliantly iconic 10/10/10 egg custard. Service was exemplary from start to finish, the chosen wines from Sonal for each course perfectly judged. It was all very, very good. I just wish I was a little less ashamed of it.

So Thank You to Sonal for looking after us so well, to Glynn and to Luke for popping out the kitchen and saying hello. Claire had an incredible birthday and the two hours at Purnell’s were a huge part of that. If you’ll have me, we’ll come back and I’ll stay sober this time. Purnell’s deserves far more than the above pictures and a few words.

Transport provided by A2B Radio Cars

 

 

 

 

Top Ten Dishes of 2018

I’ll be sad to see the back of this year. Unlike the personal life chaos of 2017, this year has been one of balance and progression. I’ve had a promotion at work, been on several lovely holidays, and changed the tact of this blog. We’ve eaten a few shocking meals, and many, many, many good ones. With the rest of this year’s posts eaten and all but written, I thought now would be a good time to reflect on the very best dishes of the year. It’s been a tough one to collate, and honourable mentions must go to Daniel et Denise, Purnell’s, and Maribel who have just missed out on this list.

10) Pain de Epice Soufflé, Bergamot ice cream at Cheal’s, Henley-in-Arden

The only dessert on this list and for good reason. A gingerbread soufflé that harks back to my first visits to Simpsons; textbook in flavour and texture, and bought up-to-date with a bergamot ice cream that works harmoniously with the spice.

Read the full review here.

9) Stone Bass with courgette and crispy caviar at The Wild Rabbit, Kingham

I have no issue in saying that on paper this was the course I was least looking forward to during a lengthy lunch at The Wild Rabbit. It proved to be a beauty, with fish that flaked at the nudge of a fork, and the genius addition of crispy caviar – a blend of potato, onion and caviar – which elegantly seasoned it. Head Chef Nathan Eades is playing to their strengths here, utilising the vast Daylesford organic farm a couple of miles away. And it shows, with the courgettes on this plate treated with as much respect as the more luxurious items.

Read the full review here.

8) Tortilla at Bar Nestor, San Sebastián

The fabled tortilla of Nestor for which crowds form an hour before he opens for one of the sixteen slices. It is so worth it. Where the key ingredient is love (and maybe caramelised onions). There is much to love at this little spot in the old town, like the Galacian beef for two, but this stands out by itself. The best tortilla in the world, where it is impossible to believe something so good can come from just eggs, potato, onion, salt and pepper. Once seduced, we had it every day of the holiday.

Read the full review here.

7) Turnip, parmesan, autumn truffle at Folium, Jewellery Quarter

Lots of people I respect told us to go to Folium, so we knew it was going to be good, though neither of us really expected it to be that good. This dish was the star; a loose take on a carbonara, with ribbons of the root veg standing in for pasta. The additions of mushroom, parmesan emulsion, lardo, and truffle add huge amounts of umami. Utterly brilliant stuff.

Read the full review here.

6) Lobster with sauce American at Azurmendi, Bilbao.

A true three star experience at one of the finest restaurants in the world. Technically perfect with innovation running throughout, the highlight was this poached lobster which ate every bit as well as it looked. The balance between the acidity of the sauce and richness of the coffee butter was impeccable. Seriously classy stuff.

Read the full review here.

5) Taglioni with butter and white truffle at Laghi’s Deli, Edgbaston.

The discovery of Laghi’s has been a personal favourite of mine this year. They shine most when the quality of the ingredients are allowed to sit at the forefront, with no dish showcasing that better than this off menu dish. Taglioni made by the fair hands of mother Laghi, dressed in melted butter and plenty of white truffle from Alba. The pasta at Laghi’s is a joy, matched only by the sense of hospitality from this family restaurant.

Read a review of Laghi’s here.

4) Lasagne of wagyu beef and celeriac at Harborne Kitchen, Harborne.

Want proof that a restaurant can be a fun place to work? Go Harborne Kitchen, where everyone looks like they’re enjoying being there. The results of this freedom are best demonstrated by this dish that takes the homeliness of lasagne, swaps the pasta for celeriac, adds a rich wagyu beef ragu, and finishes with an indulgent cheese sauce. It’s comfort food of the highest order from a kitchen that continues to progress and innovate. I’m going back for it next week before they take it off the menu.

Read a review of Harborne Kitchen here.

3) Langoustine and sweetbread at Core by Clare Smyth, London

Core feels like the end product of a chef who has travelled the world, working and eating their way around the very best kitchens. The two stars they recently received appears to be just the start, with Clare Smyth striking me as someone who won’t stop until her restaurant is talked about in the same breath as the very finest in the world. The lunch we had was nigh on perfect, with this starter the pick of the bunch. Two proteins and two sauces equate to one cohesive dish full of nuance and control.

Read the full review here.

2) Soft shell crab at Opheem, Jewellery Quarter

I very nearly chose the pork with vindaloo sauce, but I’m sticking this in because it demonstrates how Aktar Islam has progressed as a chef. I’ve eaten this dish of his in various guises about half a dozen times. Each time I marvel at how it has improved, and consider that version to be the ultimate. Now the dish feels perfect; a marriage of modern technique and classic flavours. More importantly, it is a tribute to the crab, to the delicate bits of white meat and the more pungent brown meat. Aktar is redefining Indian cuisine in a way we have never seen before in the UK.

Read a review of Opheem here, here, and here.

1) Pork Char Sui and Crab Katsu at Ynyshir, Wales

I know I’m cheating, but this is my blog, and frankly I don’t care what you think. I can’t choose between these dishes so they get joint top spot, and they absolutely deserve it. Ynyshir has stepped it up another level this year, delivering full-on unadultered flavour that smashes you in the face continually over four or so hours. These two dishes were new to me and both blew me away for the clarity of flavour. That pork char sui melts away in the mouth leaving a finish that dances between sweet and savoury, whilst the crab katsu manages to still put the delicate crab at the forefront whilst the katsu ketchup lingers in the background. Gareth Ward continues to churn out future classics at what I believe to be the UK’s best restaurant.

Read this years posts on Ynyshir here and here.

And the top one taxi firm of 2018 goes to A2B for continuely ferrying my fat arse around.

Core by Claire Smyth, London

I don’t think you ever fully get over losing a parent. Almost four years on, with the pain all but diminished and just the good times lingering on in the heart, I am still reminded of Mom in the smallest of gestures. A few weeks back it was in the bathroom of a flat she has never visited, me bent over the sink, taking that beard of mine down from unkempt to preened. I cleaned out the sink to the best of my manly capabilities; a few hairs remained dotted around the peripherals. I laughed internally. These dozen or so specks of my face will probably go unnoticed by Claire, but to my Mom they would have been the catalyst for war. In her world you left the bathroom as you found it or you risked her wrath. And we never risked her wrath; we were too wise to that. More recently we were sat in Core by Clare Smyth when it happened again; a carrot cooked in lamb fat and topped with straggly bits of the meat, sat in a puddle of heavily reduced cooking liquor. Once again I was a child; six, maybe seven years old, dunking thick slices of Warburtons bread into Mom’s lamb stew whilst watching Teenage Mutant Ninja Turtles on telly. A happy place. My mother was generally an awful cook: everything was left on the heat for far too long, which is what made her stews so special. The cheap cuts would be braised down over endless hours so that the fat became wobbly nuggets of flavour and the sinew broke down to nothing. Vegetables would be cut too chunkily so that the edges crumbled and the insides a soggy mess, whilst the sauce had globules of meat fat dotted around the surface and was thick enough to paint a wall with. Everything tasted of lamb. I adored it and this starter in a two star restaurant in West London served as a reminder of why I did. It conjured up memories of the smell wafting through the house whilst Mom and I played cards on the living floor. Of how regardless of how swanky the location the most important ingredients are love and the desire to feed. I could have cried, had I not been very conscious that every member of the floor team had an eye on every movement of every table at all times. Nobody likes a crying diner. They ruin the appetite.

We’d been looking forward to this lunch for some time. I’d eaten the food of Clare Smyth before, a few years back when she was chef patron of Ramsay’s three star gaff on Royal Hospital Road. At that point in my life it was the highlight of my culinary experiences, the first time that food and service of the highest quality alligned. I met her briefly afterwards and thanked her. It is another great memory. Fast forward to a freezing cold November afternoon and we had fought through the tourists of Portobello Road to the smart white-fronted building that bears her name. The inside is deliberatly unfussy. No tableclothes, books elevating lights, neutral coloured walls and tasteful art. The touch of a women is obvious. Nothing is harsh; it is soft and appealing. Claire is obsessed by the dried flowers that are tucked neatly in to the menu and spends ten minutes taking pictures whilst I peruse the menus. £65 for three courses is a bargain, less so the wine list. We take a Beaujolais at £90 that you can pick up for about £30.

Tables are quickly rearranged for the opening play, a spread of small bites on an array of custom made surfaces. A tartlet of eel with dashi jelly, nori, and vinegar is exceptionally well balanced, as are cheese and onion gougeres made with the lightest of choux. Crispy duck wings arrive under a cloche of orange smoke and are quickly devoured. Best is the foie gras tartlet with madeira jelly that is silky smooth and massive in flavour. A wholegrain sourdough follows with butter from Normandy. I’ve become a little obsessed with sourdough of late: this is up there with the very best.

I had that carrot and lamb dish as a starter, the memories flooding back as the rich ovine flavour surrounded everything, with only a dollop of sheep milk yogurt and carrot top pesto for respite. On the side was a little bun made with lamb fat that had more confit meat in the centre. It was designed to mop up the sauce, which we do with great pleasure. Claire had a dish she had long been eyeing up on social media: A pan fried sweetbread with a gently cooked langoustine, pickled carrot and the hint of anise from fennel seeds. To this was poured two sauces that met concisely in the centre; a vin juane and the lightest of lobster bisques. Proper three star cooking that balances the rich and the acidic with ballerina-like poise. It was the sum of equals, where nothing outdoes its counterparts. Harmonious perfection.

There has been much talk of Core’s emphasis on vegetables, though to me the most obvious skill was the continuation of flavour. Just like the lamb carrot dish, my main may have listed Roscoff Onion as the main ingredient but the dominant flavour is that of beef. The onion is beautifully decorated with flowers and stuffed with oxtail that melts in the mouth, with a rectangle of short rib braised for two days. A cylinder of confit potato topped with bone marrow tastes like it has been basted in animal fat, though that could just be the sauce that joins the dots and speaks of multiple days labour. If anything the duck main served opposite is even better, with a breast that has crisp rendered skin and meat the colour of Provençal rosè. To the side is a tart of braised duck leg and grapes. Magnificent. Clever additions of Timut pepper and a gel of honey and thyme add light floral notes. But that sauce! Oh my, that sauce. The greatest I can remember, made with duck juices, Madeira, and probably much more. I lean over to swipe some with my bread; a pot arrives of my own to save me the bother and Claire her lunch. Three star service.

Pre-dessert is an apple in appearance and unadulterated flavour. A caramelised apple mousse contains a centre of diced apples in brandy, which combined riffs on the flavours of toffee apple. It’s about as simple as the meal gets. Of the two desserts I am less fussed with the carrot cake that mimics the appearance of the starter, and more taken with their take on the malteaser. It’s a crash of malt, chocolate, and hazelnut on a plate of elaborate feathers. For the first time I finish a course faster than my other half. It is that good.

Petit fours of molten chocolate tart and jellies of sweet wine traditionally conclude the meal before a tiny birthday cake arrives. It’s the little touches that count. Lunch clocks in just shy of £300 and for once I don’t bat an eyelid. It feels value given the level of food and service received. It’s one of the best meals we’ve had, where the flavours are massive, the presentation beautiful, the service slick. It evokes memory of the past whilst pushing boundaries. In the year since Core opened they’ve attained a perfect ten in the Good Food Guide and two Michelin stars, whilst Clare herself has been awarded the world’s best female chef. It seems only a matter of time before Core emulates the previous home of its chef and is awarded the ultimate recognition. Make no doubt about it, this is a true three star restaurant in every sense.

10/10

Pictures by Claire

Folium, Jewellery Quarter

By the time our booking came around I wasn’t really looking forward to dinner at Folium. It was my fault: I’d made the schoolboy error of going out the night prior at 5pm sharp, returning home not far from the start of the next working day. What had started as a polite dinner with wine, descended into a full blown assault on the liver by grown men who really should know better. We’d found out a national chain of cocktail bars was offering a deal that essentially swapped turnips for drinks, resulting in two carrier bags full being lugged from Five Ways to Brindley Place and then on to the business district. Too many cocktails were consumed, one of the group may have been sick, another struggled to find a taxi willing to take him home. Turnips, eh? Who knew they could be so interesting.

There are better uses for the turnip, as I was to find out the following evening after suffering a hangover so severe not even a lunchtime curry could cure it. Try spiralising it into ribbons, blanching in parmesan stock, and then dressing it in an emulsion of the same cheese. Bury flecks of Hen of the Wood mushrooms and lardo in amongst the twisted pieces of faux pasta, and crown it all with a flurry of grated black truffle. This is what we should be doing with turnip; not swapping them for poorly made Zombies. It was a stand-out dish in a meal that hardly ever missed a beat, later to be described by Claire as one of her favourite dishes of the year. And this must be true for she pilfered several forkfuls of mine. It had bags of flavour; reminiscent enough of carbonara for it to feel familiar without the nostalgia attached.

This was course two of six at Folium, a restaurant we’d been meaning to get to for ages yet had never quite gotten around to it; a mistake we won’t be making again. The room is modern and sleek, making the most of the large windows that peer out towards St Paul’s Square. The centre is dominated by a drinks station; the space to the left the pass from which chef Ben Tesh is hard at work. We start with the most delicate of crab tarts given an extra fatty layer from grated duck liver, and move on to layers of cod skin cleverly crafted to look like oyster shells, which are to be submerged in a piquant tatare of oyster emulsion. The sourdough which arrives shortly after these is a work of art; a tight, chewy, crust holding a crumb that is light with uneven pockets of air. So good that I forgot what the butter was like. I’m calling it now: this is the best bread in Birmingham. It is a great start and we haven’t even started properly yet.

The menu starts with smoked eel hidden under a cloud of potato seasoned with chicken skin. The dish has swagger and big hitting flavours. We have the turnip course and then a glistening fillet of turbot. The fish is glorious, dotted with a gel of champagne vinegar, with potato puree and a dashi poured tableside. The genius addition is hay smoked butter that adds a perfumed richness. It has acidity laced throughout. It is an absolute stunner. Lamb follows this, both as a piece of pink saddle and slow cooked neck that it is sweet and soft. We get jerasulem artichokes in various forms including a blob of the silkiest puree, and sea vegetables carefully tweezered into place. In the middle is a sauce that speaks of time and precise seasoning. I ask for another piece of the bread and ensure the plate returns back to the kitchen clean.

The first of the dessert courses is a herbaceous green granita spooned around an unsweetened ice cream of sheep’s milk yogurt and aerated pieces of white chocolate. It’s over-shadowed by the last course: a chocolate creameux covered in a drift of cobnut crumb, with a salted milk ice cream and shards of milk skin tuile. I can’t pinpoint what chocolate bar this reminds me off, but who cares? It’s addictive with a pleasing salt content. It is also one of my favourite desserts of the year.

Service, led by Ben’s partner Lucy, is excellent, with a young and enthusiastic team. Wine is topped-up accurately, dishes explained with real knowledge. It makes the bill – just shy of £200 for two with a bottle of Beaujolais and a glass of dessert wine – feel real value. They have something special going on here, confirmed just 36 hours later when Marina O’Loughlin writes a glowing review in The Sunday Times. It makes this post somewhat irrelevant. Don’t listen to this minor blogger, read the words of one of the finest restaurant critics instead. She thinks that Folium is brilliant, as do we. You really must go.

9/10

Folium

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Pictures by Claire

Ynyshir, August 2018

The morning after our dinner at Ynyshir we are back in the restaurant eating breakfast. Perched on the pass bench we can see the kitchen hard at work whist Marvin Gaye hums quietly in the background. The smell of bacon lingers in the air. The team are in a great mood, poking gentle fun at one another whilst poaching eggs and frying off the lamb patties, happy to engage in conversation despite the late finish and early start. It was during these exchanges that we discussed ambitions, with one chef saying that after Ynyshir he would only want to work at Nathan Outlaw; to learn fish in the same manner Gareth Ward had taught them meat. This statement only sunk in during the long drive back to Birmingham. In the same way Nathan Outlaw is the place to go for seafood, Ynyshir has become a meat mecca without ever labelling themselves as such. The treatment of animal – from the salt rooms through to the cooking – is like nowhere else. And the team here know that, describing the present feel in the kitchen as similar to ‘the Harveys days’ when a young Marco Pierre White ripped the arse out of cooking in this country, leaving a legacy of shit chain restaurants and ultra talented chefs such as Gordon Ramsey, Phil Howard, and Stephen Terry.

It appears that the association with Harveys may not be far off the mark. As of this morning, Ynyshir have leapt into the top 5 list of the Good Food Guide with Gareth Ward named Chef of The Year. It’s phenomal work for a kitchen that refuses to stand still. A couple of weeks back we saw this firsthand, perched high upon the chef’s pass seats for this, our fourth meal there in a year. I won’t run through all twenty-odd courses again, instead I’ll focus on the new dishes, or those that have improved. And a few favourites: it would be a shame to leave those out. What I will say from the top is that this was the best meal yet, a nigh on perfect riot of flavour that consistently hit the two star standard and occasionally the level above that. Ynyshir is worthy of a special trip. Everything about the place, from the rooms, to the mountain views, the firepit outside, the drinks programme, and especially the restaurant, has a certain magic about it.

After the ‘Not French Onion Soup’, the crispy duck leg with seasame oil, and the bread course starter procession, we get the first of the new dishes on tonights menu. Mackerel cooked under the heat lamps, in a puddle of fermented raspberry juice with the same fruit frozen, and a little freshly grated wasabi (you’ll get none of the dyed green shit here). I have a little issue in general with oily fish, though I really like the clever interplay between the acidic, the sweet, and heat. What follows this is the best thing I’ve eaten this year: crab katsu has picked white meat coated in a katsu sauce that is instanstly recognisable, yet so much better than the Wagamamas version you are now thinking of. All it needs is a soy dressing enriched by the shell, and a little puffed rice for texture. Perfection.

One of Gareth’s main skills is the construction of dishes that have instant conection with food memory. In a similar way that Heston links meals to book narratives or childhood, many here are instant riffs on takeaway dishes, or fast food. We get Char Sui pork which are cuts of slowly cooked pig belly that melt in the mouth, sat in a puddle of the cooking broth. There is duck kissed with hoisin sauce and blanketed in a slice of compressed cucumber. Both in theory could be ordered with a hangover and ate in front of the telly. Neither would taste as perfectly rounded as this. The Wagyu beef burger course is the ultimate Big Mac. You cant help but smile whilst eating.

The whipped foie course has been upgraded to a fermented bilberry juice that cuts through the richness even better than its predecessors, whilst a new dish of tomatoes with lardo is fresh and unuasually restrained for the kitchen. After this is a flurry of our favourite courses; Wagyu short rib with mushrooms, that swoonworthy garlic prawn, the deconstructed Caesar salad, the lamb rib that I tell everyone about, and the lamb with kombucha that is a Sunday roast with mint sauce. Claire has the cheese course because her eyes rule her body: I request a short break.

Sweet courses start with a sharp fermented raspberry slushie, followed by a fermented raspberry jam on toasted sourdough. Jam on toast. They should offer that at breakfast, too. The knockout custard from last time returns with fermented blueberries, the dessert courses slowly edging sweeter whilst still staying true to the ethos. We have the strawberry dessert that riffs on summer cup, the tiramisu (still the best dessert I think I’ve eaten), and finish on the Wagyu fat fudge. Four hours done to the vinyl soundtrack of Stone Roses, INXS, and Kings of Leon. I loved every second of it.

Dinner is a boozy one and there are a couple of courses I struggle to remember in lieu of the cocktails and three bottles of wine consumed. This is a birthday treat so I’m not seeing the bill on this occasion, though you should allow a couple of hundred each for dinner and wine, more if you stay over in the beautiful appointed rooms. Stay in the rooms, treat yourself. The fact is that Ynyshir has made me a worse food blogger over the last year; I should be out using this money to eat in far more varied places. But we don’t want to. Everytime the idea comes around to take a weekend treat, it is here that we discuss first and ultimately last. There is nowhere else like it. They are on to something special; I know it, as does Gareth and all of his team. The accolades 2018 have delivered thus far are just the start; this is a restaurant destined to go all of the way to the top.

good pictures by Nosh & Breks, rest by me

Opheem; August 2018

My Dad was born in Aston and he is very keen for you to know that. I think he mentioned it about about a dozen times during a two hour lunch at Opheem recently. He says it to part justify and part bemuse himself at being in such a lavish dining room; his blue floral shirt showing a hint of silver chest hair to match his grey suit jacket, the ornate lights that sit central to the dining room reflecting off his tanned bold bonce. For a sixty-six year old widowed pensioner he’s owning it on his first outing to a restaurant that very much sits in the fine dining catergory. He generally doesn’t do this kind of thing; old Dave Carlo’s experience of Michelin stops and starts with a yearly M.O.T on his car. He is an obstinate creature of habit. Same pub every Friday. Same shop with those increasingly loud shirts. Same curry house with the same dishes everytime. Change doesn’t come easy at this age. But this year I’m committed to showing him the better side of things; he deserves it. Dad is both my biggest fan and biggest critic, he is the first to pick up the phone and tell me when I’ve not treated someone with the respect they deserve; the first to congratulate me when I’ve done well (unless it involves beating him). In the increasing parody that is my life he is my biggest constant and I bloody adore him for it. No matter how many I times I fall it is Dad that picks me up, dusts me off, and pushes me back to reality.

Opheem was in my mind the perfect fit for him: Aktar’s cooking has always for me been about family and generosity. Be it the portion sizes, the unstuffy service, or the nod to his own mother’s cooking, his food is egoless; designed with the diner’s pleasure in mind and never his own. I loved Opheem first time around – it is in my eyes the best opening of the year – and I was keen to say how the kitchen is progressing. Plus we have the added bonus of a new lunch menu which is absurd value at £22 for three courses. If Dad hates it then at least it is not going to be an expensive mistake. He doesn’t, of course. He bloody loves every second of it.

First the difficult bit. Try telling a pensioner whose Indian cuisine point of reference is Moghul in Acocks Green that a sperefied ball of tamarind and chilli water is going to be nice and watch his face. He eventually goes with it and is rewarded by the explosion of flavour that lingers long after the liquid dissipates. It’s properly clever stuff. He loves the pani puri that is layer upon layer of texture and spice, and even tries squid ink cracker with smoked cods roe and garlic. He quickly realises that the gulf between here and what he is used to is a huge one. The sweet potato bread appears with the lamb patè. I wait until he swipes the last of it the bowl before telling him those creamy jewels are brain.

I have mutton kebabs which are pucks of ovine and spice so smooth it is almost patè once you’ve broken through the delicately fried coating. The accompaniments of chopped tomato salad and yogurt mixed with mint are wry nods to the humble curry house. Dad had a dish derived from one of my very favourite things I’ve eaten this year. The ham hock samosa, once an element on the pork vindaloo main, is here the star. It has the same carrots roasted in anise, the carrot puree and the vindaloo puree. It is a beautiful piece of cooking that leaves Dad still talking about it one week after eating it when we meet again for beer and pool. Great food does that; it stays forever in the mind, outliving the eating and slowly morphing into a different beast that becomes a reference point that similar dishes will forever be judged by. I’m lucky to be there when my poppa is having that very moment.

Following an intermediary course of tamarind sorbet with sev and cucumber, we both have chicken for main. Thigh meat in a marinade pungent with herb, in a tomato and fenugreek sauce reminiscent of a certain chicken tikka masala. The chicken on both plates goes in record time, and I unashamedly ask for a jug of that sauce to put the rice and naan bread to use. Stained fingers and beard, the old man calls me classless. I hate to break it to him but I’m not the one wearing a brown belt with black shoes. Dessert is a pretty spiced custard with rhubarb ice cream and a fine dice of the barely sweetened fruit. It’s the only time Dad isn’t blown away. I eat both gladly.

There is an unfair association with lunch menus that the cheaper price means less effort. Whilst that is too often the case, it couldn’t be further from the truth at Opheem. Twenty two pound buys you nibbles, bread, four courses with sundries, and a view of one of Birminghams most talented chefs working tirelessly in his shiny new kitchen. The biggest compliment is given by my dining companion, who comfortably states that if my mother were alive she would want to eat here every night. Proof that Opheem isn’t just for those well versed in these type of surroundings, but for everyone. Even the old cantankerous bastard born in Aston.

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The Greenhouse, Dublin

To say I was impressed by the food scene in Dublin is an understatement of epic proportions. In four days we had really good burritos, a lovely bistro meal, proper beef burgers, and two excellent breakfasts (no, not the White Moose café). There is a thriving independent scene of people passionate about feeding customers well. I loved it a lot more than the beer prices, which for a country with an alleged drink problem are bordering on scandalous. Still Dublin has a lot more going for it than three whisky museums and a street filled with stag parties. I loved it, and when I’ve saved for another twenty years to afford it, I’ll be back.

One of the reasons I loved it was The Greenhouse, a smart restaurant on the corner of St Stephens Green. It comes with a big reputation, with many in the know describing it as Ireland’s best kitchen. The interior is smart and compact, with tables a little closer than ideal. It allows us to get acquainted with the couple either side of us; both convivial and possessive of that Irish charm; both celebrating a special occasion. We order a bottle of txakoli from a list that offers little value and take to the nibble that is placed before us. The ball of deep fried pigs head has dense meat lifted by a little apple. Nice enough, though hardly setting the world alight. The sourdough bread that follows is pretty much perfect, with a crumb that snaps and a light texture onto which we smear butter an inch thick. It is a bread we would request more of as the meal progressed to ensure every trace leaves the plate.

The first course is a dish of exceptional balance. On the base of a bowl is a foie gras royale, silky and rich, covered in a green apple jelly. Layered on to the jelly are dots of apple puree, walnut, smoked eel, a powdered foie, and finally a green apple sorbet. There is a lot going on, though everything is complementary to the foie gras that remains the star throughout. For main we both take the suckling pig, loin served sideways with glass-like skin to one edge. The accompaniments are pure Spring; fresh peas, asparagus as spears and a puree, morels, and discs of crisp potato. An aerated vin juane provides the necessary acidity, whilst a glossy reduction of the pig’s meat juices is classic at its finest. This is stellar work, reminiscent of Phil Howard when he cooked at The Square. My kind of cooking.

Dessert is a passion fruit soufflé standing proudly from the ramekin, where we carve a little hole out and pour in a ginger and white chocolate sauce, before crowing it with a passion fruit ice cream. It is dreamy, the prominent flavour of the fruit livened by the slightly spicy sauce, the difference in heat a lovely contrast. Petit fours consist of a citrus and jasmine tea tart topped with finger lime, and a choux bun filled with chocolate cream. Both are excellent.

The above is from a set lunch, which is excellent value at 42 Euros for three courses, to which we add a good amount on top with drinks. To me this is excellent value for a meal that quickly hit top gear and stayed there. I enjoyed the style of cooking here; the strong technique, the restraint, and the occasional modern flourish. It’s a restaurant that very much puts flavour first. Michelin presently bestows The Greenhouse with one star, it seems only a matter of time before a second follows.

9/10

Carters, Moseley

Considering I live 250m away from Carters it is more than a little pathetic that I’ve managed to get here only twice. I have no excuse; I pass the bijou restaurant on St Mary’s Row on my walk to and from work every day, at least twice a week glancing over at the yellow lettering on black frontage and telling myself that I really must return. Now here I am, driven by the need for a midweek treat and a girlfriend who has a total obsession with their staff food Instagram stories. The interior has been tweaked to a darker shade than I recall, though the layout is much the same. It has drama yet a warmth to it. The hole in the far wall means that you can look in to the chefs at work, or they can look in to you eating their work. I am never quite sure which way round it is.

We have a steady three hour dinner which is so good I have decided to put the stuff I should be writing about aside and bring you this. It is one of the very best meals I have eaten in this fine city, one full of nuance and rooted so far in it’s environment you would need a team of gardeners to pull chef Brad Carter out of its soil. Without ever resorting to screaming through the tussles of his beard, Carter has become a champion of the best produce in the central region, only looking further afield when required, such as for caviar from Exmoor, or those heady truffles from Manjimup, Western Australia.

Four nibbles get us quickly underway, the first a parfait of chicken livers with various grains and raisins that I could have eaten a far bigger bowl of, followed by a delicate tart of broad beans and Winchester cheese lifted by a little mint. There are slivers of goose ham cured in house, and kohlrabi compressed in pine oil and topped with a salad of herbs which tastes slightly reminiscent of cucumber. The latter does a great job at prepping the palate though I understand how some, including Claire, could be underwhelmed. We have bread made from flour milled a mile away at Sarehole Mill with a pig fat butter containing a dice of crackling. If that butter doesn’t get the blood flowing to the organs, nothing will. With this the chef kindly brings a little Exmoor caviar over which I never expected, and probably neither should you. Still, caviar on bread and butter is something I’ll never tire of or turn down.

Cured mackerel kicks us off properly, the thin slices layered with gooseberry, bobbing in a bowl of dashi cut with mustard oil that has us slurping the last directly from it. A dish conceived in Japan, delivered in Moseley. That eastern influence runs throughout the meal, from the simplistic presentation, to the constant use of umami, and occasional flashes of deeper knowledge, like in the fermented rice on the last dessert. After this course it is straight back to the local environment; a slice of tomato compressed in elderberry vinegar, clothed in backfat and more elderberry, with basil leaves and seeds. It is one of the evening’s strongest courses, one that turns with every mouthful. There are sweet notes, acidic notes, fatty notes, and most surprisingly, anise from the basil seeds. For something that looks simplistic, there is a lot going on under the surface. I have a lot in common with this dish. Conversely, there is a humbleness to the next course, which means I have absolutely nothing in common with it. A fillet of ray with a sauce made from potato and dots of sea truffle, a type of seaweed that shares similar qualities to the tuber. Three cheap ingredients transformed into a plate that has far more luxurious qualities.

Now when I think of the evolution of Carters cooking it is summed up by the lamb course. A loin cutlet (I think) taken off the bone, cooked and then finished on a barbeque. As good as that is (and it is very, very good) the real points of interest are to be found in the garnish. Umami rich black garlic, peas that have been podded and dressed in the faintest of vinegar, sea lettuce both powdered and gently wilted, a healthy dusting of black truffle and a dressing of lamb fat mixed with aged soy. The complexities on the plate are everywhere, gently positioned into place and allowed to mingle with one another. The result is a dish as perfectly balanced as anything I have eaten this year. I save a slice of burnt fat for last because I know this will be the best bit. It is. What follows this is the best cheese I have ever eaten. A soft cheese called Maida Vale, washed in sour beer and served with malt loaf. It is grown up and addictive, sweet and rich, the beer a genius way of introducing balance.

Desserts are bold because they follow the same ethos as the rest of the meal, meaning that they are marginally sweeter, though not by much. More traditional of the two is the grilled strawberry, a beast the size of Claire’s Beetlejuice sized bonce. It has intrinsic sweetness, cut through by the clever use of unripened green strawberry and a soured cream. The last dessert is an ice cream of fig leaf, with local raspberries and fermented rice that adds a sophisticated sour note. Even the petit four – a silky chocolate ganache with rapeseed oil and sea salt – refuses to get the sugar levels going. I admire this; it is clear that Carter is now functioning with a singular belief.

Looking back on my 2015 review I used the words ‘uncluttered’ and ‘concise’ to describe the style of cooking. Although that ethos is still very much in play, the reality is that now Carters is an entirely different beast; it has matured into a restaurant entirely comfortable in its own skin, a place that looks to the best in local produce and pays respect to them on the plate. Claire considers it to be the best meal she has eaten in Birmingham, so much so that she pays the bill in full as a treat without me seeing it, though with two bottles of wine over the two and a bit hours it would work out to be about £130 a head. The best bit? All of this is on my doorstep. Moseley is lucky to have Carters, and I for one plan on coming here as often as possible.

Maribel, Birmingham

My personal experience of Richard Turner is a mixed bag. Years back I passed him en route to the bathroom of his tiny restaurant in Harborne when he was coming out of the kitchen. “Fantastic pork, Chef” I tell him. He just looks back. No words. Just a blank stare that he must have borrowed from every character Danny Dyer has ever played. Then more recently I see him at a restaurant opening where he is lovely and jovial and kind to me until some idiot tells him I write a food blog. Then nothing. Back to the stare which cuts holes in the back of the head. Others will tell you similar stories, though I can empathise with him; I am dreadful at pretending to be nice. I am bloody lovely to both the people I like, but the rest? Why bother. And although it is unfair to judge a man on the two occasions we meet, it is where the similarities between him and I finish. Ask anyone in the know and they will tell you that Turner is one of the finest cooks to come out of this city; a chef’s chef who prefers to be behind the pass than the television screen. He is a man who understands flavour. I wish someone would say something that nice about me instead of just insulting my grammar on Twitter.

His new home is Maribel, a lavish restaurant in Brindley Place which will surely benefit from it’s space directly underneath a load of bankers. The room is tasteful and considered, with well appointed tables and thick carpet. Many of the team have followed Turner in the transition from Harborne to the city centre, meaning that a month in from opening the service and food already feels like it is operating at the level of his previous restaurant when it held a star. A flurry of nibbles arrive within minutes of us sitting down. There is a deep fried croquette of smoked eel and apple on a horseradish puree, followed by a gougere of aged gruyere. The choux is delicate, the cheese crème rich. It’s as good an example I’ve had; right up there with Ramsay’s three star flagship at Royal Hospital Road. We get an elegant spoon of diced scallop with cucumber and a grating of fresh wasabi, and a final nibble of soft boiled quail’s egg, Berkswell cheese, anchovy, and chicken skin on lettuce that brilliantly riffs on chicken Caesar salad. It achieves something rarely found within classical cooking; originality. It also tastes incredible; rich, salty, and decadent.

The further nine courses veer from very good to outstanding, showcasing a respect for the finest of ingredients in allowing them to take to the plate with as little interference as possible. We have firm heritage tomatoes with goats curd and marjoram doggy-paddling in a labour intensive tomato essence, followed by the slenderest of mackerel fillets that has it’s inherent oiliness cut through by fresh gooseberry and cubes of buttermilk jelly. There is an ease to the cooking here, the simple understanding that two or three elements on a plate can make more sense than one loaded with unnecessary showy technique. A bowl of Jersey Royals and caviar reinforced that for me, the pureed potato loaded with butter and offset by the salinity of the luxurious sturgeon eggs. It is a dream dish, one that sucks you into the table and makes you forget the environment you are in.

It’s not all delicate flavours; occasionally he metaphorically whacks you in the gob, though as a blogger I never rule out the literal, either. A cube of barbequed lamb (from the shoulder, I think) is about as unrefined as this dinner gets, in the best way possible. The flavour of the ovine is pure with just a hint of smokiness. Sharing the plate are slithers of garlic, peas both fresh and pureed, and the most textbook of hollandaise sauces I have ever tried. To extract so much from so few components is nothing short of outstanding. Dover sole sees two fillets glued together with some sort of crustacean paste, and then pan fried until the flesh just begins to tan. It is crowned with teeny shrimps that ramp up the taste of the ocean, and a little puree of parsley that pulls it back towards the shore. A sauce split with parsley oil is stellar stuff, but then all of the sauces are. These take time, skill and a lot of patience.

When I think back to the meal it is three dishes that stand out: the potato and caviar, a dessert I’ll get on to soon, and the guinea fowl that was next up. It had everything I look for in a plate of food; interest, technique and flavour. The breast is delicate with crisp skin, the leg stuffed with a mousseline of langoustine. Morels for earthiness, the vegetal freshness of asparagus, and another killer sauce. I would kill for this dish and then demand it once more on Death Row. I find myself checking that no diners or staff are watching before chasing the last dots of sauce around the plate with my fingertips. A kind of cheese course is next that suffers from following the guinea fowl. It has Lincolnshire poacher mousse at the base, topped with a parsley oil, lardons, and spring onions. On to the dish is spooned pastry that has been cooked, quickly frozen in liquid nitrogen and smashed up. On its own the pastry has developed a raw note, though the intentions become clear when combined with the rest; its quiche Loraine and very nice it is, too. My mate who I’m having dinner with thinks it is too rich but then he eats fish in a bag at Mooch Bar, so you can trust me on this one.

Desserts are frankly brilliant. A rice pudding leaves us both speechless; decadent with vanilla it has the very costly Mara de Bois strawberries cooked down to a jam-like puree at the bottom. The meringues and frozen strawberries on top are delicate yet offer just enough texture. I know upon reading this my Dad will insist on me taking him for this and Dad, you’re welcome, I’ll do it without the usual passive aggression. It is followed by the bastard relative of the baba, the savarin, sliced apart and soaked in sherry. We load this with the puree of golden raisins and a healthy dose of cream. It is the Spanish rum baba. Your mind is pure filth, Turner. Filth.

Petit fours are a very interesting cornet of raspberry, rose, and beetroot that ate far more cohesively than it sounds. We leave stuffed and giddy, given up two hours of the evening to a tasting menu that comes in at ninety-quid a head and the wine pairing, that includes some special wines from the Coravin system, adding a bit more on top of top. It’s not cheap, but nor should it be, just look at the ingredients used above. A night at Maribels is one of luxury, of the finest food cooked by a man who knows what he is doing. It is clearly at one star level, something the tyre company will pick up on soon enough. As we’re finishing up on the wine Turner pops out the kitchen to ask how everything was. He is interested in feedback, affable, and dare I say it, happy. Maribel may just be what was needed to reignite the fires of this super talented chef.

10/10

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Paul Ainsworth at No.6, Padstow

Had our booking at Paul Ainsworth been three-to-four weeks earlier, I am almost certain that my thoughts would have been different. The diary had been unkind to it, sticking it on the end of a six week spell of gluttony that saw a trip to a food mecca sandwiched either side by multiple starred restaurants and some others pushing for similar accolades. Aside from a bulging waistline, this brings another problem, one that comes from short-term saturation of too much of the good stuff. We had a stable memory for ingredient quality, for seasoning and technique, and for service. I could still taste some of the best dishes we had. Coming out to play last they were always on an uphill battle, though that is not an excuse for them never getting out of second gear.

I don’t have much negative to say about our meal here, though I’ll struggle to hit superlatives over the next few hundred words. The building is nice, in particular the very smart CiCi’s bar upstairs, and the staff are eager to please. On arrival we get a nibble of deep fried Porthilly oyster with a smoked cod roes dip that is fairly unremarkable, followed by nice bread with two types of butter; one a sunflower yellow, the other caramelised. The former is okay, the latter unique and slightly unpleasant.

I’d been looking forward to the starter for a long time. A ragout of Jacobs ladder with tagliatelle sounds right up my alley, the kind of reinterpretation of homely cooking that gets me a little giddy in these kind of places. The ragu meat is lovely though it is too light; the late application of tomato concasse and a splash of vinegar has taken it too far away from its roots. The pasta is marginally too thick, though has nice flavour. It has little in the way of identity and is very light on seasoning. I’m disappointed.

Smoked haddock quiche Lorraine is another starter that sounded better on paper than the reality. The portion of haddock is generous and nicely smoked, the pastry case underneath rich with lardons, onions and an oozy egg yolk. The dollop of salty caviar gives it a nice luxury seasoning, with the whole thing covered in a foam that tastes of little, if anything at all. I thought foams had died by now. Claire sums it up with a subtle shrug of her dainty shoulders. “It’s alright”, she says, “we’ve just eaten so much better recently”.

The frustrations continue into the mains. There is some good stuff bought down a level or two by the company it keeps. A new take on Tournedos Rossini has chicken replacing beef as the protein. The poultry has been rolled with a duxelle stuffing and is unforgivably dry given that Michelin has bestowed this building with a star. Around this lay ceps, the rock star of the mushroom world, though these are lacking in the intensity of flavour that the very best have. The best bit is the brioche and liver parfait which crowns the chicken, the parfait in particular packing a real punch. The side bowl of peas, lettuce and bacon, again light on seasoning, does little for the dish. The other main was mutton in a rich suet pie, with a moat of red garlic ketchup. This eats far better than the other main; bold in taste, meaty, and with a nice acidity from the ketchup. On the side this time is fricassee of sweetbread, consisting of mostly cucumber and one solitary thumbnail sized piece of sweetbread. We order a side of asparagus that arrives on the bill later that evening priced at £10 for five spears and praise ourselves on not ordering the two portions they suggested. The table of four next to us are going to have a shock when their bill arrives and they have a £40 bill for twenty spears.

Dessert sees them up their game. A cheese course of sorts has a fat wedge of Barkham Blue served alongside a little jug of cider and a slice of tarte tatin. It is a combination that makes perfect sense, the salt and sweetness in harmony. It’s lovely, held together by some top quality ingredient and a killer tarte tatin that has apples just holding their shape and lots of caramel. The bread and butter pudding seems a perfect way to finish the evening. The cubes of bread in a custard-like sauce dotted with rum soaked raisins, covered in a chocolate ginger snap. On the this goes cream, with a puddle of sherry for good measure. It’s bloody brilliant; that spark we’ve been waiting for all evening. It has character in abundance, is fun, and most of all is an improvement on the original.

Service was considered, if a little keen on the upsell at times, and there was an issue with a glass full of sediment that I personally felt could have been handled better. We pay a bill of £180 for the above, a bottle of Beaujolais, two cocktails, and a glass of dessert wine. Not a life changing amount of money for dinner, but one that I expect not to be littered with small errors. Paul Ainsworth comes across on television as a cheerful and passionate chef, and everyone I know in the industry says he is one of the good guys. As much as I wanted to enjoy No.6 it left me a little disappointed. There is a playfulness to the concepts of each plate that simply doesn’t translate into the eating, which coupled with some erratic seasoning issues left me feeling cold.

6/10

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