Aktar Islam

Pulperia, Birmingham.

This post finds you from somewhere over the Alps, on RyanAir’s flight from Pisa to Hell. There are drunk Brits (I may be one of them) who have little regard for pandemics, and Italians in masks who don’t know whether to fear the British or Coronavirus more. Two rows in front a slurring man with red wine stains around his mouth made the rear of the plane aware that he was a medic. Behind me a posh lady is scolding her partner for their poor choice of rental vehicle. Despite this, we’ve had a lovely trip, drinking lots of great Tuscan wines and eating far too well. If you are reading this as one of the many people who offered suggestions as to the best steakhouses Florence offers, then thank you for the suggestions but they were dutifully ignored. I find steak boring. There, I’ve said it.

Part of the problem I have with them is how badly they are generally cooked. I cook a serviceable one at home, but my modest cooker struggles to get up to the temperature required and imparts none of the smoke that the best steaks have lingering in the background. The ones in Birmingham, well, let’s say they mostly disappoint. Go find the street food vender Beef On The Block if you want a good bavette, but those within bricks and mortar never hit the mark consistently. Whilst the rest of the country have Goodman’s and Hawksmoor, we have three branches of Miller and Carter. Enough said.

Praise be to Aktar Islam for changing that. He is a man of detail – anyone who has eaten in Opheem will know that – so I had an inkling Pulperia was going to be good. It’s better than good: it’s the steakhouse the city deserves; one which is notionally set in Argentina yet finds itself orienteering around the world to wherever the best produce is. It’s on these menus, amongst the wet aged beef from Argentina, you find rare breeds and dairy cattle whose life has been more than purely raised for meat. All in a dining room which is unmistakably Aktar; that juxtaposition between the masculine heavy textures and the feminine floral displays. The room is as good as Brindley Place has ever seen.

We begin with three starters; chorizo has a gentle smokiness reminiscent of gammon with tomatoes that are far too tasty to be British, all dressed up to the nines in a herby and garlicky chimicurri. Soft sweetbreads kissed with char from the grill so a delicate touch can still be applied over flames. These come with chicory and a burnt lime chimichurri that is bold and smokey whilst still retaining the soul of the condiment. The empanadas – those Argentinian pasties – are good, with the spicy beef better than the chicken. They each need a little more filling inside them, though the romanesco style red pepper dip proves great to dunk the excess pastry in.

Those steaks. Let me tell you about those steaks. In the effort of transparency, we don’t get the steak we order, with the kitchen sending out large two pieces of Holstein Fresian – a rare breed dairy cow aged up to 18 years and listed here under the title of ‘basque cider house’ steak. A kilo prime rib here (for two, unless you’re my girlfriend) will cost you £85 and is worth every penny; delivering a depth of flavour unlike any we are used to, full of umami and beefiness. It’s the ultimate in beef, up there with Bar Nestor though without the terroir, cooked over high heat until the Malliard reaction kicks in and then rested until the juices disperse inside the ruby red interior. It doesn’t need the bone marrow and Malbec sauce, but that sauce is so very rich and so very good. With this we have fries and carrots roasted with chicken butter and the best version of humita I’ve ever tried. Seriously, creamed sweetcorn is the best friend of steak. You heard it here first.

We share a serviceable chocolate fondant for dessert, along with two bottles of Malbec, a couple of cocktails, and finish by making two more bookings to come back. Those looking for a cheap steak should book elsewhere; Pulperia is a celebration of the cow, not a trip to Beefeater. Those on a budget should aim for the Argentinian experience; a fillet with fried egg, Malbec sauce and that humita will come in a touch over £30. But why should you when you can experience some of the best beef in the world? We’ve waited a very long time for Birmingham to have a steakhouse of this quality. It’s time for you to enjoy it.

9/10

We visited during a soft launch and received a discounted bill.

Steak this good needs the best in travel. Time for to take A2B

Opheem, January 2020

This was my eighth visit to Opheem since it opened. I am fully aware that there are other restaurants in Birmingham, but Opheem has a brilliant ability to post new dishes online which make me want to book a table to eat them, which I do, very happily. This time it was three dishes all from the new menu; a skewer of chicken tikka, a monochrome monkfish dish, and a goat biryani. I was supposed to go to Opheem with an incredibly nice man called Nick but that was overturned by my evil girlfriend after seeing the image of the chicken skewer. Nick, I’m sorry. We both know you would have made superior company.

Turns out that chicken skewer is worth the trip alone. Served as an amuse, the first bite in the restaurant after the little bits hand delivered by the chef to the bar area, it is Aktar’s homage to butter chicken. Chicken leg deboned, brined, compressed, marinated, and then cooked over fire, served with a chopstick up its proverbial arse and a coating of something buttery and nutty, crisp skin, and puffed rice. It is what you imagine chicken tikka tastes like but never does; a perfect blend of warming spices and juicy poultry. Unimprovable.

Now the boring bit. I’m going to say what I’ve said several times before and tell you that Opheem has improved yet again. The new menu has taken the kitchen to new heights. More processes (I’m told that chicken takes four days) though ultimately less components. Dishes have cut down on the ingredients and focused on ramping up the flavour. Old dishes revisited and improved. The lamb fat bun still has the lamb patè, though now that patè is inside the bun, whilst that bun can (and should) be dunked into a little bowl of spicy lamb broth. What’s left of that broth should be cupped and drank immediately. The first course of the tasting menu sticks with ovine, a mutton ‘porridge’ which is similar to daal in texture only with long braised strands of meat and a deep hit of flavour. Crispy onions and a little bhaji offer a contrast of flavour for an assured and confident start to the meal.

We have the tandoori carrot that you can read about here, followed by a langoustine, caviar, and cauliflower custard dish that I’ve been fortunate enough to try a couple of times during its development. It feels complete now; concise and higher in acidity, it works brilliantly with the tartare of langoustine wrapped up in the celeriac ‘taco’ which cradles a wooden holder to one side. Then the highlight of the meal; a take on monkfish dopiaza, a term literally translating as ‘double onion’. Dark and brooding, the fish has been cooked over charcoal and has just enough smokiness, whilst the onion is present as a sweet compote, spiced roscoff broth, charred shallots, and (I think) crispy spring onion tops. It’s a hell of a dish which could easily sit on a two star menu and not be out of place. It also defines Aktar Islam as a chef: the ability to look at dishes from his heritage and transform them into something refined and modern.

The last of the savoury courses was also the most recognisable: a goat dum biriyani, inspired by the dishes served by his Mother to his younger self, with the pastry lid cut open at the table, as all dum biriyani should. This comes one between two, to be portioned on to the plates containing a goat chop, raita and salad. It is a showstopper, familiar, with an execution of undeniable skill. The biriyani stars; the rice with just a little bite, mingled in with bits of braised goat that whack with spice until licked with the raita. Proper cooking. From the look of social media it appears to be going down a storm. Quite right too.

The first dessert celebrates forced rhubarb, and is, in all honesty, the weak point of the meal given it eats a little one dimensional compared to the vibrancy of everything else. We then move on to a dark chocolate delice with orange gel, and a sweet potato dauphine. It’s a Jaffa Cake we tell them. No it’s not they say. Yes it is: the dark chocolate, the orange, and the dauphine that has a cake-like texture thanks to the choux mixed in with the carb. We’ll agree to disagree here. It’s delicious anyway. There are petit fours because now that they have a star there should be.

The award of the Michelin Star means that prices have risen slightly, but the eight courses at £75 represents one of the best value tasting menus in the region. With this we took the wine pairing that included rose champagne and a very classy Pinot Noir that I am going to be purchasing for home. Service is superb and if they are bored of seeing my face then they haven’t let on just yet. It was as good as rainy Thursdays get. Opheem are unstoppable at present, full of creative flair and desire. Little wonder I’ve neglected most of Birmingham’s restaurants to keep on returning here. Nick, next time, I promise it will be with you.

I travel to and from the best, with the best

Pictures pilfered with permission from the restaurant due to lighting being very low

Opheem, September 2019

We start this piece on Opheem right at the start of the meal. It is where all of my pieces should probably start but never do, given my tendency to try to hook your attention with a story about my upbringing, my alive parent, my dead parent, or that one time I went to bandcamp. Right now we have food to talk about – a lot of food – so we’ll jump straight in at the start; us sat on one of the large circular tables, peering through the large letter ‘O’ which frames the open kitchen where chef Aktar Islam and his brigade are hard at work. Aktar is hunched over the pass, the quiff of his thick black hair fallen forward like a curtain between his face and the dining room. We on the other hand are a glass of champagne down, happily watching this in serenity under the slowly fading light. The first canapes arrive; duck ham with orange is wrapped around a feather, compressed cucumber with a little spice, a tart with the lightest of cheese mousse inside. A cube of toasted bread is next, the inside filled with bone marrow, the top with fig and onion. The flavour is huge. Then the lamb paté, though now the bread has changed to a brioche made with lamb fat and topped with crispy onions. If the kitchen look like they are hard at work it’s because we haven’t got to the first course yet. The generosity towards diners often talked about At Opheem has never been more noticeable.

What is just as noticeable is how far this restaurant has come in a short amount of time. The swagger is there, rippling from the kitchen to the front of house, each knowing that Opheem has gone from a restaurant with a serious amount of potential to one that is fully realising it. It appears to this untrained eye that every detail has been readdressed and improved where needed; that bread and pate course probably didn’t need changing from the sweet potato bread, but they’ve gone and bettered it with the lamb-fat-brioche-thingy. It takes bollocks to do that. Massive bollocks the size of the ‘O’ on the pass window, and the slightly bigger ‘O’ outside on the wall. One is always bigger than the other; they’ve even got that bit of detail right.

Now before we get on to real food I will offer an apology of sorts: when the outside gets dark, so does the inside of here. What started off as great lighting for a food blog quickly turned into my phone not knowing whether to flash or not, a problem I constantly have to fight with myself. So sorry if the food doesn’t look as good as it should. The first course is tandoori carrot, with pickled carrot, carrot puree, spiced carrot soup, carrot tuile, and lentil pakora, because everyone knows you don’t put carrot in a pakora (I have no idea). The dish shimmers with vibrancy; undeniably carrot, it zips between the light acidic notes, the sweeter ones, and the gentle hum of cumin. The tuile at first seemed superflous, though the charcoal in it worked at accentuating the notes from the tandoor, which is why they are top chefs and I’m a prick with a keyboard. The soft shell crab follows; it’s a bonafide classic which made my top five dishes of last year and if anything has only got better.

We move onto a scallop the size of a babies fist, cooked one side only to a crust and drapped in lardo that slowly spoons the side of the shellfish as the fat warms through. It sits in a broth made from the off-cuts off the kitchen; the vegetable waste, prawn heads, gnarly bits of back bacon, spiced and then sharpened with a variety of lime I’ve never heard of so that it has a smokey hot and sour soup vibe to it. Thinking about it now it was probably my favourite course. I liked it a lot more than the cornet of red pepper ice cream dotted with green strawberry that follows, mostly because it reminded me of sucking on a paper cut, a reference that my other half described as ridiculous. Stone Bass is next, the fillet cooked accurately and the head meat a rillette underneath cut with lots of garlic. The courgette puree and pieces of baby veg, along with the potato fondant could have been classically french until the sauce of raw mango and coconut is poured tableside. This brings everything to life, adding a fragrant and perfumed quality to an already stellar dish.

Then there are the two main meat courses. First up is chicken jalfrezi which is about as traditional as I am modest. The Cotswold breast meat has been cooked sous vide and then finished off under the salamander with a topping of the chicken skin, a little fat (I think) and a little spice. This sits on a ‘keema’ of the pulled bits of the bird, heavily spiced and very possibly in my list of favourite things I’ve ever eaten. If Claire wants the broth for lunch everyday then I want a vat of this. A keema this spicy and tasty doesn’t just make your day, it makes your hole weak. The rest of the plate pays homage to the traditions of the dish without needing to go down the route of cast iron bowls and menus under glass tables for authenticity; a red pepper and naga chilli puree, shallots pickled and then charred, spring onion, one of those complex sauces which Aktar has rightly built his career (and previous tenures) upon. By now I’m praying to the food god to offer some relief, though he doesn’t exist so it’s on to the lamb. Barbecued loin, bread filled wih confit shoulder meat, the most morish of ‘kebabs’ rolled-up and coated in crispy onions, courgette, and a bone marrow sauce cut with enough herb oil to give it the acidity it needs. I was going to avoid mentioning the M word in this piece, but this is one star cooking, absolutely no questions about it.

Aktar comes to the table. He’s got gadgets and gizmos aplenty, he’s got whozits and whatzits galore. The trick of poaching the chai flavoured mousse in nitrous oxide might be straight out of The Fat Duck, but it works; the meringue-like structure dissapates on the tongue, leaving nothing but the notes of cinnamon and cardamon. From there we have the highest quality of cherries with sweet cheese that has been quickly frozen to an ice cream-like state, a riff on a Feast ice lolly filled with mango and coconut, and finish off with a rich ball of chocolate and raspberry. Yes, they are showing off but they have every right to; the quality of desserts here has increased dramatically of late.

The sum of this is what Claire would describe as the second best meal she’s eaten in her four years in Birmingham. It’s not difficult to see why; the cooking has gone up a notch in a short time, with those premium ingredients treated with the respect they warrant. Birmingham has a plethora of brilliant restaurants, each doing their own thing, carving their own path. Based on what we ate over this glorious evening Opheem has to be mentioned with the very best of them.

Want to mention the best taxi companies? The list has just one name. A2B.

Legna, July 2019

I have this idea for a streetfood business called ‘Simon Le Bon Bon’. Now I know that you are sat reading this thinking “what a great name for a streetfood business”, and yes, you’re correct, it really is. It works on so many levels; it has my first name, it has the name of a Brummie celebrity, and it tells you what type of food the business does. The term ‘bon bon’ may have originated from the sweet candies consummed by the French after dinner to mask the smell of garlic and BO, though it now has a broader home in the culinary food. If it’s round it gets called a bon bon, and thats what my (sorry Claire, our) business will do. Swedish style meatballs, Moroccan meatballs, arancini with mushrooms like they eat in the North of Italy, and others with offal like they eat in the very South. We might feature croquettes of slow cooked meat, rolled with the heel of the hand to big roundels, breadcrumbed and then fried. You get the idea. The tagline will be ‘Hungry Like A Wolf’, though I must point out that no wolves will be eaten because that behaviour is frowned upon. The queues will be around the block, possibly due to a copyright infringement that will see lots of disappointed Duran Duran fans, but this is but a small detail: Simon Le Bon Bon has legs. Round, deep-fried legs. Scottish legs, if you like.

Alas, don’t get too excited. Simon Le Bon Bon will be joining ‘Mr Strippy’ – my portable lapdancing vehicle where ‘Perfect Gentlemen’ signals the arrival and you order a 69 instead of a 99 – and the Swiss Army prosthetic hand as ideas that will never see the light of day, though would make excellent episodes of Dragons Den. If you can’t be the best at it there really is no point – it’s why I blog and don’t ski – I’ve no interest in being second best at anything. And we can’t win the great bon bon war of 2019. I tried the arancini at Legna and knew my dream was over. A portion of three golden squashball sized bites that yield just a little bite, giving way to a mixture of rice, ‘nduja, and tallegio, each in perfect harmony with one another. It has a little spice, savoury notes, and cheesey richness. It is as good as arancini gets, one-hundred-percent better than anything I could acheive with these fat fingers. Simon Le Bon Bon is now Simon Le Non Non.

This was one of the four starters at Legna, before the four pasta dishes, the skipping of the main courses and two desserts. A bottle of white, three glasses of red, two negroni, and a cocktail complete the order between the two of us, so if the details get hazy towards the end, you now know why. We came in search of pasta dishes, because they were always the strong point here and I’m pleased that they’ve stretched that particular part of the menu, though it was the starters that really grabbed our attention. Those perfect arancini sit in between scallops and bruschetta. The former are three queenies, accurately cooked almostly entirely on the presentation side, with a molita style crumb, and a lemon gel that lifts everything. A similar approach is taken with the bruschetta; the garlic is heavy, it has has plenty of basil and supremely high quality cherry tomatoes. The clever bits are the dehydated tomato petals that add almost floral notes to it. It’s summer in four mouthfuls, helped by us sitting in the glass part of the restaurant, doors pulled back to make the most of the canalside location. The biggest oyster I have ever seen completes Act 1, traditionally dressed, and in no rush to go anywhere. It takes a knife to get it down in two parts.

Those pasta dishes confirm Legna is performing better than ever. Taglioni with crab is spun through a sweet bisque that tastes of roasted shell and cream, whilst cacio e pepe is really aglio e olo. This doesn’t matter too much – we still destroyed it – but it had none of the emulsified cheese sauce made from the cooking water that defines cacio e pepe. It is the filled pasta that really impress; one with ‘nduja, tallegio, and truffle, the other cured  pork and sage. Both have a perfect texture to the pasta, heavily seasoned fillings, and are dressed in some seriously addictive olive oil. There are twelve dishes listed in this section of the menu; I suggest you make it your target this summer to try them all.

We have dessert. I say we; I get no choice in the two that Claire wants to eat half of. She chooses tiramisu and lemon tart, two that we’ve had before but are assured have changed. That they have. The tiramisu is more stable than ever, which I prefer but Claire doesn’t. The biggest change is to the lemon tart. The acidity from the Amalfi lemons are still there in spades, but now we have Italian meringue for a little sweetness, and the most buttery of bases. What was already a very good dessert has morphed into the full package.

With this we drink wine from Sicily because we’re going in a few weeks time, before moving to the bar to continue drinking. From what I can tell they seem to have ditched the tasting menus, and the pizza, both of which are fine with me. In the new menu they are capitalising on what they do best; the pastas in particular, opening up a menu full of choice and desire. It’s the best meal here that we have had by some distance, helped by some of the most charming front of house in the city. In writing this I’ve just remembered I had a whisky before I stumbled out of the doors. And that we booked a holiday. It was that kind of night. I really must go to Legna more often.

Got an A2B there sober. Got an A2B back home drunk.

Legna, Birmingham, Spring 2019

I went to a pasta masterclass recently. We were downstairs in a tightly packed space, drinking prosecco and rolling out the dough in what was mostly a very enjoyable evening. We made tagliatelle, tortellini, and gnocchi, handing over our work to be served back to us at the tables upstairs. The end product wasn’t great: the pasta was uneven in thickness, cut to strips too wide or not wide enough. The gnocchi were mostly dense balls of boiled flour. Not even the sauces that had been bubbling away all evening could save them. We took to fishing for pieces of Claire’s perfectly shaped tortellini, whilst leaving the rest of the pasta and filling up on ragu and wine. I have Italian blood; its ferocious temper, over-confidence, and insatiable appetite coursing through my veins. I am also a very competent chef for someone who has never done it professionally, yet I was as much to blame as the majority of the room. My pasta just wasn’t good enough. Getting Italian food correct is really difficult.

I have tremendous respect for anyone who does understand it. To anyone who gets the principles of simplicity which dictate Italian cuisine I will doth my cap, curtsey, bow, shake hands, rub noses, wag dicks, kiss both cheeks, or hug. I don’t care whether you’re Italian or not, what your background is, your mother’s maiden name, religion, sexuality, what you identify as, or your views on Brexit. Actually I do want to know how you voted on Brexit; you may have a lot of explaining to do.

Aktar Islam gets Italian food, but why wouldn’t he? So what if his name isn’t Carlo Del Puttanesca, or that he doesn’t wear a crucifix around his neck and have sexual fantasies about his mother. So what if he was born in Aston and not Anconna. You think this man can only cook food of the sub continent? You’re a fucking idiot, but please go watch his Queen of Puddings on Great British Menu before responding in the comments section. It amounts to nothing more than racist assumptions of someone based on a name, accent, or country of descent. A conversation I had this morning with the Polish bus driver, incidentally the same man who scaffolded my house. This is a joke. I would never get the bus.

So, anyway, Legna. New menu time for a restaurant three or four months old that I happen to have a lot of love for. I’ve been a few times now; not everything is perfect yet, though it goes from strength-to-strength in my eyes, turning out the kind of smart Italian food that this kind and smart part-Italian bastard likes to eat. It’s a generous restaurant; you’ll have nibbles to kick-off, and there’ll be breads served with a basil butter (boom! boom!) and oils and balsamic vinegar of real quality. If you’re anything like me you’ll order four courses and start with either the flatbread with blobs of hard cheese emulsion, truffle and confit garlic or the prawns. The latter are flashed through the pizza oven so that the shells blacken. Rip off the head, drink juice, take body meat and apply to toasted bread with that garlicky tomato sauce. Simple.

From pasta I would always take the ragu with parpadelle, which you can read about my thoughts on here. I order it because it’s one of my favourite dishes in the city; that meeting point of tradition and modern technique, where everything aligns and you end up in a heap on the floor crying because life will never be this good again. Or maybe that is just me. Having tried the ravioli with potato and egg yolk, I still think I’ll be sticking to the ragu. Given that my only reference point for this dish was at Royal Hospital Road when Clare Smyth cooked there, perhaps I am being too judgemental. All the components were there but the acidity was a fraction too high, knocking the rich elements out of sync. The ragu returns in the calzone, which is the ideal home for it, with stringy mozzarella and piquant roquito peppers. The blistered dough conceals a hefty portion for not a lot of money. I take half home for lunch the following day. The pick of the new dishes is the roasted chicken with asparagus risotto. The chicken is cooked so accurately I refuse to accept that it hasn’t come out of a sous-vide, whilst the risotto has been cooked to a precise bite. The star though is the jus de roti that sits around the peripheral of the bowl. This is a classic touch not seen often enough; with the dark cooking juices adding a nice contrast to the fresh risotto sharpened with a little lemon. I’ll be eating this a lot over the summer.

There will be a pre-dessert, which, if you’re lucky will be the banana ice cream and chocolate mousse we had. To finish I’ll help you out; order the tiramisu. Maybe twice. Boozy, rich, and indulgement. It remains untouched because thats the way it should be. Indulge in the entirely Italian wine list that won’t break the bank before finishing off with a negroni at the bar. Enjoy yourself. It’s what restaurants like this are designed for.

On a Friday night when I was dining alone at the bar I witnessed an elderly couple verbally castrate Aktar, threatening the dreaded One Star TripAdvisor review for serving his ragu with pappardelle and not spaghetti. Do not be these gammon, especially if this is your level of knowledge of other culture’s food. After the rage settled, I thought long and hard about this: this is what restaurants have to contend with now, the fear of someone publically attacking them for them for their own lack of knowledge or inconvenience. We’ve become a nation of critics and that makes this wannabe critic not want to critique anywhere. I’m serious: It’s a pretty sorry state of affairs. In the meantime Birmingham continues to churn out brilliant restaurants, with nobody pushing to improve a little corner of this city quite like Aktar Islam. To those with the closed minds and preconceptions he happens to own the best Indian restaurant in the country. To the rest of you, he also has Legna serving up playful Italian cooking in the most beautiful of dining rooms just a few steps away.

A2B got us from A to B

Legna, Birmingham

I’ve long been of the mindset that Italian food doesn’t translate well into fine dining. That by tidying the edges and reducing the portion side you are taking away the essence of the culture that has family at it’s core. There is nothing dainty about Italians; they welcome with huge hugs and kisses that cover both sides of the face, not gentile handshakes or softly gestured bows. They seldom speak in soft tones, both literally and metaphorically, with their loud voice always joined by gesticulations that reinforce every syllable. This is not the language of refinement: pasta does not need a softness of hand to gently manouvere it into place; it needs a bowl-shaped bed to lie in and a blanket of sauce to keep it warm. A pizza is essentially a sandwich that is not afraid to show it’s true emotions, the risotto a rice dish that never wants to leave home. They are embraces from a Catholic mother. This is the heart of Italian food.

It is also a cuisine that is difficult to perfect – just look what we do to it in homes across this country. Pasta should never be boiled to it’s cooking instructions; it should be taken out of the water two minutes early and teased through a little of the sauce in a pan so that the residual heat finishes it off, with the finished product requiring the same pressure between the teeth as a nipple during a bit of rough and tumble. Ingredients should be as fresh as possible; herbs that release oils between the fingers, and mozzarella that sobs a little when squeezed, not set to the consistency of a cooked cows bollock. The fact that we think it acceptable to construct dishes of this cuisine directly from jars tells you just how much the average person respects Italian food. Perhaps the older generation still hasn’t forgiven them for ze war.

So I was a tiny bit sceptical when I heard the plans for Legna, which is to be a more refined take on Italian food from a non-Italian chef. Si prego. But then it is from Aktar Islam, a man who has done wonders for Indian food next door at Opheem. In truth, I’ve got to know Aktar fairly well to the point that if Legna wasn’t very good I probably wouldn’t write about it. The four hundred words or so it has taken to get to this point can be taken that is worthy of writing about. In parts it is spectacular.

The opening play is gone in a blur of flavour. A little spherified mozarella with basil that needs tweaking, a parmesan cake with black garlic that is a pure umami bomb, the most delicate of grissini and foccacia with oil, vinegar, and a butter that tastes like pesto. We have a bowl of torn burrata, basil pesto, and slices of tomato, onto which a tomato consomme is poured. The burrata and tomato have been flown over that day and it shows; the flavours are clean and allowed to speak for themselves. We devour it.

I’m guessing that the recipe for the pappardelle that comes next has a higher concentration of egg yolk than normal, given the richness of the pasta sheets that retain the perfect level of bite. It serves as a bed for a meat-rich ragu of beef and wild boar that has nuggets of cheek and shin throughout. It is boldly seasoned, enriched with bone marrow and lightened with tomato concasse and a little vinegar. More importantly it encompasses everything that is great about Legna: a homage to the true flavours of Italy whilst using modern technique. A veal dish is given the impossible job of following this. The meat is gentle in flavour in comparison though we love the garnish of charred onion and capanota where the vegetables have almagamated and have just a little sharpness. The use of acidity is very carefully deployed throughout the meal.

We lean into the sweet courses with a ball of tempered chocolate containing a little espresso martini, and finish on a rectangle of lemon tart that has the thinnest of pastry bases and a filling which balances the sweet and sharp with real skill. A lemon sorbet on the side gives it a real cleanness in flavour. It is one of the best desserts I have eaten this year.

And then there is the small matter of the dining room which is right now Birmingham’s most beautiful. From the amber hues of the sleek bar comes exceptional Negronis to be enjoyed at heavy wooden tables under ornate lights. The wine is an all Italian list from which the superb front of house are happy to offer expert pairing advice on those available by the glass. It all makes for a very impressive restaurant; a place that plays homage to core values of Italian cuisine whilst maintaining its own sense of style. I’ve gone to its sister venue, Opheem, more than any other this year, though now it has serious competition for my sterling. Aktar has done it once again; Legna is an absolute joy.

9/10

We dined during a soft launch period and received a discount on the bill.

Transport provided by A2B Radio Cars

Pictures by Claire

Opheem, November 2018

Let’s cut straight to the chase: last week I had the best curry I’ve ever eaten. Better than the original Balti houses found within our once revered triangle. Better than the Michelin starred Indian restaurants of London. Better than anything I ate in Goa, and better – her words, not mine – than anything Claire has eaten in her multiple trips to Indian, including the Taj Mumbai. You want to know the place? Good, because I want to tell you. It’s Opheem.

These curries only exist away from the weekend, found in a little insert in the centre of the menu marked ‘traditional’. It is within this short list that Aktar Islam steps away from his more contemporary style and looks back to the very dishes that shaped him as a chef. We have slow cooked bits of mutton barely coated in a thick tomato gravy studded with cardamom, and a take on the ubiquitous Chicken Tikka Masala that draws groans of When Harry Met Sally pleasure. Both are decadent and original interpretations with not a stock sauce in sight. Both are so big and rich they demand a lie-down. I’m pretty sure that neither is very good for you, but frankly, that is the last of my concerns. Arteries? Who needs them. With this we order potato wedges tossed in toasted cumin seeds, rice which separates as easy as a Hollywood marriage, a daal, and the lightest of garlic naan breads. It is all mind-blowing good. The marker for all other curries from now on.

There was stuff before this, and I apologise for the effort you’ll need to make in casting your imagination back to before the curry, but this is my narrative and if you don’t like it then go read the other shit available. We start off with spoons of spicy beef tartare and spheres of spicy tamarind water which sit either side of a ball of sesame seed and dehydrated strawberry. It was this last item that evokes most conversation; the sweetness quickly giving way to a long nuttiness that evokes the sweet and savoury style of Indo-Chinese cuisine. We get the bread and paté course that has shrunk a little in size yet still packs a huge punch in flavour.

And then there were two courses to precede the mains; a mutton chop marinated in hung yogurt and then blasted through the tandoor so that the crust gives way to pink meat. It comes with a pumpkin thrice; a soft julienne, little balls and a puree, each showing that despite Aktar’s roots in the food of India, he understands the importance of texture and layered flavour. The soft shell crab dish has become less cluttered on the plate, the main attraction now carved in half and sharing a space with a crab cake and loose pate. The crab is still the star though this now fresher with more natural acidity. Without wishing to dive into names, Claire compares this to another local Indian that may have some association with the chef here. They also do a soft shell crab, though this makes theirs look like a ‘child’s rendition of the Mona Lisa’. She can be so cruel. There is an intermediary course of rosehip and beetroot that is too sweet to sit where it does. It is the only thing we aren’t crazy about.

After the curry there is no room for dessert, but plenty of room for more gin in the bar area. The bill for the above and a good bottle of wine comes in at around a £100 per head, though this is on the greedy side of both food and drink. You could, and likely will, do it for far less. This is my third time at Opheem, following the first in late spring when I came home and told Claire that it would be the most important Indian restaurant in the UK within two years. She didn’t see it, given that her only experience had been on the first night of a soft launch in an unfinished dining room. We hadnt made it through the starters when she conceeded that I was right, which I am. Opheem is a shining light in the Birmingham food scene that not only reinvents the way we see Indian food but also pays homage to its roots. Simply unrivalled in this city.

Opheem (curry is on evenings, Sunday-Thursday)

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Pictures by the birthday girl

Opheem; August 2018

My Dad was born in Aston and he is very keen for you to know that. I think he mentioned it about about a dozen times during a two hour lunch at Opheem recently. He says it to part justify and part bemuse himself at being in such a lavish dining room; his blue floral shirt showing a hint of silver chest hair to match his grey suit jacket, the ornate lights that sit central to the dining room reflecting off his tanned bold bonce. For a sixty-six year old widowed pensioner he’s owning it on his first outing to a restaurant that very much sits in the fine dining catergory. He generally doesn’t do this kind of thing; old Dave Carlo’s experience of Michelin stops and starts with a yearly M.O.T on his car. He is an obstinate creature of habit. Same pub every Friday. Same shop with those increasingly loud shirts. Same curry house with the same dishes everytime. Change doesn’t come easy at this age. But this year I’m committed to showing him the better side of things; he deserves it. Dad is both my biggest fan and biggest critic, he is the first to pick up the phone and tell me when I’ve not treated someone with the respect they deserve; the first to congratulate me when I’ve done well (unless it involves beating him). In the increasing parody that is my life he is my biggest constant and I bloody adore him for it. No matter how many I times I fall it is Dad that picks me up, dusts me off, and pushes me back to reality.

Opheem was in my mind the perfect fit for him: Aktar’s cooking has always for me been about family and generosity. Be it the portion sizes, the unstuffy service, or the nod to his own mother’s cooking, his food is egoless; designed with the diner’s pleasure in mind and never his own. I loved Opheem first time around – it is in my eyes the best opening of the year – and I was keen to say how the kitchen is progressing. Plus we have the added bonus of a new lunch menu which is absurd value at £22 for three courses. If Dad hates it then at least it is not going to be an expensive mistake. He doesn’t, of course. He bloody loves every second of it.

First the difficult bit. Try telling a pensioner whose Indian cuisine point of reference is Moghul in Acocks Green that a sperefied ball of tamarind and chilli water is going to be nice and watch his face. He eventually goes with it and is rewarded by the explosion of flavour that lingers long after the liquid dissipates. It’s properly clever stuff. He loves the pani puri that is layer upon layer of texture and spice, and even tries squid ink cracker with smoked cods roe and garlic. He quickly realises that the gulf between here and what he is used to is a huge one. The sweet potato bread appears with the lamb patè. I wait until he swipes the last of it the bowl before telling him those creamy jewels are brain.

I have mutton kebabs which are pucks of ovine and spice so smooth it is almost patè once you’ve broken through the delicately fried coating. The accompaniments of chopped tomato salad and yogurt mixed with mint are wry nods to the humble curry house. Dad had a dish derived from one of my very favourite things I’ve eaten this year. The ham hock samosa, once an element on the pork vindaloo main, is here the star. It has the same carrots roasted in anise, the carrot puree and the vindaloo puree. It is a beautiful piece of cooking that leaves Dad still talking about it one week after eating it when we meet again for beer and pool. Great food does that; it stays forever in the mind, outliving the eating and slowly morphing into a different beast that becomes a reference point that similar dishes will forever be judged by. I’m lucky to be there when my poppa is having that very moment.

Following an intermediary course of tamarind sorbet with sev and cucumber, we both have chicken for main. Thigh meat in a marinade pungent with herb, in a tomato and fenugreek sauce reminiscent of a certain chicken tikka masala. The chicken on both plates goes in record time, and I unashamedly ask for a jug of that sauce to put the rice and naan bread to use. Stained fingers and beard, the old man calls me classless. I hate to break it to him but I’m not the one wearing a brown belt with black shoes. Dessert is a pretty spiced custard with rhubarb ice cream and a fine dice of the barely sweetened fruit. It’s the only time Dad isn’t blown away. I eat both gladly.

There is an unfair association with lunch menus that the cheaper price means less effort. Whilst that is too often the case, it couldn’t be further from the truth at Opheem. Twenty two pound buys you nibbles, bread, four courses with sundries, and a view of one of Birminghams most talented chefs working tirelessly in his shiny new kitchen. The biggest compliment is given by my dining companion, who comfortably states that if my mother were alive she would want to eat here every night. Proof that Opheem isn’t just for those well versed in these type of surroundings, but for everyone. Even the old cantankerous bastard born in Aston.

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Opheem, Birmingham

Such was the brilliance of Opheem that we found ourselves arguing about the best bits for hours after our meal. Was it the deboned, rolled and stuffed trotter on the pork main course? Or the subtle use of jaggery to add a treacle flavour on the lamb dish? Maybe it was the acidity of the raw mango with the softshell crab? I always think that it says a lot about a place if you remember the garnish as much as the protein, and here we are, two blokes sat in a boozer discussing the finer merits of what my mate Jim thinks it is the best meal he’s eaten in Birmingham and me adamant is the finest Indian food I’ve ever had. We go over the small elements over and over, where on the plate every ingredient matters. It is a meal of outstanding taste, that much we can both agree on.

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This will come as less of a shock when you learn that Opheem is the new restaurant of Aktar Islam, long servant to the city from his time at Lasan where he won The F Word’s best local restaurant, and TV chef from Great British Menu and Saturday Kitchen. Aktar has gone it alone now, with a large dining room and bar where a notorious nightclub once stood. The space has an industrial feel with lots of brushed concrete effects, whilst tables are spaced far enough apart to upset an accountant. A glass partition separates the dining room from the open kitchen. Aktar is present at the pass, tasting and casting his eye over every dish. There is fire in those eyes.

I’ve been eating his food for years now, and this feels like him cooking without fear or constraint. The flavours are familiar, though there is a lighter touch to the spice in general, and more purpose in the complex techniques. Of the three snacks that launch our dinner the clearest example of this is the use of sphererification, the gel membrane releasing a spicy tamarind water when popped whole in the mouth. It is pani puri reimagined via molecular gastronomy that has more in common with Indian Accent and Gaggan than the Ladypool Rd. And then there is a tempura oyster with spiced batter and puree that tastes cleanly of tomato chutney. Only a onion bhaji style fritter is instantly recognisable and even then it’s greaseless and a world away from the norm.

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There are nods to his previous accolades on the menu and from this we take the soft shell crab dish that pays homage to his winning fish course on Great British Menu. The batter on the crustacean is delicate, the crab itself tender. A silky puree of raw mango has all the acidity and sweetness it needs, whilst the fermented rice batter bowl it comes in at first feels superfluous until you realise it adds a nuttiness and additional texture that enhances the dish. Everything has a purpose.

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Chicken comes smothered in a moss green mass of herbs, the marinade breaking down the protein in the meat so that it is implausibly tender. A simple salad of heritage tomatoes is all it requires, along with a little more of the same diced fruit and a yogurt dressing. It is fresh and clean in taste, with a predominant flavour of herb over spice. There is an intermittent course of sweet potato and cumin bread with a lamb brain pate; a nod to him smearing his mothers cooking on to crusty white bread as a youngster. The delicate jewels of offal still pronounced in amongst the robust spices. His mother clearly taught him well.

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Mains show the concept of Opheem in full force; one that takes the traditions of India and recreates them. Traditionally a spicy mutton curry, Laal Maans is reimagined with slices of pink lamb loin and crisp beignets of tongue joining pearls of smokey aubergine and barley. The gravy style sauce pulls it back towards its roots though there is obvious alchemy involved with the liberal use of chilli and silky bone marrow. Pork is given a similar treatment with pink cuts of loin, a pastilla of smoked ham hock, and the rolled trotter that I am still dreaming of. There is so much to get excited about on the plate, like the carrots cooked with star anise and another killer sauce, but the genius element is the puree of vindaloo that is ferociously hot with chilli and soured with vinegar, just how you’d find it in the beach shacks of Goa. It is this that is the highlight of the meal. It takes everything it touches and throws it into the clouds.

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Dessert is a fragrant rice pudding panacotta served with various preparations of rhubarb, which include more molecular dots of jammy fruit and a sorbet of astonishing depth of flavour. Indian desserts are often the weak link, yet here he is proving that a little classic European cooking technique can go a long way at rectifying that. It is a smart move and one that guarantees I go home happy. It is is well balanced and pretty impeccable in delivery; Oh boy, does this man do flavour.

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And that concludes a truly superb meal. One that isn’t just a coup for the city of Birmingham, but is important to Indian cooking in this country. I’ve seen what the best in this cuisine has to offer and in my eyes Opheem already stands up to them, even surpassing them in places. Aktar Islam has been long touted as a standout talent, yet Opheem feels bolder than ever before; the product of a man cooking without shackle and allowing that creative stream to run riot. It is fresh yet relatable, distinctive cooking from a man clearly in tune with his craft. We are lucky to have Opheem in this city, but we must share far and wide. Food as good as this deserves celebrating.

10/10

https://opheem.com

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Nosh & Quaff, Birmingham

Way before I started eating and writing about the nicer places around Birmingham, I used to read about them and not eat at them. I would buy the Birmingham (then Evening) Mail on a Friday only, moving just past halfway to Paul Fulford’s weekly piece. There you would have found a small picture of his small and shiny head in the upper left and two hundred words or so of Paul’s concise writing below. His occasionally acerbic, always honest writing style was an early favourite of mine, more so on the occasions he slipped in a subtle knob innuendo. He’s my neighbour now, which I still find bizarre, and occasionally I get to spend time over dinner with him, taking in his stories and counting the wrinkles on his face.  A couple of nights back I met him at 7pm sharp at Nosh & Quaff where in the deep red leather booths you would have found the unlikely combination of a Birmingham food legend and Paul Fulford, the ex restaurant critic for the Birmingham Mail.

There is a valid reason for us being here.  Back when I first wrote about Nosh & Quaff the menu was even shorter than Paul; lobster, burgers, some ribs.  I liked it, others less so, finding the options too limiting and the pricing aggressive.  Two years and a little introspection later, we have a full page of options and a considerable decrease in the pricing.  I think it needs it.  Downstairs is still a beautiful space of marble and deep red leather with ceilings high enough to fit my ego without the need to crouch, it just now has the kind of pricing and options to fill it more frequently.  There is a large industrial room  of bare brick and wood upstairs that they should turn into the city centre location of Fiesta Del Asado, a stablemate of the same group.


The hotdog is one of those items that has fallen in price.  Impeccably sourced from the Big Apple Hotdog company it is now half the price of the fifteen quid it used to be, with only fries losing their tray gig.  It showcases what N&Q is all about; quality produce, generous portions, and an underlying guilt that you probably will need to run your dinner off the following morning. It is worth the run. The dog snaps, the bun is sturdy enough to hold everything else in place. Order this and ask for a bib to come with it.  


From the newer items are rib tips that really transpire to be precise cubes of unctuous pork, slowly cooked and glazed in a funky BBQ sauce.  This is a lot of pig for £4.50.  Chick Norris may be a dreadful name for a burger but is a hefty bit of dinner.  Two hulks of free range thigh meat in one of those thick American buttermilk batters with bacon and processed cheese. Heat lurks in the background with enough tang in the ‘slaw to cut through the richness of it all. As far as the composition of a burger goes this has it all.



American portions mean only real Americans will have room for desserts.  For the rest of us it’s a small dent in the wallet and a lie down.  I still really like Nosh & Quaff, they’re not pushing boundaries but they are taking a familiar cuisine and applying quality ingredients with precise cooking.  It’s managed to improve what it previously was, now with a menu with enough scope to warrant repeat visits.  And all in the company of a man who definitely makes the list of my top 172 food writers.  Life really doesn’t get much better. 

Mr Fulford picked up the bill, I got the Uber home.  I guess that makes us quits.